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History of photography

A Brief History of Photography and the Camera

Camera Obscura

During our photography lessons we watched  ‘Fixing the Shadows’ from BBC Genius of Photography, Episode 1. We learnt about the historical timeline of photography and how photography grew to what it is now. The documentary went through the timeline of photography and the different influences on photography now. Photography began in the late 1820s in France. In the early 18th century they discovered camera obscura image projection and the observation that some substances are visibly altered by exposure to light. A camera obscura is a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole. The result from camera obscura was that an inverted image of the outside scene was cast on the opposite wall, which was usually whitened. As well as being used for photography they used camera obscura for centuries to view eclipses of the Sun without endangering the eyes and in the 16th century it was used as an aid to drawing; the subject was posed outside and the image reflected on a piece of drawing paper for the artist to trace. Portable versions were built, followed by smaller and then even pocket models, the interior of the box was painted black and the image was reflected by an angled mirror so that it could be viewed right side up.

Optics: the principle of the camera obscura. Engraving, 1752. | Wellcome  Collection
Experiment: Making a Room-sized Camera Obscura | Learn Photography by Zoner  Photo Studio

John Nicéphore Niepce

Nicéphore Niépce,was born March 7, 1765 in France and died July 5, 1833. He was a French inventor who was the first to make a permanent photographic image. Niépce’s main problem and inspiration for creating photography was an unsteady hand and weak drawing skills, which then led him to attempt to find a way to capture images permanently without relying on his poor drawing skills. He developed heliography, which was a technique he used to create the world’s oldest surviving product of a photographic process: a print made from a photoengraved printing plate in 1825. Niépce experimented with the use of silver chloride, which darkened when exposed to light, but found it was not sufficient to produce the results he desired. He then moved on to bitumen, which led him to creating his first successful attempt at capturing a nature image. His process involved dissolving bitumen in lavender oil (which is a solvent often used in varnish), he then coated a sheet of pewter with this mixture and placed it inside a camera obscura.  Eight hours later he removed it and washed it with lavender oil to remove any unexposed bitumen and was then left with an image.

Joseph Nicephor Niepce: The First Photographer

The earliest surviving photo from Niépce is from 1825. It is said to be taken at his family home in France.

Louis Daguerre + Daguerreotype

Louis-Jacques-Mandé Daguerre was born on the 18th November 1787 and died on the 10th July 1851, he was a French artist and photographer, recognized for his invention of the daguerreotype process of photography. In 1829, Daguerre partnered with Nicéphore Niépce. Niépce died suddenly in 1833, but Daguerre continued experimenting, and evolved the process of the daguerreotype. It wasn’t until 1838 when Daguerre’s experiments progressed to the point where he felt comfortable showing examples of the new medium to selected artists and scientists in the hope of lining up investors. François Arago was among the artists Daguerres shared his work with and he offered Daguerre a lifetime pension in exchange for the rights to his process. 

The daguerreotype was the first commercially successful photographic process in the history of photography. Named after the inventor, Louis Jacques Mandé Daguerre. To make the image, a daguerreotypist would polish a sheet of silver-plated copper to a mirror finish then they would treat it with fumes that made its surface light sensitive then they exposed it in a camera for as long as was judged to be necessary, which could be as little as a few seconds for brightly sunlit subjects or much longer with less intense lighting then made the resulting latent image on it visible by fuming it with mercury vapor which removed its sensitivity to light by liquid chemical treatment; rinsed and dried it; and then sealed the result behind glass in a protective enclosure. Each daguerreotype is a unique image on a silvered copper plate. Unlike photographic paper, a daguerreotype is not flexible and is instead heavy. The daguerreotype is accurate, detailed and sharp and has a mirror-like surface and is very fragile. As the metal plate is extremely vulnerable, most daguerreotypes are presented in a special housing. Daguerreotypes were very expensive, so only the wealthy could afford to have their portrait taken. Although the portrait was the most popular subject, the daguerreotype was used to record many other images such as topographic and documentary subjects, antiquities, still lives, natural phenomena and remarkable events.

