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shoot 2- ingrained in nature

Plan

What: This shoot represents the view of abandoned places how they are merge with nature, and how nature can always find the way to fight and continue growing .
When: I decided to do the shoot in the middle of the day to full appreciate nature in all its glory.
Why: As in my last shoot, Im trying to make aware of the damage we are doing to the planet and especially show how nature is wise and we dont know how to respect it.

Contact Sheets

First Selection

Comparison

Both of the images are taken from the outside so there’s use of natural lights, the light is soft. The main thing on the two images are the buildings covered in green, the nature that continues to grow on these buildings. The shapes are not the same, Yves Marchand & Romain Meffre have geometric shapes on their image since the building is a repetitive pattern of rectangles mine on the other hand there more organic shapes since the rocks on the building are curvy. However in my picture, the contrast between the lights and the shadow on the building create straight edged so geometric shapes. In Yves Marchand & Romain Meffre’s image we can see shade in the building which creates depth and creates more space. There’s also negative space above the building since the photographers decided to take picture of the sky as well on the contrary of my picture in which we do not find a lot of negative space. On both of the images we can find to types of texture one soft (plants) and the other as strong as a rock we can recognize these textures by the soft lines on the plants while the buildings and the stones have stronger lines. The colour pallets are roughly the same we find grey, different types of green, blue, brown, yellow…

editing testing

Test 1 b/w

Test 2 Blur

I wanted to edit my photos to explore new ideas and meanings. To create a story between humans and nature. For that I used photoshop. I decided to use different special effects like black and white, blur… For the first picture I used the lasso tool to select the middle after that I inversed to select only the outside part of the it . I choose to put the outside in black and white because I wanted to give an more sad atmosphere to it. I highlighted the objects to show the waste. For the second picture I decided to use the lasso tool again to have two parts one that is full of rubbish and the other that is clean. To create the part full of waste I cut out parts of chairs from another photos then I pasted them on my image. With these effects I want to show a side that we could have if we do not pay attention to what surrounds us. The two tests represent the waste that we live with. For the third one I decided to do something simpler I use a picture from my second shoot because it had more nature to it. I just use the blur tool to demonstrate the nature vanishing bit by bit.





inspiration: George Marazaki / Yves Marchand & Romain Meffre

George Marazaki

George Marazakis born in 1976 in Creta Island Greece where he resides with his significant other and their child. He contemplated Mechanical Engineering and works for the Municipality of Heraklion.

Yves Marchand & Romain Meffre

Since 2002, photographic artists Yves Marchand and Romain Meffre have been joined by their common enthusiasm for contemporary remnants. They catch lost goals and blurred wonder by shooting the structures that are abandoned. Present day ruins or outdated, deserted structures, reused for business purposes as shops or markets, are carefully caught. Their fine art is on occasion startling and distancing, yet continually entrancing and alleviating.

Inspiration: Troy Paiva & andrew moore

Troy Paiva

Troy Paiva light-painted nightwork catches the deserted and disposed of underside of the American West. He sneak through wall during the full moon to catch the inescapable walk of nature, scrappers and engineers, who plot to delete the blurring recollections of every one of these things we once held so dear. He convert these dim, filthy, puts nobody needs into dreamlike, sparkling wonderlands, beautiful, spooky echoes of what used to be. Troy Paiva just take shots around evening time, by the light of the full moon, utilizing minutes-long openings to catch the discernible entry of time onto a solitary edge. He increase the scene with hand-held light–regularly hued during the openness, dealing with the site like a dull stage set, utilizing dramatic and realistic procedures to deal with the sythesis, make disposition, and lead the watcher’s eye.

