How can photography capture and explore an environment, and accurately record it’s atmosphere to a viewer?

Introduction

“I am interested in the influence of place, and the shape of it around us, as we follow in the footsteps of those who came before.” (anna-Katrina Jędrosz, Isle, 2019).

Environmental documentary photographer Hanna-Katrina Jędrosz said this is how she experienced and encountered a place. She is an influential photographer to my project as I’m studying the environment surrounding Bouley Bay in Jersey. I plan to investigate different features, like Fort Leicester, the Islet, and boats, and other elements of the bay through different methods of photography, such as long exposure, aerial photography, and minimalistic close ups in a studio. This location is especially important to me as I grew up in that area, and regularly went to the beach in the summer. There are many memories that brings cheerfulness, for-instance meeting my friends at the pontoon in the bay, and many barbeques in the hot summer evening. I know this area extremely well and is relishing the opportunity to explore it from different perspectives and viewpoints. Using a selection of photos I have produced, I plan to prove that using photography you can accu depict an environment in detail. I plan to look at photographers Hanna-Katrina Jędrosz and Robert Adams as they document landscape environments well in in a clear way that captures the area in detail. I am using historical context of the bay from the Societe Jersiaise, because they have images and in-depth information on the history of the bay, which I can use in my project to juxtapose time. There are a few links to my pervious projects, such as the Anthropocene project, and how I linked it to water pollution by capturing images around Bouley Bay, which I used to create a photo manipulation from in Photoshop. I have also taken photos at Bouley Bay in other projects, for example, long exposure of the mini waterfall, and a slow shutter speed of waves crashing on the rocks near the L’Islet. For my current project I would like to develop long exposure photography of the bay, and it’s smaller features, also aerial photography to capture unique angles that showcases the bay that aren’t accessible to the average beachgoer. It would be displayed via a photobook that consists of images of the bay, the history of the bay and, images relating to the bay. All of the images that I will use in the photobook I will edit them in Photoshop, mainly using the camera-raw filter as it works extremely will since I only shot in RAW which, produces a .CR2 image. This helps me bring back shadows, highlights, and colour in post production as there is greater dynamic range. Compared to a JPEG file which uses compressed data as there is less information in the image file, so recovering and editing the images is more challenging. The processes I use the most in Photoshop are gradual and radial filters, spot healing brushes, and the clone stamp tool.

Historical/ theoretical context within art, photography, visual and popular culture

There are four main art movements and isms in photography and, they are, Pictorialism, Realism/Straight Photography , Modernism, and Post-Modernism. I plan to look at modernism, creating images inspired by Robert Adams and, Ansel Adams.

Pictorialism

Firstly, pictorialism was most popular in the time period 1880-1920, and the goal of it was to make photographs look like art, and to make them look handmade. There were many methods of creating this effect. The main two ways were to rub Vaseline on the camera lens to blur parts of the picture. Scratch the negative, and use chemicals to create an interesting print, information from The Genius of Photography. (Archive, 2007). Alfred Stieglitz was later dubbed Hill “the father of pictorial photography” and featured his and Adamson’s photographs in his publications and at the Little Galleries of the Photo-Secession in 1906. (TheArtStory, 2018).

Realism and Straight Photography

Realism and Straight photography was effective approximately around the time period 1915, and its purpose was to use the photographic medium and it’s ability to provide accurate and descriptive records of the visual world, information from The Genius of Photography. (Archive, 2007). Gustave Courbet was the first artist to self-consciously proclaim and practice the realist aesthetic. After his huge canvas The Studio (1854–55) was rejected by the Exposition Universelle of 1855. (Britannica, 2020).

Modernism

Modernism is what relates to my project the most, and I what Robert Adams fits into, as he is most know for taking photos of the American West, which is the same objective that Ansel Adams had, who is considered the most important landscape photographer of the 20th century. (Britannica, 2020). Ansel Adams and Robert Adams are both environmentalists and use photography as a tool to highlight areas of the natural world that they care about. However, Ansel focuses his lens on the beauty of nature and he produces romanticised images, compared to Robert, who photographs the man-made world in the American West.

