Romanticism

A dictionary definition of Romanticism is worded as.. “Romanticism placed particular emphasis on emotion, horror, awe, terror and apprehension. Emotion and feeling were central not only to the creation of the work, but also in how it should be read.” Romanticism in landscape photography ideally is to capture an image which strongly represents not only one emotion, but feelings of the opposite to what is trying to be expressed. Romanticism also plays a part in expressing individualism. Some examples of Romanticism landscapes are seen below…

Modern day Romanticism Landcsapes

Emil Von Maltitz

Emil von Maltitz is an internationally recognized South African landscape photographer. His work bases on the more natural side of landscapes and how the camera can capture many dynamic areas of a setting. For his career of being a Photographer, he travels the world to take mostly landscape photographs. As being from South Africa, the landscape and nature surrounding him from young is what inspired him to capture these amazing sites that were discovered by him everyday. The romanticism theme in his work relates to emotion and feelings caught in the images colour, shapes, and landscape. Some examples of his work can be seen below –

Images By Emil Von Maltitz

Analysis

At first glance, this images seems to be dull, blank and just not busy or a lot going on. It seems. to have a cold atmosphere and feeling given off it. This is from the blue and grey sea and sky that fill majority of the image. But looking closer we see tints of greens and yellows in the distance of the sea and on the horizon. This brings a sense of happiness as well as the light white clouds that poke through the image above. The rocks below bring a warm feeling to the image as they are smooth and subtle. The sand blends carefully with the white mist that covers the sea. The clouds seem to dull around the edges. of the image into a darker grey and lighten to the middle. The sea seeming to be calm and smooth and anything, sits still giving off ore.

The lines in this image are faint and not easy to be noticed. The main darker and thicker lines are found in the main rock that faces the camera. More little and subtle lines are found in the lighter clouds above. Where the sky and the sea collide with each other (The horizon) Creates the most straightest and longest line in the image. The shapes formed in the clouds seem to be little circles along with more rectangle and square shaped rocks that fall at the bottom of the image. The texture of the rocks looks smooth due to the white mist that covers them thuroly.

The contrast of the white mist to the darker rocks and darker sea makes the rocks stand out in the image making them to be the objective of what is being photographed. As most of the colours blend and shade in with each other, this photograph has the emotion of being a calm and tranquil environment. The romanticism in this landscape can be described as the setting is all natural with colours and physical things. It shows different emotions when looked in depth but at first thought is an image to go to for a more relaxing and soothing feeling.

FAY GODWIN

Fay Godwin (1931-2005) was a German-British photographer known for her natural landscape photography.

Photo Analysis

The Remains of Elmet. Fay Godwin. 1979

KEYWORDS

Dark, Whimsical, Cold, Troubling

FORM

This photo is a landscape of sand dunes. The dunes themselves are very dark and imposing which is conflicting with my own experiences with sand dunes where dunes are though of as sunny and used by children to sled down. As far as the eye can see, this photo is surrounded by nature. Even as the dunes end they are enveloped by rolling fields emphasising a need for nature.The weather beaten and worn plank track insinuates that the dunes are well loved and visited regularly which gives the photo a whimsical and nostalgic aspect that contrasts with the dark and intimidating landscape. The sky is very foreboding and looks ready to thunder and rain any second. The photo seems to reflect ideas on the strength of nature.

CONTENT

The photo was released in conjunction with ‘The Remains of Elmet’ a collection of poems by author Ted Hugh’s. Elmet was the name of the British kingdom that is now part of Yorkshire. Godwin’s photos were taken in the historic region of Elmet in this area of barren dunes. At the time of the collections release Margaret Thatcher rose to power as British prime minister, beginning a series of strikes in response to Thatchers harsh approach to public workers. Those living up North such as Yorkshire were most drastically affected in the ‘Winter of Discontent’ The photo could reflect this feeling of hatred for the government and instead wanted to escape into nature.

PROCESS

As part of a poem collection, this photo was likely made in a dark room and then replicated for the anthology it was part of. To capture so much of the countryside Godwin probably stood on one of the highest dunes to get this photo. I believe that the photo was taken with just the natural light. I suspect that the photo was taken on a camera with a lens of 28mm-35mm as is typical for landscape photos.

Photo-Montage – John Stezaker

Stezaker is a British photographer born in 1949.

He is fascinated by the “lure”of images.

Stezakers’ works focus on photo montage to give old images a new meaning and add a creative surrealistic tinge to his photography.

He focuses on the similarities of structural and compositional elements of an image and stitches them together in a seamless yet surreal fashion. For example in the below image he uses the structure of the cliff faces and relates them to the structure of the subjects faces in the background.

This image has quite a flat, monochromatic style which almost gives it a warm balance, soft texture and comfortable feel. The montaging of the cliff faces is visually appealing as it is framed in the centre of the image. The two layers to the image each have their own depth which creates this double up of depth in the image and the eye has a lot of elements to look at which would give it a chaotic composition however because of the montaging the additional layer fits seamlessly within the background which cancels out this chaos and rather satisfies the composition.

My response to Stezakers’ work:

John Stezaker. Marriage XV. 2006 | MoMA
John Stezaker
Michael Kenealy
John Stezaker - Whitechapel Gallery
John Stezaker
Michael Kenealy