CC – Evilsabeth Schmitz-Garcia

She uses photography to represent Borderline Personality Disorder symptoms with photographs. She decided to use scannographies instead of photos because the pictures she took with her scanner gave her the look she wanted, like “someone trapped inside a dark place”, a dark place which could be a Borderline’s mind.

Her Life

Scanography is the art of recording a subject using a flatbed scanner. It is created in the same way that Xerox art is created using a photocopier, however scanners typically have the ability to create larger, higher quality digital files.

They capture movement in exciting ways, such as Evilsabeth Schmitz-Garcia’s ‘Borderline Personality Disorder’ portraits above, which have been distorted and stretched as the scanner arm moves across the screen. Scanners can also be used to take scans of objects place upon existing photographs, as per the example below.

She began her art studies in 2003, at “Escuela de Arte La Palma, Madrid”, where she had photography as an optional subject. She found out that she was fascinated with how photography worked so she used to spend hours taking pictures and developing them.

She began her own scannography experiments, in the end she chose this as her final project. She started scannographies as her teacher showed her example which inspired her.

How i would include her style?

I would like to include the merge aspect, where she merges multiple faces which I would accomplish using Photoshop, or long exposure to create a blur, therefore you see multiple faces.

I may use hands and edit them in, around the edge. To create a manipulative, and creative idea. It would make a uncomfortable, crawly image.

Finally, I may take the idea where she uses multiple faces to create a single image. I would use about 5 faces then make all of them blank, then show the process of editing facial features on which shows the development of identity.

Shoot 1 – Editing

A lot of Laura Williams mirror portraits are edited in photoshop to create the funal product.

Editing process 1

  • When shooting i took images of the subject and images of the same frame without the subject in.
  • In Photoshop i then cut out the interior of the mirror and layer the other image behind so that the mirror seems to see through the subject by lining up the image behind with the image in front.

Editing Process 2

  • In Photoshop i duplicate the original image once
  • I then cut out the interior of the mirror in one of the images
  • I duplicate this edited image, layer it behind the first edited image and resize it within the frame of the mirror.
  • I then resize the original image into the mirror of the smaller image.

artist reference- inspiration

Lissa Rivera

Lissa Rivera’s ongoing series ‘Beautiful Boy’ focuses on her romantic partner. While they were friends, he once revealed to her that he had worn women’s clothing almost exclusively in college, but after graduation struggled to navigate a world that seemed both newly accepting yet inherently reviling of male displays of femininity. Lissa Rivera thought that photography could provide a space to experiment, and he eventually became her muse and romantic partner. When taking pictures of him she connects to his vulnerability and shares a deep and intimate connection with him. However, it is important to show his femininity as strength, and together they investigate feminine fantasies presented throughout the history of photography and cinema. Lissa Rivera believes that by presenting her partner within the lineage of great beauties and populating the media with the images, they are claiming in their voice what is attractive and beautiful.

Image Analysis

The colours in this image are very bright and eccentric. The pink and blue tones in this image match well together, not exactly because they compliment each other, but because culturally, they’re seen as opposites. Not only is he dressed feminine in this image but the background could also be seen as feminine as pink is typically seen as a ‘girls colour’. The lighting in this image looks natural as there is light coming through a window or something of the sort directly onto him. Lissa Rivera explained that she “thought about the way Diane Arbus portrayed women in their bedrooms: women who at once had achieved the highest echelon of femininity and domestic opulence, yet at the same time were somewhat of a prisoner to it. Their skill at projecting glamour gave them real power, but at the same time it seems to have isolated them somehow, from other people or from themselves. She felt like the house was somewhat of a mausoleum, preserving a bygone set of ideals that are at once vulgar and supremely innocent in their aspiration.”