Modernism is characterised intellectually by a belief that science could save the world and that, through reason, a foundation of universal truths could be established. The common trend was to seek answers to fundamental questions about the nature of art and human experience. (The Genius of Photography, 2007). To get answers to their questions they would have to view the situation from a different angle, the quote sums it up nicely. “Our vision will be changed because we can see the world from unfamiliar viewpoints, for instance, thought a microscope, from the top of high buildings, from under the sea.” (Photography: A Critical Introduction, 1988: 19) This implies that by viewing the situation differently, there is a whole new way of thinking that introduces new ideas and new concepts, as it was a whole new notion, “modernism aimed to produce a new kind of world and new kinds of human beings to people it. The old world would be put under the spotlight of modern technology and the old evasions and concealments revealed.” (Photography: A Critical Introduction, 1988: 19). This is explains the changes in art movements and, how people are focusing on the future by putting the old movements behind them, however not completely forgetting them, which would help embrace the future and, what it holds.

Postmodernism

Finally, Postmodernism is the newest art movement and ism, and it has been in place since the second half of the 20th century. “Writers on postmodernism postulated the idea that modernity had run its course”. (Photography: A Critical Introduction, 1988: 21). Meaning that there was a new way of work, which allows new artist to take lead and express themselves.

Postmodernism is relativism, and it is the belief that no society or culture is more important than any other. It explores power and the way economic and social forces exert that power by shaping the identities of individuals and entire cultures. (The Genius of Photography, 2007). It gives everyone a fair chance as, “no longer governed by, so called, ‘grand’ or ‘master’ narratives.” ((Photography: A Critical Introduction, 1988: 21), which allows people to embrace the full chance of freedom, so they can create what they ideal.

There are many examples of post-modernistic art, however the most recognised founder of the Postmodernism movement is Jacques Lacan, who was a prominent French psychoanalyst and theorist. His ideas had a huge impact on critical theory in the twentieth century and were particularly influential on post-structuralist philosophy and the development of postmodernism. (Tate, 2017). A good example of Postmodern work would be “The Destroyed Room” that was created by Canadian artist, Jeff Wall in 1978.

This image shows exciting and vibrant colours that contrasts the abandoned, destroyed room. It aims to explore themes of violence and eroticism inspired by Eugène Delacroix’s monumental painting The Death of Sardanapalus. (Gagosian, 2018). The emotion that Wall is trying to express within his artwork is the anger and hatred after a breakup from a relationship. This explains why the main colours in the image is red, because red represents violence and blood. However, red is also the main colours that dominates Delacroix’s painting, along with the skin tones of the women in the painting. Therefore, I believe that Wall has created a modern version of Delacroix’s painting by taking inspiration form it, however instead of focusing on people and their emotions, he has focused on objects and belongings to visualise a heartbreak .

Robert Adams

The first photographer I have decided to study is Robert Adams, as he is a historical photographer who has documented the extent and the limits of our damage to the American West, recording it in over fifty books of pictures, both reasons to despair and to hope. (Fraenkel Gallery, 2012) His work is very well known and he fits into the modernism art movement, as his photos embrace its social, political and aesthetic potential, experimenting with light, perspective and developing?, as well as new subjects and abstraction. (Tate, 2016). Adams study on the American West link to my project in the same way that Jędrosz’s work does. This is through the study of an environment within an area. After reading a small section in Robert Adams book, “Beauty in Photography”, Adams describes how an image is meaningful even if it isnt the best image in the world. “For a picture to be beautiful it does not have to be shocking, but it must in some significant respect be unlike what has preceded it (this is why an artist cannot afford to be ignorant of the tradition within his medium). This is quote is from Adams influential book Beauty in Photography (which provides a theory on his approach to landscape photography), and it means Adams feels that for an image to be good it must be different and unique compared to what other people have captured.

