Photoshoot plan

Photomontage Editing




To edit the first image, I recreated John Stazaker’s method of layering images from vintage actress portraits, however I incorporated my own photography by taking portraits I took for the diamond cameo photoshoot.
For the second image, I attempted to recreate Stezaker’s common use of layering landscapes and portraits, so I used my own photos from my abstract and portrait photoshoots to recreate this.
For my last edit, I noticed Stezaker often crops and layers multiple images to distort the portrait’s original identity. Here I used my environmental portraits project and diamond cameo project to layer over one-another, and cut out some shapes similar to that in the work of John Stezaker.