Romanticism was an art movement that originated in the late 18th century. It relates to the glorification of emotion in art. It was a reaction to the age of enlightenment and modernity.
Romanticism in landscape photography deals more with emphasising this emotion in the sublime and drawing out and exaggerating natural elements.
Adam Williams
Adam Williams
Adam Williams
Adam Williams
Adam Williams
Lou Reed
Lou Reed
Below is an example of romanticism in one of Thomas Doughty’s paintings from around 1830. It portrays the landscape in a way the human eye couldn’t see it. Thomas exaggerates the colours and the textures of the landscape.
Lewis Baltz was a visual artist and photographer who became an important figure in the New Topographics movement of the late 1970s. – Wikipedia
Lewis Baltz worked as a freelance photographer in California and his urban photographs took a very specific and unique form.
Many of his images are framed directly facing a wall, building or object. This gives a flat and almost 2D look to the photographs, but the strong contrast between the highlights and the shadows create the sense of depth that is lacking from the angle that the image is taken.
Whilst most of his work has this format, some of his images are taken at different angles, usually 45 degrees from the object/building but sometimes differing. Although the angles are different, the same black and white tones and high contrast can be seen consistently throughout all of his work.
Photo Analysis
In this image, Lewis Baltz took the image on a bright day while it was cloudy. This is shown through the diffused lighting which is evenly lighting the shot and the lack of harsh shadows. He has used a fairly high aperture allowing the whole flat surface to be in focus, most likely f.8-10. The shutter speed could have varied depending on the exact aperture that was used and the intensity of the natural light at the time. The quality of the image is crisp, but crisp for the time that the image was captured in 1974, also using fairly low ISO.
The image was captured in black and white, allowing for the high contrast between the highlights and shadows, and the different colours of the wall to pop out more, such as the harsh difference between the dark material at the top of the wall, and the plain white door in the centre of the image. The image, much like many other photographs taken by Lewis Baltz, is taken looking flat directly towards the building, giving a 2D view to the surface. This emphasizes the geometric shapes and right angles created by the varying textures and objects.
The image is also taken at head height, almost giving a point of view perspective of what it would be like to actually be at the location of where the photograph was shot. The overall image shows the jagged and harsh lines which appear in urban and industrial areas/landscapes.
Rut Blees Luxemburg is a German-born photographer. Her technique is to take photographs at night, mostly exploring the urban landscape. Reflection, bright lights, and buildings all seek within her work with a theme of urban photography. Some examples of her work is below…
Ideas Of Where Rut Blees Takes Photos….
Analysis…
This photograph by Rut has been photographed in London streets. The orange glow and rough surface of street suggests this image was taken of a alley way. An uneven surface and gloomy setting suggests unease in the image, as if it was not a safe place to be. darker shadows surround the sides of the image with light reflecting from the puddles. More darker shades overall the light that floods in the image. In all Ruts photography there seems to be a theme of capturing a orange and yellow glow from the street light hitting different surfaces. This may be happening as for the light mode that he has set his camera on. As his work is always set at night with using street lights and no life to be seen in his photography, this indicates that he is expressing emptiness. This is seen with the image above as the alley way seems to be abandoned. A low exposure and average IOS balance captures the image nicely to the extent of not making it too dark but light enough for the cracks and bumps in the tarmac to be seen.
Places in Jersey I could possibly photograph; the new offices along St.Aubins, the back exits of shops, old roads in Jersey behind houses, any kind of flats that have loads of floors, glass and new office buildings, parking lots(inside and outside), damaged buildings, building sites.
moodboard of urban landscape ideas;
The title I’d like to focus on is Old and New, I want to photograph old Jersey and new Jersey and compare the images along side together in order to show the different areas of Jersey and compare the changes. I’d like to photograph modern buildings in Jersey and then some old roads or even damaged areas in Jersey.
Photoshoot Plan;
Where? im going to photograph old small lanes in jersey or abandoned places. Then I will photograph new buildings in Jersey such as new finance offices that are all glass or just some more modern houses around the island.
When? any time during the day time as I want my images to be in natural lighting and not in the dark. Taking them in day light will always help me edit them better.
What? New building and very old buildings.
How? using a normal shutter speed and from far away to capture the whole building , maybe some from a lower point of view.
Why? to display my way of showing that I know what urban landscapes are and show the difference between new and old Jersey and how the urban landscapes have changed over time by humans.
The image on the right was taken by Ernest Baudoux at Plemont Bay in the 1870’s, the photograph on the left I took around 145 years later of the same cave. I edited the two images together in photoshop to compare the similarities and differences of the landscape.
David Hockney is an English painter, draftsman, printmaker, stage designer, and photographer. Hockney was an extremely important contributor to the pop art movement of the 1960s and considered one of the most influential British artists of the 20th century.
Hockney’s portrait photo-montages are both simple and effective which is what I would like to try and recreate with my rendition of portrait photo-montage.
My Outcome
The image below is one that I made during the Christmas break. To create this image I had to collect images from different celebrities facial features from the internet. I took Elvis’s hair, Zac Effron’s eye, Ed Sheeran’s eye, Cate Blanchett’s ear, Chris Hemsworth’s chin, Will Smith’s ear and the background facial shape and mouth of Leonardo De Caprio.
I created the image above as a test run to see if my idea of cutting out facial features and merging different features from different people worked which it did. I really like my first attempt at portrait photo-montage because it is simple but effective and has features from different people of different countries, races and genders that overlap and don’t perfectly fit on the facial template. This creates a sense of imperfection which is similar to David Hockney.
The image below is my second and third rendition of portrait photo-montage. For these images, I took photos of two classmates and myself and cut up the facial features from different angles and lighting. To make these images I collected many different images I previously took from a studio portrait project. I then took the images and cropped them so that only the facial feature I needed for the montage was showing. Next I got a base background image to use as a facial template and dropped the individual features onto the background creating the portrait photo-montage.
I like the outcomes of the portrait photo montage task because it shows a link to David Hockney Joiner with the idea of multiple pictures and identities within one person.
Click on the link above to find the details of the Eco-Active Challenge…and have a go at entering some of your relevant photography (landscape images?)
Please have a look at this site that has been developed by ArtHouseJersey in collaboration with local photographers and international musicians…based on iconic Jersey Locations.
