Inspiration – Brassai
Brassai (1899-1984) was a Hungarian-French photographer who rose to international fame in France in the 20th century. He is widely celebrated for his signature photographs of Parisian night life and his book ‘Paris By Night.’ Brassai wanted to ‘immobilize movement’ rather than capturing the hustle of the city, he took his images in unfamiliar places to capture the overlooked and forgotten. Brassai stated “most of the time, I was inspired by my everyday life. I believe it is the most sincere and humble depiction of reality, of the most trivial, that leads to the fantastic.” I really enjoy how Brassai captures his street photography in darkness as it creates a mysterious and eerie atmosphere in his images. I also like how he only photographs a minimal amount of subjects in the images as I believe this adds to the desolate, abandoned settings where he captures his photos.
Photoshoot Plan
Who – My aim is to photograph a range strangers with different ethnicities, clothing styles and moods. I hope to capture people with mid-shots, long-shots and some from behind to mirror Brassai’s street photography work.
What – I hope to capture people walking around town with shopping bags, phones, handbags and any other items that could tell the observer more about their personality and life.
Where – I am going to do this photoshoot in St Helier, in the main high-street in town, due to the fact that many people will be walking around there so I will have a range of different people to capture images of.
When – My plan is to complete this photoshoot on Saturday 21st and Thursday 26th of November as during Saturday afternoon’s many people are usually in town and on Thursday night its the beginning of ‘late night shopping’ so I will be able to take night-time photos similar to Brassai.
Why – I aim to take photos of people in their natural state with no posing or pre-discussed settings, I am doing this in order to capture raw moments in time and be aware of my surroundings.
How – I plan on walking through town with my camera in different positions to capture people from abstract angles. Additionally, I am going to act as though I’m taking photos of the Christmas lights, so not to draw attention and make people act differently being on camera.
Contact Sheets
Final Edited Images
Final Images
I have chosen these two images as my final selection as I believe they successfully mirror Brassai’s work while also linking to each other in terms of connotations and meaning. Firstly, I edited my images with a black & white filter to create a mysterious dull atmosphere. This monochrome filter also allows the observer to make judgments on the images without the influence of specific colours symbolising different meanings. Additionally, both photos have a high contrast of highlights and shadows; image one has the dominant tone of white whereas image two has more dark shadows surrounding the subject. In addition, the composition of my images reflect each other greatly as both subjects are stood facing side-on, away from the camera, in the foreground of the photographs. Furthermore, my final images have quite a shallow depth of field as limited landscape and space can be seen in the background. Nevertheless, the minimal space I have captured in the background of my images vastly helps allude to their meaning. In both photographs you can see an elderly man in the foreground and some sort of connotation to youth in the background- image one with a pram and image two with athletic modern clothing. This creates an impression of growth and memory as it shows the juxtaposition of young and old.