Fay Godwin initially took an interest in photography from taking photos of her children in the 1960s, alongside that she took photos of landscape, specializing in rural landscapes. She often collaborated closely with writers to supply exhaustive surveys of specific rural topics or regions. Her photography has generally been joined to a convention of romantic representations of British landscape, within the manner of Bill solon or king Smith. But, as a socialist and active conservationist, Godwin makes the land in her images reveal traces of its history, through mankind’s occupation and and intervention. Her pictures show a readiness to reply to the flow of life, to embrace some live of the accidental effects of sunshine and atmosphere. In incorporating components of each truth and figure of speech, Godwin’s work forms one in every of the foremost complete poetic documents of Brits landscape.