Anthropocene – Introduction

What is Anthropocene?

Anthropocene is the word used to describe Earth’s most current state, a time where humans are the primary source and most influential factor of global warming, climate change and other changes to land, environment, water, organisms and the atmosphere. For the last 11,500 years, Earth has been in the Holocene Epoch. It began at the end of the last ice age, when the glaciers that had previously covered Earth disappeared, over the years humans have built cities and achieved colossal technological advancements. Scientists are still debating the proof for the Anthropocene and are looking for what’s known as a ‘golden spike’ – a marker in the fossil record which could demarcate the Holocene from the Anthropocene. Some people suggest the Anthropocene began at the start of Britain’s Industrial Revolution in the eighteenth century, which created the world’s first fossil fuel economy.

Anthropocene In Photography

In recent years, photographers have taken it upon themselves to use their skills in order to capture the devastating Anthropocene state of our world. The portrayal of this destruction has been photographed through many mediums as well as just landscapes, such as portraiture, object images and abstract photography. Photographers such as Steven Gallagher and Naomi White have demonstrated their opinions and ideas on Anthropocene through capturing plastic bags, whereas Alexandra Bellissamo has taken portraiture based images to show the relationship between nature and mankind. Nicholas de Pencier, Edward Burtynsky, and Jennifer Baichwal are the team which collaborated on ‘The Anthropocene Project’. The project was described as ‘a multimedia exploration of the complex and indelible human signature on the Earth’ capturing ‘the most spectacular evidence of human influence, while taking time to reflect on the deeper meaning of what these profound transformations signify’. More information on ‘The Anthropocene Project’ can be found here.

Artists Of Anthropocene Video

Anthropocene: Landscape Photo Shoots

These landscape photos will be the background for the images that I will collage on, incorporating both Yao Lu’s dumpsites and Vilde Rolfsen’s Plastic bag ideas into one image.

Photo Shoot Plan

Photo Shoot Plan:
WhoI will not need anyone as I am focusing on landscapes.
WhereLocation 1- North Coast focusing on cliffs and big rocks in the sea.
Location 2-West Coast focusing on the beach, sea and cliffs.
WhyI would like to have different outcomes which focus on different things.
For the rocks and the cliffs I plan to later edit the piles/mountains of rubbish photographed from the dump.
WhenI will go on a less sunny day so that the sky is grey and cloudy to create the atmosphere I want in the final outcomes. 
HowI will use a camera and take these at eye level.

Contact Sheets

North Coast:
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When taking these photos I tried to focus on the positioning of the cliffs and the rocks in the sea. making sure that when I edit them later, manipulating the sea and cliffs, that they will look good and not be too busy.

West Coast:

When taking these photos I focused on the compositions but also tried to get photos which were different to the average beach pictures and include new aspects like the rocks on the beach because I want my final outcomes to be different to one another.

Anthropocene: Vilde Rolfsen Image Analysis

Image Analysis

Key Themes – Vilde Rolfsen’s photos focus on the effects of plastic waste to our land and seas, focusing on discarded bags that Rolfsen finds on Oslo’s streets. She hopes that her work will get viewers to think more about their own consumption patterns and help them make a choice to do something rather than being told. She took inspiration from her home country Norway and took plastic bags to photograph them to look like mountains and glaciers.

Vilde Rolfsen - PLASTIC BAG LANDSCAPES | Archive Collective Magazine
From Series ‘Plastic Bag Landscapes’.

Content – A plastic bag that has been taken from close up to make it appear as a glacier or something that is natural and not man made from harmful chemicals.

Formal Elements – Rolfsen used a darker purple/blue light which has a high contrast with the white plastic bag which creates a high tonal range between light and dark. This makes the atmosphere feel dark along with the movement in the bag, the structure creates creases and texture in the bag highlighting the dark shadows in the bag. The centre of the image is in focus but the outer edge is blurred which creates a deep depth of field which leads the viewers eye to the centre of the image as it is also darkest in the centre and lighter on the edge. the structure and lines shown in this image could relate to how a plastic bag is man made and is not naturally formed.

Mood – The image is very dark and gloomy due to the colours used and the structure within the bag.

inspiration: George Marazaki / Yves Marchand & Romain Meffre

George Marazaki

George Marazakis born in 1976 in Creta Island Greece where he resides with his significant other and their child. He contemplated Mechanical Engineering and works for the Municipality of Heraklion.

Yves Marchand & Romain Meffre

Since 2002, photographic artists Yves Marchand and Romain Meffre have been joined by their common enthusiasm for contemporary remnants. They catch lost goals and blurred wonder by shooting the structures that are abandoned. Present day ruins or outdated, deserted structures, reused for business purposes as shops or markets, are carefully caught. Their fine art is on occasion startling and distancing, yet continually entrancing and alleviating.

Inspiration: Troy Paiva & andrew moore

Troy Paiva

Troy Paiva light-painted nightwork catches the deserted and disposed of underside of the American West. He sneak through wall during the full moon to catch the inescapable walk of nature, scrappers and engineers, who plot to delete the blurring recollections of every one of these things we once held so dear. He convert these dim, filthy, puts nobody needs into dreamlike, sparkling wonderlands, beautiful, spooky echoes of what used to be. Troy Paiva just take shots around evening time, by the light of the full moon, utilizing minutes-long openings to catch the discernible entry of time onto a solitary edge. He increase the scene with hand-held light–regularly hued during the openness, dealing with the site like a dull stage set, utilizing dramatic and realistic procedures to deal with the sythesis, make disposition, and lead the watcher’s eye.

Andrew Moore

Andrew Moore examines the convergences of chronicled minutes found inside explicit areas. Through his distinctively shaded, huge scope photos of building constructions and scenes across the world, including Cuba, Russia, Detroit, and the Great Plains of the American West, Moore catches a solid feeling of spot while additionally entangling our straight comprehension of time.

ANTHROPOcene action plan

For the topic of Anthropocene I am going to develop an idea of using unneeded spaces to portray the idea that the Anthropocene is a geological approach which is about the significant human impact on the earth’s geology and ecosystems. I am going to do this by taking photographs of abandoned environments as well as used objects which have been left and abandoned. I am going to take these photos using natural light, however I may use photoshop to add some dark tones to portray the idea that it is unethical for the environment. The use of adding dark tones may highlight the fact that significant humans have had an impact on the Anthropocene.

Additionally I am also going to take images relating to man made items such as a fishing net, plastic bags, and bubble wrap to portray the idea that these sort of items which I have suggested can kill living things so therefore it creates a high impact for the Anthropocene. Once I have taken these photos I am going to edit them in Photoshop to add a dark effect which may create a stigma to the fact that man made items are bad for the environment encouraging people to recycle them and make an attempt to try and stop the Anthropocene for getting any worse.