The Daguerreotype - Photographic Processes Series - Chapter 2 of 12 -  YouTube

George Eastman + Kodak

George Eastman was born July 12th, 1854 and died March 14th, 1932. He was an American entrepreneur who founded the ‘Eastman Kodak’ company and helped to bring the photographic use of roll film into the mainstream. Eastman invented the Kodak camera, helping make photography accessible to the public. In 1888, he sold his first Kodak camera which consisted of a box camera with 100 exposures that used paper negatives. Once consumers had used their 100 exposures the entire camera was sent back to the manufacturer for developing, printing, and reloading when the film was used up. Eastman Kodaks slogan was “You press the button, we do the rest”. 8 years later he went on to develop the first Brownie camera, which was intended for children and sold for one dollar These cameras quickly became popular due to its simplicity which helped greatly accelerated the growth of amateur photography, especially among women, to whom much of the Kodak advertising was addressed. By simplifying the apparatus and even processing the film for the consumer, he made photography accessible to millions of casual amateurs with no particular professional training, technical expertise, or aesthetic credentials. Within a few years of the Kodak’s introduction, snapshot photography became a national craze and ‘smiling’ for photos became the new thing rather than previous set up portraiture.

Kodak Photography: This Is the Oldest George Eastman Camera | Time
First Kodak camera invented in 1888


Brownie (camera) - Wikipedia
Kodak brownie camera

Review and reflect

During year 12 we explored many different topics and did many different projects. We looked at themes such as Anthropocene , street photography , portraiture abstract and many more. This has allowed me to be able to find out how the themes I enjoy photographing the most as I have been able to try many themes and now in year 13 I know where my strengths are and where I can focus on project on. We also experimented with many different skills in photography for example different lighting techniques and using artificial and natural lighting and creating a film.
Over the photography course I have mainly enjoyed focusing on the portraiture and object based shoots. I enjoyed shoots in the studio where I use artificial lighting and set up the shoot rather than using a more natural setting. I feel my strengths are within portraiture photography as I like being able to control my shoots and set up the lighting rather than having to work around a set up. I like portraiture photography as I like being able to express peoples emotions in a powerful image as I feel this creates a good image and can give the viewers a message and can be open for interpretation.

I particularly liked this shoot as I enjoyed experimenting with different colours whether that’s red , blue or even black & white. I liked being able to create a contrast of colours as this can create a message for the viewers and I feel it creates a strong image. I was very happy with my final outcomes from this shoot and felt I created some good images.

I thoroughly enjoyed the identity shoot and project we did. I took portrait images and then cut out facial features, burned the eyes of the image and ripped or cut the image in order to adapt the image and create a new feel from the image. I enjoyed playing around with the image and being able to change and manipulate the image as I feel it completely changes the meaning of the image and makes it a more interesting image to look at.
For this shoot I looked into the artist “Rosanna Jones” who was London photographer who specialises in a blend experimental blend of art and photography and celebrates the possibilities with an image. She is known for ripping up, painting over and destroying images. Her work is aimed at examining visual identity and notions of embodiment. I wanted to use her as I liked her style of work and her reasoning behind it. I feel like I could do so much and had lots of ideas and felt like this allowed me to be very creative.

These images were my final images from my Anthropocene project. In this project I used items which are seen as harmful to the environment and cause world wide issues for the global warming. I enjoyed experiment with using objects within my images to help adapt and enhance the portrait image. I was able to use these objects to change the view, visibility and concept behind the images.

Although my main preference within photography was portraiture photography I still explored landscape photography.

These images are from my street photography project where I went out into St Helier and photographed people without their knowledge of me taking the image in order to capture a real time image which is not staged.

Editing in lightroom

First I created a collection set and then imported all my images into my identity and community folder.
Then I went through my images and flagged (white flag) all the best images I want to use and aimed to half the amount of images I took. The white flag made it easier in the editing process to be able to quickly identify the images I chose as my best ones.

I then went through and started to edit all the flagged images from my first and second shoot. I played around with many different editing tools and adjusted the colour , brightness and shadows on my images to create the perfect lighting and an image that I was happy with. I decided to put some of my images into black and white to create extra effect on those images. I mainly used black and white on the portrait images from shoot 1 as I felt it drew more attention to the emotions on the models face and more emphasise to the image.

