case study- GEORGE MARAZAKIS

Greek photographer, George Marazakis (born in 1976 Creta Island Greece), takes Anthropocene as both concept and title for a series that looks at a new epoch engendered by the greed of mankind. He studied mechanical engineering and works for the Greek Ministry of Justice. In his series ‘A Cure for Anthropocene’ he says that an external observer could describe Anthropocene as an autoimmune disease attacking its own body. However, what it would consider as a disease is our very existence and the cure, the ecological movement, does not aim at the salvation of the planet but at the salvation of human existence on the planet. Humanity’s impact on the Earths geology is so crucial that the 11,650 years old Holocene, the current Geological epoch, is proposed to be replaced by a new one called Anthropocene, from the Greek word ‘anthropos’ for human.

Image Analysis

This image has been taken in natural lighting from what looks to be a slightly raised view that is far away. The image is somewhat dull as the grass is a pale green even where the sun is shining on it and the rest of the background is only filled with white and grey tones. I think this image shows Anthropocene well as it clearly shows a natural landscape of a cliff, however it has a man made math all the way down it as though it has been cut and scarred the landscape. This image is a perfect example of a small portion of humans impact on the Earth as most cliffs now have paths that have been purposely made or have paths that have been made by humans walking the same way constantly and the grass wearing away over time. I believe with Jerseys huge range of cliff path walks I can take images inspired by George Marazakis.

The New Topographics

The new topography relates to an exhibition by William Jenkins of stripped back landscape photos relating to the urban expansion of the 70s

Stephan Shore is a urban photographer known for his vivid, bright and colourful photography. His book, Uncommon Places documents his journey around America and gives energy to the most mundane objects such as gas stations and signs. This almost technicolour style is what I want to emulate in my own work.

West 9th Avenue, Amarillo, Texas, October 2, 1974

KEYWORDS

Retro, Old Hollywood, American, Desert, Warm, Grime

FORM

This photo is of a large sign in Amarillo, Texas. It appears to have been left in disarray and is a reminder of the Golden Age with the retro 50s font and light pastel colours that are once again popular. It seems like the sign is for a shop or attraction, evident by the wording, ‘OPEN FRI SAT SUN’. The vintage qualities of this image are further emphasised through the warm yellows of the landscape which instantly age it, connoting photos and other objects yellowed with age.

CONTENT

The photo was taken in the aftermath of the Watergate crisis, just 2 months after the resignation of president Richard Nixon. The dated and worn sign could be used as a metaphor for aging political practises and opinions. just like how old Hollywood and the golden era for film was ending. It was also taken at the time of the Chipko movement, peacefully protesting for conservation of trees. It could be argued that the contrast between the grimy sign in a desert wasteland contrasted with the minimal amount of greenery is reflective of this.

PROCESS

The photo book this image is from was taken on a road trip around america showcasing a variety of landscapes. Because of this a small portable camera with limited photography equipment was probably used to take it. Due to the brightness of the sun it is easy to hazard a guess that the photo was taken with an aperture of around f/22 with an ISO around 100-200

Urban Landscape photo-shoot

Urban landscape photography is the practise of taking images in urban areas e.g industrial buildings. I was inspired by the work of Stephan shore who’s nostalgic photographs of signage around America in the 70s really resonated with me. On this shoot I walked around the school campus finding areas of industrial build-up and also coming across graffiti from the video game Mario which I felt reflected Shores work.

For my photo shoot, I walked around the grounds of highland college as well as oak-field sport center and took photos of urban images that caught my eye. I saw a lot of colorful signs around the area and, on walking to Highlands college I found a lot of Mario graffiti that I feel added more character to my images. Based on this, and my study on Stephan Shore, I decided to focus on these signs and drawings for my project.

I used adobe Lightroom to create a more pastel toned colour palette which more closely resembled the work of Stephan Shore, the photographer my work is focusing on. This colour palette also created a feeling of reminiscence with its faded look.

I chose to display my photos in this grid format as it replicates the uniformity of industrial areas. I purposely centred the sign of the community centre as it is the central idea. The Mario graffiti is positioned surrounding the sign and complimenting each other with the directions moving.

On reflection I am pleased with this outcome but would make it sharper by doing more cropping to make the photos look more uniform