blog post 2 – HENRI CARTIER – BRESSON AND “THE DECISIVE MOMENT”

Henri Cartier was a french humanist photographer who was born in 1908 and died in 2004. He was well known all over most of Europe and France for his talent and was considered a master at candid photography (street photography). He was inspired when he was young by his father who was a wealthy textile merchant as well as his uncle, an accomplished painter.

The Decisive Moment –

 The decisive moment refers to capturing an event that is spontaneous, where the image represents the essence of the event itself. This simply means that the event/scene is not set up , its all natural and it captures the day to day life of whatever is being photographed . No poses , no acting , just all original moments. To capture a decisive moment , first you can find a good background, and wait for your subject to enter the frame at the right time, and then click to capture ‘the decisive moment. ‘ Or if wanting a more quicker moment to capture simply taking a photo so quick without the public/ whatever you are photographing knowing. This phrase ‘ the decisive moment’ is known mostly for street photographers such as Henri Cartier who was a co- founder.

Mood Board-

Photography By Henri Cartier..

Analysis –

Henri Cartier-Bresson, The Berlin Wall, Federal Republic of Germany, 1962 |  Peter Fetterman Gallery
Berlin Wall – 1962 – Henri Cartier

In this Photograph we can clearly make out that there are children playing down a street next to a concrete wall that seems to have barbed wire/ electric fence at the top. In fact this wall was the Berlin Wall that physically divided Berlin from east Germany. This wall was created in 1961 as for this photo being taken in 1962 , these children seem to have been interested in such a big change to their town/city.

The image itself was taken in black and white and we can see that the natural light floods in from the top right hand corner. We can tell its day time as there is no artificial lighting. The lighting makes the image look like a gloomy , dull day. In some parts of this image the exposure levels are a bit over what they should be , creating harsh black objects that contrast with the over exposed parts (the bright sky). As for the children being in shorts and dresses , this images seems to be set in a warm environment. As for this photograph being in black and white , the tonal range from light the dark is quite equal . They don’t overall each other. The lines in this image seem to be even and straight mostly. There isn’t much pattern to this image. But when looking at the image first glance, your eyes are drawn down the stretch of alley was as for the angle the picture was taken.

Linking back to ‘ The Decisive Moment ‘ this scene of children playing along the Berlin Wall captures a moment in time as for the children doing there own thing. For example… no acting , they are playing among themselves . Henri does a great job at showing off his talent of understanding what exactly ‘ The Decisive Moment ‘ is, but not only that , he captures a great street photography image.

Comparing and Contrasting Henri Cartier’s Work to John Bulmer’s work –

John was known for his use of colour in photojournalism. His street photography links to Henri Cartier as for capturing ‘ The Decisive Moment ‘ . His photography captures moments in time/scene/event. As for his photography is a bit more modern than Henri’s , he still photographs in style of Henri’s images. For example…..

Comparing Johns and Henri’s photography –

Left Image – 1964 Durham (John Bulmer) Right Image 1962 Berlin (Henri Cartier)

Both images have similarities such as the setting the photo was taken in. Both images have children playing among themselves and are set in a street/alley with concrete walls surrounding the children. The dull atmosphere such as the bare skies and grey flooring creates a cold/boring scene. The colours that stands out in Johns work (the red jumper or the blue dress) gives off a more intriguing look towards the photograph. This draws the viewers eyes more to johns work then Henri’s work. Another similarity found would be that both images have a stretch of alley way looking down the picture which draws our eyes towards the natural light down the image to the right. Even though both images are set in different areas of Europe, they both have that olden feel to them. As for in present time children are found using their free time on technology, in the years 1962-1964 (when these images were taken) children would be found playing in the streets with whatever they can find.

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