Photoshoot plan
Darian Mederos Inspired Photoshoot
I believe the images highlighted in red are my least successful images as the shutter speed was set too slow, making the images more blurry than intended, this makes them unsuccessful as the original artwork by Darian Mederos focuses on depth of field rather than movement.
I think the images highlighted in green are my strongest images as they are more accurate recreations of Darian Mederos’ work. I also feel like they represent his focus on depth of field more, as some aspects of the images are more blurred than others.
In addition, the contrast of different race adds another factor of human relationships both uniting and separating due to the harm to environment that we all play a part in, no matter who we are or what we believe. At some point, all humans have contributed to the production or purchase of plastic, which eliminates the segregation of who is to blame for the destruction of our planet, as we have all played a part. It can also be seen as a call to action for humans to band together in order to restore nature and live harmoniously.
To edit these images I will enhance the muted tones in my photographs, in a similar way to the artwork by Mederos, and also darken the tones in order to provide a deeper, menacing message in relation to the theme of Anthropocene.
Camera and light settings
For this photoshoot, I used harsh studio lighting to achieve the contrasting shadows and highlights in the images. I set the lighting to a slightly warmer tone to recreate the muted tones and colours that can be seen similarly in Darian Mederos’ work.
For the first few images in this photoshoot, the shutter speed was too slow for my desired outcome of the images, I predict the shutter speed was around 1/30 as slight movements made aspects of the image blurry. Once I had realised this, I altered the shutter speed to a faster setting of 1/1000, so the movements in the photographs wouldn’t come out blurry. I set the ISO to 50, and I set the aperture to a lower setting of around f/11 in so I could capture a slightly more narrow depth of field to juxtapose the aspects of the image that were in focus, compared to those that were slightly out of focus.