Shoot 1 edits

For shoot 2 I had less images however I feel my images in shoot 2 replicated different cultures and communities within Jersey that aren’t just Jersey born communities.

Shoot 2 edits

embroidery gif

I wanted to make a gif of my process of creating my embroidery stitch. I took multiple images of my stages as I went along with my stitching.

How I made the GIF

Firstly I created a folder containing all the images I took during my stitch up until the finish product.


Then I opened up my first image in Adobe photoshop and dragged my other images, in order, over the top of the original image which created 4 layers.
After all my images were layered I went onto windows on the top of the screen and clicked on ‘Timeline’ which then showed me all my images. I then had to click on the drop down and select ‘Create frame animation’ which brought me to the image below.

Then I clicked on the small lines in the right hand corner and chose ‘Make frames from layers’ which then created and brought together the GIF.

I found the images were going to fast on the setting Adobe chose so I changed the seconds to 0.2 seconds to create my final outcome which I was happy with.

bayeux tapestry

The Bayeux tapestry is a embroided cloth that is nearly 70 metres long and 50 centimetres tall, which portrays more than 70 scenes of the events leading up to the Norman conquest of England in 1066 by the Duke of Normandy. It tells the story from the point of view of the conquering Normans but is now agreed to have been made in England. The story begins with a introduction to Harold’s visit to Bosham on his way to Normandy in around 1064 and ends with the flight of Harold’s English forces from Hastings in around 1066, however the story should have been taken further and should end with the Anglo-Saxons fleeing at the end of the Battle of Hastings in October 1066 but the end of the tapestry strip is missing.. Along the top and the bottom of the tapestry runs decorative borders with figures of animals, scenes from the fables of Aesop and Phaedrus and some scenes related to the main pictorial narrative. 
The tapestry is made up of 13 chapters each containing a various amounts of scenes within the chapter. Each chapter tells a different part of the story, developing the story in each chapter and scene.

Bayeux Tapestry: Story & Importance Explained, Plus 8 Amazing Facts -  HistoryExtra


When first referred to in 1476, the tapestry was used once a year to decorate the nave of the cathedral in Bayeux, France. This made the tapestry be discovered by by the French antiquarian and scholar Bernard de Montfaucon who then went on to produce the first reproduction of the Bayeux tapestry in 1730.Bernard de Montfaucons reproduction of the tapestry was exhibited in Paris at Napoleon’s wish in 1803–04.
The tapestry is of greater than a work of art, it is also important evidence for the history of the Norman Conquest, especially for its evidence of Harold’s relation to William before 1066.

An object a day #26: The Bayeux Tapestry - Winkle Picker

In the 19th century a group of Victorian embroiderers take on the project of recreating the Tapestry in its entirety, where they reproduced every single detail stitch-by-stitch so that the Tapestry’s story could be enjoyed by people in England.

https://www.britannica.com/topic/Bayeux-Tapestry

nft storyboard

Plan

WhatWe will be filming someone walking infront of a still image that we have found in the archives from that time period or a photo we have taken.
WhereHautlieu drama studio.
WhoEveryone in our group will being in the video all dressing up as the different eras.
HowWe will use a projector and blank white screen to project on and have the camera set up on a tripod. We will take multiple shots with different models and outfits and then edit them to make it look like the models are walking seamlessly as one and all flow into one 30 second video.
WhenAfter school, however when the shoot is done doesn’t matter as we are using artificial lighting.
WhyWe want to show the difference in clothes over the years and that no matter how much technology and the world changes clothes stay the same and come back into fashion.

Shot type

Shot type: Long shot 

Location: Drama studio with projector background of image from archives or one we have taken.