When analysing one of Adams many books, “Beauty in Photography” he started the essay off with the quote, “The beautiful places to which we journey for inspiration surprise us by the melancholy they can induce.” (Adams, 1996: 13). A reviewer said, “I found this to be an interesting statement and one I can agree with. I am not really a landscape photographer myself, I can appreciate a good image but I often feel uninspired in my own attempts.” (35mmc, 2020) This really shows how Adams produces exceptional photographs which have the ability to inspire other people, which is why he is considered one of the most important and influential photographers to capture the American West. By Gilman (the reviewer) being inspired to practice photography herself, means that Adams has had a strong influence on her, however when Gilman realises that she is not a master at photography, it makes her more appreciative of Adams work. Many people may agree to the statement, “I often feel uninspired in my own attempts.” (35mmc, 2020). And the main reason is because they are not decided to photography in the same way that Robert Adams is, therefore the work they have produced seems bad and less important when being compared against Adams work.

When Adam’s was asked in an interview, “How do you go about finding the photograph you want to take?”, he spoke about how Ansel Adams pre-visulises all the details and specially plans the photoshoot, however Robert Adams doesn’t take the same approach and he said, “You do try to get as much as you can right there on the spot when you make the exposure, but there are a lot of surprises in photography. If you’re not interested in surprises, you shouldn’t be a photographer. It’s one of the great enlivening blessings of the medium.” (Art21, 2017). This shows how Robert Adams has a natural eye for photography and is very good at improvising according to his surroundings. It also shows how Adams had patience as he would have ended taking more photos than he planned and each exposure would have taken a long time. Finally Adams is also saying how unique and different each shoot can be, by using the word, “surprising”, this is the way to get the best photographs, which Adams described as the, “blessings of the medium.”

These are two of his photographs that I picked from a wide range of Adams work in Western America.

These two images where both taken by Robert Adams. The image on the left shows temporary caravan housing which contrasts with the mountain in the background, as the rectangular lines on the caravans clash with the smooth nature lines from the mountains on the horizon. The bottom half of the image being congested creates a busy, active, loud atmosphere that creates a conflict in emotion with the tranquil, clam, peaceful mountains and clear sky. Despite the cameras not being as advanced, this image is very clear and contains lots of details.

The image on the right is a more zoomed in shot to create a deeper personal connection. This effect is achieved by focusing in on the drive way of the house. The image is slightly under exposed, which makes the highlights more noticeable, therefore making the car a focus point. Adams commonly makes the 50/50 split in the image rather than using the rule of thirds, but in both of these image it works out well.

Hanna-Katrina Jędrosz.

The second photographer I’ve decided to study is Hanna-Katrina Jędrosz. She is a contemporary photographer who does documentary work with places, people and the environment in focus. In 2017 she did a photo series on the Rummu quarry. It stands as a remnant of the cold war. She highlighted the recent trials of refurbishing the area into something more beneficial to the nearby society. (Academy, 2021). This links with my study on a geographical point, such as Bouley Bay. I can study how Jędrosz has captured the quarry in a way which makes the viewer see the historical value of the site, before it is destroyed. Jędrosz uses several photographs from different vantage points to represent the location. Doing so she creates unique and interesting angles that reflects the areas age and emotion. The shots consist of a variety of close ups of walls with iron rods in them, barbed wire fences vanishing into the horizon and, a low squatted building on a frozen lake. All of the images have been shot during winter, and what seems to be a single photoshoot. This gives the collection of images a general look, which is a cold atmosphere, however it would have been nice to see the location in different seasonal states, as it would have give the quarry a whole different look. Although, after research, this aproach of showing the area in different lighting, seasons and, moods goes against Jędrosz’s way of work as this question in an interview was asked, “What influenced your photography?”, and she replied, “The people and places I photograph have the biggest influence on my photography. I try not to impose too much, and to respond to what’s happening in front of me in a genuine way, to make photographs that are a documentation of an encounter.” (Academy, 2021). This is evidence that Jędrosz likes to capture the initial, untouched environment, and how she doesn’t want to manipulate the location, as it wouldn’t produce an authentic image. This would take some of the meaning away from the final image.

