Identity And Community – ‘People Make Jersey’

People Make Jersey Exhibition

‘People Make Jersey’ was an exhibition held at the Jersey Museum which we visited on Monday June 7th. Information and facts on resident’s of Jersey’s history were displayed around the site, from farmers to local last names, the exhibition told it all. We started the day with a talk from an expert at the exhibition who took us around the area explaining different sections, such as information on religious/political refugees, economic migrants that arrived to support new industries such as oyster fishing, ship building, construction, agricultural workers and tourism.

Statement from ‘People Make Jersey’ –

‘Every Jersey resident has an immigration story – whether their family came here 500 years or five years ago. This exhibition explores some of these stories and the ways in which immigration has shaped and influenced the Island we know today.’

After attending the exhibition, I carried out some further research by speaking with my grandparents about their heritage, where their family lived, their jobs and any other interesting information on their lives being residents of Jersey. At the exhibition I was really interested in a display listing several local Jersey surnames, the display had information about where these surnames originated from and when conducting further research I wanted to discover more. When speaking with my grandmother she told me of how people of similar last names in Jersey would live in specific areas of the island. For example, my grandmother’s maiden name is Perchard; a very local Jersey name meaning ‘a man from Perche in the South of Normandy’ – many Perchard’s resided in the east of the island, in St Martin and Grouville. Additionally, when speaking with my grandfather he told me of how his father was born in Jersey and how people with his (and my) surname of Mariette were also from the East of the island in Gorey, and how many Mariette’s were fishermen. More on Jersey surnames can be found here. I found out that my grandmother’s parents were also both born in Jersey and as were their parents before that, when asking my grandmother about her parents careers she told me of how her father was the manager of a big general merchants store called ‘George D Laurens’ which was believed to be established as early as the 18th century, originally a hardware store but by the 1960s was one of Jersey’s major toy shops as well as selling general goods. I found it so interesting to compare some of my family’s heritage to the peoples I read about at the Jersey Museum, learning about their careers and lives was very eye-opening.

St Helier’s History – Stuart Fell

Later in the day, half of us joined Stuart Fell on a walk around the St Helier town centre discovering information about the architecture of this area in Jersey. We learnt about how wealthy residents who arrived in Jersey had an impact on these buildings, I found it so interesting to find out about how influential these people were in actually creating the foundations of our island. Stuart also gave us heaps of information on the different types of bricks used in St Helier’s architecture, for example we found out that brick making was once a thriving industry in the island during the 19th Century, which traded across the world, and that the most common colour of Jersey brick was red. On our walk we looked out for any red bricks in building’s chimneys, as Stuart informed us they could have been built over 150 years ago. More information on the Jersey brick making industry from islander Enid Gautier can be found here.

Artist Reference (Contemporary)

Will Lakeman

Will Lakeman • Connect With Art
From ‘Social Housing’ Collection – Will Lakeman

Will Lakeman is a Jersey-born photographer who focuses on landscape photography. Lakeman attended the University of East Anglia, the University of California Los Angeles, and the University of Sussex. He achieved degrees in American Studies and literature, but his main focus was on digital media, ethnomusicology and online culture. Lakeman has had his work displayed at the Private and Public Gallery, CCA Galleries International, Arthouse Jersey and was awarded the Summer Prize 2021 in the CCA Galleries International Summer Exhibition. Will Lakeman is heavily inspired by cinema and science fiction, which is why his work often contains vibrant colours and almost alien-like symbolism. Lakeman also recently began to experiment with artificial intelligence in his work to produce new imagery.

https://lakemanphoto.com/about-me

Analysis of Will Lakeman’s Work

Will Lakeman - Lakemanphoto - Social housing
From ‘Social Housing’ collection – Will Lakeman

Will Lakeman’s interests lie in exploring a different side to everyday life, whilst incorporating his passions of science fiction and artificial intelligence to alter his work. This image from his ‘Social Housing’ collection represents this idea well, as the moving light creates a sense of a sort of utopian future from a science-fiction scene. This collection in particular depicts Jersey’s social housing buildings and apartments.

The lighting in this photograph is predominantly artificial, and consists of multiple colours and multiple levels of brightness. The brightest section of the image can be seen in the bottom and middle right of the image. This light has been created through the use of a slow shutter speed, in order to capture the movement and direction of the light. With the image being taken at night, the artificial light creates a harsh contrast against the natural darkness. Shadows cannot be seen due to the time of day, however the middle-ground towards the left of the image is substantially darker. Despite the lac of strength of the moonlight, it falls on the front of some buildings, making them slightly more visible to the viewer.

There is apparent leading lines in the bottom right of the, which are thin and curved. They direct the eyes of the viewer towards the artificially highlighted area of the image. They convey the direction and movement of the light, which influences the direction and movement of the viewers eyes. These lines also juxtapose the darker sections either side of them.

Although there is no sense of repetition within this photograph, there is a sense of echo and reflection in the light in the image. For example, the light in the leading lines create an echoing and almost ghostly affect. Also, the sense of reflection can be seen in the light being reflected into the sky.

There is a mixture of geometric and organic shapes in this image. The geometric shapes of the photograph are seen primarily in the midground and foreground of the image, these consist of the artificially constructed, straight-lined buildings. These shapes contrast the organic shapes that are featured in the top third of the photograph, with that being the natural clouds in the sky.

There is a strong sense of depth in this photograph, as the buildings closer to the background start to become out of focus, which contrast against the buildings towards the foreground that are in focus. The space within the image is mostly positive, which the chaotic lighting and closely-spaced buildings. However there is negative space in the sky and in between the buildings and where the image is darkest.

There is no sense of texture within the photograph as the focus of the image is to display the juxtaposition of light and dark rather than surfaces and textures.

Overall, the tones of the images are dark, how light tones are represented with the use of artificial lighting of cars, housing, and street lighting. The darkest tones of the image are seen in the middle and bottom third of the image, and towards the left. The lighter tones in the image can be found predominantly towards the right, middle and bottom thirds of the photograph. The image leans more towards darkness, which reflects a gloomy and enigmatic atmosphere.

The dominant colours in this photograph are black and deep, navy blue. However, there is miniature segments of colour that can be seen through the windows of the apartments, as well as the yellow-toned artificial light from the cars and street lights. The colours of the image allow the viewer to understand the contrast between dark and light, as well as allowing the light created by the slow shutter speed to be accentuated. I feel as thought the image would not have the same level of contrast if the image were to be in black and white, and the contrast would simply rely of contrast between shadow and light rather than the juxtaposition of colour and artificial light over natural light.

The composition of the image follows the rules of thirds, in the sense that the positive space is largely featured in the bottom and middle third, and the negative space filling the top third. Due to the positive space being concentrated into the middle and bottom third, the image can be considered as unbalanced. The focal point of the image is the movement of the light in the bottom right of the image, which creates the leading lines for the viewer.