Props: Phone, headphones or object from the specific era

People: The people in my group (Cerys, Anais, Anya and Jess)

Summary

Our 30 second clip will consist of someone from the group walking in front of a screen where a image to match that era will appear and they will be wearing iconic clothes to match. The clip will cut from different eras while the model walks looking like they are continuously walking through the different eras. The end will have short cuts from each scene with new outfits from alternative eras then suddenly stop while the model turns towards the camera dressed in all black with a plain white background to leave the viewers thoughts open to interpretation.

nft artist reference

Beeple

Beeple is Mike Winkelmann, a graphic designer from Charleston USA who does a variety of digital artwork including short films, everydays and VR/AR work. He has done work for Apple, Nike, Coca-Cola, Pepsi, Samsung and many more known brands. He is known for creating comical, illusive works that makes political and social commentary while using pop culture figures as references.

Everydays – 2020 collection

Everydays the 2020 collection focuses on society’s alternating obsession and fear of technology. It showcases digital images which incorporate the old with the new and mixing natural landscapes with objects/living things which do not match and would not work together.
This collection by Beeple uses the same concept as the work we want to produce as a group, focusing on the generational change in the world and universe and the old vs new.

The Beeple Collection: It Was Us - by Metapurse - The Metapurser

Everydays – The first 5000 days

Everydays the First 5000 Days is a collage by Mike Winkelman work which starts at the beginning of the project, when he was posting seen to be crude sketches and it runs through years of evolving digital shapes and sceneries up through the beginning of this year, when he was posting extremely crude political illustrations. Beeple created a new artwork every day for 13 years which then created the collection which was completed on February 21st 2021. On March 11th 2021, Everydays the first 5000 days was sold at a auction for $69 million, the auction housed named him “among the top three most valuable living artists”.

Digital NFT art by Beeple called The First 5000 days which only exists as  computer image sells for $69.3m

https://www.theverge.com/2021/3/11/22325054/beeple-christies-nft-sale-cost-everydays-69-million

Grimes

Grimes combines the styles of gamer fantasy, anime and manga and science fiction among other genres, she likes explores the theme of Anthropocene in her NFT’s which is used to describe the most recent period in Earth’s history when human activity started to have a significant impact on the planet’s climate and ecosystems.

WarNymph Collection

WarNymph is the Goddess of Neo-Genesis. She battles the destructive force of old fashioned ideas and systemic decay which threatens the future, she embodies the power of eternal regeneration that manifests in a shape of infinite infancy where she sheds her old skin of corruption.

WarNymph collection is a series of 10 pieces which Grimes created with her brother, Mac Boucher. Some pieces were one of a kind, others with thousands of copies went up for sale on Nifty Gateway on February 28th. The highest selling piece was a one-of-a-kind video called “Death of the Old” which involves flying cherubs, a cross, a sword, and glowing light which is set to an original song by Grimes. This was sold for $389,000.

https://niftygateway.com/collections/warnymphvolume1

The works titled “Earth” and “Mars,” are both short videos which feature their planet with a giant cherub over it holding a weapon which are also set to original music by Grimes.

Grimes made over $5 million selling her NFT crypto art collection
Death of the old
Earth - Grimes x Mac | OpenSea
Earth
Grimes Just Made Over $5.8 Million With Crypto Art NFT WarNymph Collection  Vol 1 - This Song Is Sick
Mars

Grimes, with the WarNymph project, explores the fluidity of identity in the virtual age, exploring the ability to create, and splinter ourselves into unlimited avatars, create boundless worlds, and build rich and complex myths. She creates this by using a human form, herself and then merging a photogrammetry scan, using photos to map and take measurements and a retopologised mesh that was made into different forms to essentially create a digital version of herself.

Maddog Jones

Replicator

Maddog Jones created a NFT called replicator which made Mad Dog Jones the most expensive living Canadian artist. “Replicator is the story of a machine through time. It is a reflection on forms of past groundbreaking innovation and serves as a metaphor for modern technology’s continuum. I’m interested to see how collectors will respond as the work evolves and the NFTs in their possession continue to create new generations.” —Mad Dog Jones.
Replicator is an NFT experience consisting of seven unique generations of artworks. Generation 1, which is to be sold at auction, begins as a singular illustration of a photocopy machine in an office space in LA. This first generation NFT will produce six NFTs, one per month, with each generation being unique from those before and after it. Each future generation will produce one less artwork in its lifetime until it reaches Generation 7, which will produce no new NFTs.

