CMK ROMANTICISM & RURAL LANDSCAPE PHOTOGRAPHY

Introduction to Landscape Photography – 2 week project

Go to

M:\Departments\Photography\Students\Planners Y12 JAC\Unit 3 Sept-Dec Landscapes

for resource pack

We will be looking at Romanticism as a starting point and if you click here you will have a better understanding of some of the roots of landscape in contemporary photography….

The focus of your study and research this week is natural landscapes and the notion of ROMANTICISM in Landscape  Art and then later, Photography.

Working Title/Artist: Stormy Coast Scene after a Shipwreck
Department: European Paintings
Working Date: (1830)


RESEARCH

The Age of The Enlightenment (1700-1800ish)

VS

The Age of Romanticism (1800-1900ish)

“Writers and artists rejected rationalism for the same reason that rationalism was rejected by the movement as a whole- it was in rejection of Enlightenment, which had sucked emotion from writing, politics, art, etc. Writers and artists in the Romantic period favored depicting emotions such as trepidation, horror, and wild untamed nature.”

“The ideals of these two intellectual movements were very different from one another. The Enlightenment thinkers believed very strongly in rationality and science. … By contrast, the Romantics rejected the whole idea of reason and science. They felt that a scientific worldview was cold and sterile.”

JMW Turner- Hannibal Crossing The Alps 1835

Caspar David Friedrich 1832 Germany

PAINTING VS PHOTOGRAPHY

Roger Fenton inspired by nature and romanticism revisited a spot in Wales where previously Samuel Palmer had been inspired by the natural beauty of this river valley.

Ansel Adams 1942 USA

Don McCullin 2000 UK

Fay Godwin 1985 UK

ANSEL ADAMS: Photography With Intention

LANDSCAPE PHOTOGRAPHERS

Joan Fontcuberta

Richard Misrach

Wynn Bullock

Luigi Ghirri

Fay Godwin

Carelton E. Watkins

Eliot Porter

Edward Weston

Minor White

Don McCullin

Ansel Adams

BLOGS

  1. An introduction to rural landscape photography, including a definition and mood-board of influential images
  2. Create an in-depth case study that analyses and interprets the work of a key landscape photographer…EG: Ansel Adams or Edward Weston or Fay Godwin or Don McCullin (or similar)

3. Create a blog post that defines and explains what Romanticism is in Landscape Photography…include examples and make reference to Romanticism in other art-forms eg painting

4. Create a mind-map / mood-board of potential locations around Jersey that you could record and create romanticized landscape photographs of….look for extremes (either calm or wild, derelict, desolate, abandoned or stormy, battered and at the mercy of nature)

AIM to photograph the coastline, the sea, the fields, the valleys, the woods, the sand dunes etc.
USE the wild and dynamic weather and elements to help create a sense of atmosphere, and evoke an emotional response within your photo assignment.
PHOTOGRAPH before dark, at sunset or during sunrise…and include rain, fog, mist, ice, wind etc in your work.
LOOK for LEADING LINES such as pathways, roads etc to help dissect your images and provide a sense of journey / discovery to them.

5. Take 150-200 photos of romanticised landscapes. Show evidence of using exposure bracketing technique. Add your edited selective contact sheets / select your best 3-5 images / include edits and screen shots to show process.

6. Produce comparative analysis between one of your images and a landscape photographer – discuss similarities and differences.

REMEMBER you MUST use TECHNICAL / VISUAL / CONTEXTUAL / CONCEPTUAL to analyse effectively.

Ensure that you include the following key terms in your blog posts…

  • Composition (rule of thirds, balance, symmetry)
  • Perspective (linear and atmospheric, vanishing points)
  • Depth (refer to aperture settings and focus points, foreground, mid-ground and back-ground)
  • Scale (refer to proportion, but also detail influenced by medium / large format cameras)
  • Light ( intensity, temperature, direction)
  • Colour (colour harmonies / warm / cold colours and their effects)
  • Shadow (strength, lack of…)
  • Texture and surface quality
  • Tonal values ( contrast created by highlights, low-lights and mid-tones)
This image has an empty alt attribute; its file name is landscape-photography_using-lines-effectively-while-shooting-landscapes.jpg
Leading Lines
Image result for rule of thirds landscape photography
Composition : The Rule of Thirds Grid
Image result for fibonacci sequence landscape photography
Composition : Fibonacci Curve / Golden ratio
https://petapixel.com/2016/09/14/20-composition-techniques-will-improve-photos/

EXPOSURE BRACKETING

Exposure bracketing means that you take two more pictures: one slightly under-exposed (usually by dialing in a negative exposure compensation, say -1/3EV), and the second one slightly over-exposed (usually by dialing in a positive exposure compensation, say +1/3EV), again according to your camera’s light meter.

TASK : try a few variation of exposure bracketing to create the exposures that you want…you may already have pre-sets on your phone or camera to help you do this, but experimenting manually will help your understanding!

Exposure Bracketing

Many digital cameras include an Auto Exposure Bracketing (AEB) option. When AEB is selected, the camera automatically takes three or more shots, each at a different exposure. Auto Exposure Bracketing is very useful for capturing high contrast scenes for HDR like this…

…by taking the same photograph with a range of different exposure settings

bracketed-exposures

You can use Exposure Compensation to quickly adjust how light or how dark your exposure will be using these controls…

canon

Or set the amount of “bracketing” like this…

g0101331

PAST WORK

PHOTO MONTAGE HISTORY

It was first used as a technique by the dadaists in 1915 in their protests against the First World War. It was later adopted by the surrealists who showed the possibilities of photo montages and the workings of the unconscious mind. In 1923 Aleksander Rodchenko , a Russian constructivist, started experimenting with photomontage as a way of creating striking socially engaged imagery concerned with the placement and movement of objects in space. Another person who experimented with photo montages was the German artist, John Heartfield. He reconstructed images from the media to protest against Germany’s regime. Aswell as Peter Kennard whose photomontages explored issues such as economic inequality, police brutality and the nuclear arms race between the 1970s and the 1990s.

Mood Board

HEADSHOTS- up close

Bruce Gilden

An Iconic street photographer with a unique style,  Bruce Gilden was born in  Brooklyn, New York in 1946. Although he did attend some evening classes at the School of Visual Arts in New York, Bruce Gilden is to be considered substantially a self-taught photographer. Gilden has received many awards and grants for his work, including  National Endowments for the Arts fellowship. In 2015, Gilden published Face.

My Images

Plan :

When/ where : Two different evenings , birthday party and a evening in the beach

Who : I decided to take pictures of my cousins ​​because I think they are perfect for showing strange and funny facial expressions

Final pictures (edited) :

In this shoot I was inspired by Bruce Gilden’s close ups. The image on the left (my image) is the one I find most similar to the work of Bruce Gilden. Since both subjects / models have similar blank facial expressions , which shows that the photo was taken unexpectedly – one can see the honesty in the faces as the models were not prepared. We can notice similar composition, eyes, mouth, forehead almost in the same place. At the hairline both have curly hair, which features organic lines and natural shapes – which are not artificial. There are small touches of similar colors that can be seen in both images like the blue of the dummy and the blue eyes of the girl. Another example is the pink in the clothes of one and the lips and under the eyes of the other.
In Bruce Gilden’s work we can see that he used a flash to take his photo since there are light reflections on the models’ faces. Unfortunately I did not take my photos with a flash but to make up for it I over exposed my photo to have the same effect. And finally the two images contain simple backgrounds, not a great depth of field because the images are very close.