Andrew Moore

Andrew Moore examines the convergences of chronicled minutes found inside explicit areas. Through his distinctively shaded, huge scope photos of building constructions and scenes across the world, including Cuba, Russia, Detroit, and the Great Plains of the American West, Moore catches a solid feeling of spot while additionally entangling our straight comprehension of time.

anthropocene – moodboard

Mood Board

Photographers inspiration :

  1. Yves Marchand & Romain Meffre
  2. Troy Paiva
  3. andrew moore
  4. George Marazaki
  5. David T. Hanson

My project:

What I want to do for my Anthropocene photography project is to take pictures of a place abandoned by humans and which is being destroyed by itself little by little. I will be inspired by these photographs Yves Marchand & Romain Meffre, Troy Paiva, andrew moore, George Marazaki, David T. Hanson. My plan is made up of two shoots. The first shoot I want to do is the interior of an abandoned building for that I will be inspired by Yves Marchand & Romain Meffre, Troy Paiva and Andrew Moore. For the second plan my idea and to air the point of view outside the buildings how they destroy a little more each year I will be inspired by George Marazaki and David T. Hanson.

Anthropocene- intro

Anthropocene

What is Anthropocene?

The name Anthropocene is gotten from Greek and means the “late time of man.” Anthropocene Age, informal timespan time, making up the third overall division of the Quaternary Time frame , described as the time in which the aggregate exercises of people started to considerably adjust Earth’s surface, air, seas, and frameworks of supplement cycling. A developing gathering of researchers contend that the Anthropocene Age ought to follow the Holocene Age and start in the year 1950.

Anthropocene photographers:

  1. Edward Burtynsky
  2. George Marazakis
  3. Sebastiao Salgado
  4. J. Henry Fair
  5. David Maisel
  6. Camilo Jose Vergara
  7. Andrew Moore
  8.  Yves Marchand & Romain Meffre
  9. Yao Lu
  10. David T. Hanson
  11. Troy Paiva

Why should we tackle this topic through photography?

We are living in the age of humans, a time referred to by many as the Anthropocene.We caused gigantic changes on our planet, including a dangerous atmospheric deviation, sea pollution, and territory annihilation. Is important to show the damage that we caused, it helps us to reflect in our mistakes and change for the better for our future.

George Marazaki

Lewis Baltz- analysis

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These pictures have been taken by means of American photographer Lewis Baltz in 1972, and are the 1/3 set of prints in an version of three. They shape section of Baltz’s Prototypes sequence that he had begun in 1965, taking snap shots of the post-war industrial landscape. These featured stuccoed walls, parking lots, the aspects of warehouse sheds or disused billboards baked in the regular Californian sunlight. Within these works Baltz remoted normal geometric forms, developing a anxiety between the simplicity of the constructions depicted and the ailment of the subculture from which they emerged.

THE NEW TOPOGRAPHICS-shoot 1

Plan

What- I’m gonna create photos of the new topographics for that I will take pictures of buildings and search for geometric figures

When- this shoot will be taken in the day during the photography class

How- exposure – 80 – IOS – 800

Where – around Hautlieu and highlands.

Contact sheets :

Pictures selected :

Edited:

final selection:





I chose this photo for the little details that can be found like we can see tree branches above the buildings and the reflection of that same tree on the windows of this building which recalls nature if you look close into the building through the window you can see a light bulb which is a human invention so in this photo we can see that nature (tree) is surrounded by human invention (the building). I therefore chose this images because it is the message that I wanted to convey with my image and then there are geometric figures (square and rectangle) like the windows, building, the front door … and we find the geometric figures in the images of the photographs of New Topographics Lewis Baltz or Bernd and Hilla Becher,

The New Topographics

The New Topographics 

Lewis Baltz

Lewis Baltz was born in Newport Beach, California, he studied at the San Francisco Art Institute. He worked as a freelance photographer in California and taught photography at various institutions, including the California Institute of the Arts and the École Nationale Superieure des Beaux-Arts, Paris. His work has been exhibited in New Topographics at the George Eastman House as well as in Mirrors and Windows at the Museum of Modern Art. He has been based in Europe since the mid-1980s and travels a lot.

landscapes

Photo shoot

Plan

Where:

St Catherine

When:

For me it’s better to take pictures in the morning because it’s pretty quiet

Why:

What I’m looking to do is to create some images but influence by Fay Godwin style .

Contact sheets :

Edited:

Final selection :

This my final selection , I choose those two images because I think that they have a pretty resembling style to Fay Godwin style and it’s preety much what I was looking for. I like the images in black and white because there’s a lot of shadows that appears and that we can’t really see on colour.