Mad Dog Jones Is the Most Expensive Living Canadian Artist After Phillips's  $4.1 Million Sale of His Self-Replicating NFT

The visual component of this work, a digital image of a photocopier housed in a Los Angeles office space, is a nostalgic indicator to a once-cutting-edge technology, now on its way toward obsolescence. 

Statement of intent

The NFT project was based off the question What will the future of Jersey look like as a community in the metaverse?

As a group we have decided to create an NFT based on generations , we will try and capture the way people are dressed, inside homes and their day to day life. We plan on showing the difference between old, current and future specifically in fashion and lifestyle. We will try and predict future trends and lifestyles. We want to capture fashion as part of the generations as as a group we feel fashion can show and tell a lot about a person and their personality. We are also capturing lifestyle as a persons lifestyle is a major part of them and their community as different people we meet in our everyday lives whether they are people we know or strangers influence us as people and therefore Jersey.
To capture this in our 30 second animated film we plan on using a projector and a background with an image from the era of that clip and someone walking through different eras dressed in the fashion of that era (1970s, 2020 and future). As they walk through the different eras they will change clothes and have different objects from that time period.

We're working towards Afrofuturism': inside a radical new NFT exhibition |  Art | The Guardian

Our digital image will be a a picture from each clip of each outfit era in a line from one side of the image to another, inspire, similar to these images.

Side View Of Business Team Walking In Row Stock Photo - Download Image Now  - iStock

We have looked into some NFT artists and taken inspiration and ideas from their work, shown below.

nft research

What is a NFT?


NFT stands for non tangible token which represents  an artwork, an article, music or even a meme. The word fungible is an economic term which refers to a good or asset that can be exchanged for another good or asset of equal value. If something is non-fungible it means it can’t be swapped for something of equal value.
Every NFT has got its own identity and characteristics.  They are bought and sold online and are generally encoded with the same underlying software as many cryptos. NFTs are generally one of a kind, or one of a very limited run, and have unique identifying codes.

Why Gucci and Rimowa are cashing in with NFTs – after the digital art boom,  luxury brands are next to ride the crypto wave | South China Morning Post
NFTs or non-fungible tokens: The new kind of digital art that could prove a  bonanza for creators - ABC News
21 examples of NFTs and how to get inspired by them
Examples of NFT’s

2 Lives project

The 2 lives project is Jersey’s first art exhibition which connects Art and Finance, through the introduction of NFTs. 2 Lives will consist of a traditional art exhibition, but in the metaverse. The Metaverse is the total amount of all the digital assets that live in the web and is a collective virtual shared space, created by the joining of virtually enhanced physical reality.
The entire project aims to educate visitors about NFTs to present opportunities and ideas to artists, curators, students and creators.

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IDENTITY AND COMMUNITY – NARRATIVE AND SEQUENCING, DESIGN AND LAYOUT

A narrative is the way in which a story is told. Focusing on narrative, my zine will focus be telling the story of Jerseys cultures through images. I will be photographing various areas of St Helier in order to collate a few shoots worth of images representing different cultures within Jersey and areas where a certain culture is heavily populated or own businesses within the area. Im going to be using the images from my Identity and community shoots where I photographed people, places, hidden buildings and different landscapes in Jersey. I feel this will create an interesting zine and tell the narrative of Jerseys diverse range of cultures.

Sequencing- My zine will be simple but contain different layouts. Some images will be full bleed others may be a small box within the page. I will create a juxtaposition with some images that I feel work together well and create a good contrast. I also want to experiment with the use of colours within my zine by experimenting with juxtaposing images with the same strong outstanding colour and vibrantly coloured images next to a black and white image.

Experimenting

Full bleed:

Small boxes:

Juxtaposition:

I liked my juxtaposition images as with the portrait one, when speaking to the lady in the image she mentioned she worked in finance so I took an image of a typical looking finance building in Jersey. With the second I decided to go based off colour, in both images theirs a strong deep orange coming through.