Jędrosz fits into the contemporary documentary photographer category, which is a style of photography that provides a straightforward and accurate representation of people, places, objects and events. (Tate, 2017) These are my two favourite images from the Rummu Quarry photo collection, and they are an accurate representation of place, as she has used the quarry landscape to set the scene. Photos captured for contemporary documentary purposes, like Jędrosz’s images, are often used in reports such as, in the newspaper and on the news. Jędrosz’s images of the quarry were useful as the Rummu Quarry was being assessed for redevelopment, therefore she documented the quarry before it was repurposed or destroyed.

The image on the left is my favourite image. It shows the area in a wider perspective, and Jędrosz has made an extremely powerful composition by including small hints of the side of the cliff, which creates depth to draw the eye into the middle of the image, where the building is located. The spacing between the building and the land is mostly consistent, which adds to create a visually appealing composition. The building having the same colours as the rocky cliffs around it means that the blue, frozen ice emphasis the focus on the building. The blue ice constructs a balance between the light blue, hazed sky, which makes the viewer notice the brown areas more, this is because blue and brown are the main two colours in this image. Overall, the vantage point Jędrosz has taken this image from and inspired me to use high pinot to take images from to get the aerial photo type look.

The photo on the right is extremely different to the other image. It doesn’t show the general area that is surrounded by miles of trees, instead it show the security measures in place and provides a more realistic representation of what it would of been like to work at the quarry when it was open during the rein of the Soviet Union. The meaning changes when you look into the historical context of the quarry. “The workers were drawn from the near by Rummu Prison” (Hanna-Katrina, 2010?). Knowing that prisoners use to work at the quarry creates links to the barbed wire fences, and the graffiti, which could have been done by the released prisoners or street artists.

Conclusion

In conclusion, both Jędrosz and Adams capture an environment in detail and, they accurately recreate the atmosphere as if the viewer was there. The main similarities between both photographers, is that they both include a wide variety of shots from the same location to provide more infomation about the place. For example, a wide angle view of the location, and a close up shot of objects in the environment. On the other hand the main difference is that Adams shoots in black and white, where as Jędrosz shoots in colour.

For Adams only being able to shoot in a monochromatic format, the image he produces often contains a more moody atmosphere which creates stronger emotions, as there is a greater contrast between certain elements in the image. Plus, shooting in black and white can removed some visual distractions by removing distracting colours to simplify the final image. Without colour, it is sometimes easier to make out the photographic camera techniques used in an image such as, framing, form, positioning and, surface texture. Robert Adams once claimed, “Black and white are the colours of photography,” (NYTimes, 2012) meaning that Adams feels that he doesn’t need colour to create the perfect image. On the other hand, colour is an important variable in landscape photography. It creates a visually appealing image which draws the viewer into the image where they can notice smaller details, which might have been missed if the image was in black and white, as colour in landscape photography can help differentiate depth and detail in an image. Colour can be used to convey emotion such as, cold and warm, it can also show emotion using the lighting conditions and the weather.

Another difference is that Adams composition in his images seem more precise, compared to Jędrosz. The main reason I think this happened is because Adams uses a large-format camera which is much slower to operate and can only make one exposure at a time, whereas Jędrosz uses a digital camera, so she can quickly and efficacy capture images. The large format camera was the best camera at the time for taking landscape images, as it had incredible detail and focus, a shallow depth of field and, interchangeable lenses. Both photographers capture different environments in their own style, and affectively showcase a whole geological location with a selection of images.

MT: You need to redo the way you reference sources as it doesn’t make sense. Use Harvard system of referencing

Bibliography

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Hanna-Katrina Jędrosz photo (Left): http://www.hannakatrina.co.uk/oldstone/rxrz38mskho1qqik5jgu89qm038f6d

Hanna-Katrina Jędrosz photo (Right): http://www.hannakatrina.co.uk/oldstone/ixspoh80iz62t8aslein3hsqgsq5tv

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Robert Adams Photo (Car/Right) https://www.google.com/search?q=Robert+Adams+photos&safe=active&rlz=1C1GCEA_enJE982JE982&source=lnms&tbm=isch&sa=X&ved=2ahUKEwj538ncodz1AhWPQEEAHZeDCpgQ_AUoAXoECAEQAw&biw=1920&bih=937&dpr=1&surl=1#imgrc=aVnrgzYwWffsHM

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