Troy Paiva

Troy Paiva light-painted nightwork catches the deserted and disposed of underside of the American West. He sneak through wall during the full moon to catch the inescapable walk of nature, scrappers and engineers, who plot to delete the blurring recollections of every one of these things we once held so dear. He convert these dim, filthy, puts nobody needs into dreamlike, sparkling wonderlands, beautiful, spooky echoes of what used to be. Troy Paiva just take shots around evening time, by the light of the full moon, utilizing minutes-long openings to catch the discernible entry of time onto a solitary edge. He increase the scene with hand-held light–regularly hued during the openness, dealing with the site like a dull stage set, utilizing dramatic and realistic procedures to deal with the sythesis, make disposition, and lead the watcher’s eye.

Andrew Moore

Andrew Moore examines the convergences of chronicled minutes found inside explicit areas. Through his distinctively shaded, huge scope photos of building constructions and scenes across the world, including Cuba, Russia, Detroit, and the Great Plains of the American West, Moore catches a solid feeling of spot while additionally entangling our straight comprehension of time.