Identity and Place – Carolle Benitah study

In my opinion, identity is the definition of who you are. This can be shown through appearance, behaviour, hobbies and many other factors. Your identity is formed throughout your lifetime and can be affected by upbringing and the person’s specific influences

In photography, the use of colour, clothing and editing can be used in order to represent someone’s personality to the outside world. The setting of the photograph can also allow us to get to know the person’s identity deeper.

Carolle Benitah

“La vague” (The wave) – Carolle Benitah (2012)

Carolle Benitah, born in 1965, is a French visual artist who combines her old family photos with physical editing techniques such as embroidery to reform her own history. The images Benitah edits are from her past family albums, 40 or so years before she brought them back up to learn more about who she was and how she became that person. Carolle Benitah explains that she uses embroidery and other craft techniques in the editing of her images as those activities were seen as “feminine”, as women were expected to learn to embroider and sew in order to comply to the ‘perfect wide’ stereotype. Benitah previously worked in fashion for 10 years before returning to photography in 2001. Her work has been published in magazines such as Leica World, Lens Culture, Shots Magazine and many more. Carolle Benitah’s series ‘Photos-Souvenirs’ was also selected to exhibit in FotoFest’s 2014 Discoveries of the Meeting Place showcase of past Biennial portfolio reviews.

Analysis of Carolle Benitah’s work

Photos-Souvenirs - Photographs and text by Carolle Benitah | LensCulture
“Pomplondin” – Carolle Benitah (from series ‘Photos-Souvenirs’ published 2016)

This image, named “Pomplondin”, is gently lit using natural lighting. The sunlight may be slightly overcast as the image has a lot of grey, dark tones. The light is coming from behind the people in the photograph as the shadows are cast in front of them. The brightest part of the photograph is the white-washed water flowing in the background.

The thin, red lines embroidered onto the image outline the family in the middle third of the photograph, proving them to be the focal point of the image. The organic, curving lines of water can be seen as leading lines as they direct the viewers eyes from one side of the image to the other, with the placement of the family in the middle.

There is no strong sense of repetition in this photograph, however the ripples in the waves can be seen as a form of echo, as they create a rhythmic pattern.

All the shapes in the image are organic and unorganised. This creates a sense of realism to the photo as the features are not artificially placed and the image is taken more in the spur of the moment, although the family is posing for the photo, there is no precise set up to the image.

There is a strong sense of depth in this photograph as it displays a shallow depth of field. The family, being the focal point, are in focus which contradicts the blurry background. The background can be seen as a somewhat empty space, as there is little detail to objects in this area. The only objects filling this space is the occasional person swimming in the background.

The photograph displays a mainly smooth texture due to the reflections in the water and the smooth flow of the waves. However this is contrasted by the rugged rocks in the background of the image, as the sharp edges juxtapose the gentle waters.

There is a range of tones from dark to light in this image which contradict eachother. For example, the lightest tones in the photograph can be seen in the foamy waves or the clothes of the people, and the darkest areas of the image can be seen in the background and foreground in the rocks and shadows.

In the image itself, there is no use of colour. However this is juxtaposed by the thin, red lines put in place by Benitah to create contrast between colour and monochromatic themes.

There is little arrangement in this photograph as the family in the foreground of the photo are posing for the photographer, however it is not formally arranged for a purpose. The scene seems moderately balanced as the focal point is placed in the middle third with rather equal amounts of background either side. There is no geometrical shaped imposed in the image although the rule of thirds is used.

Examples of Carolle Benitah’s work

https://www.lensculture.com/articles/carolle-benitah-photos-souvenirs

oiseaux pendus / hanged birds, from the series Photos-Souvenirs © Carolle Benitah
“Oiseaux pendus” (Hanging birds) – Carolle Benitah (from series ‘Photos-Souvenirs’ published 2016)
les cafards / the cockroaches, from the series Photos-Souvenirs © Carolle Benitah
“Les cafards” (The cockroaches) – Carolle Benitah (from series ‘Photos-Souvenirs’ published 2016)
la chute / the fall, from the series Photos-Souvenirs © Carolle Benitah
“La chute” (The fall) – Carolle Benitah (from series ‘Photos-Souvenirs’ published 2016)

Carolle Benitah inspired photoshoot mindmap

Identity : Introduction and Ideas

The character or personality of an individual/the relation established by psychological identification.

Identity is who you are, the way you think about yourself, the way others view you and the things that make you unique to others, characteristics that define you. It is also the beliefs, personality, looks and/or expressions that make a person.

There are multiple types of identity which are the following: cultural identity, professional identity, ethnic and national identity, religious identity, gender identity, disability identity and psychological identity. A psychological identity relates to self-image (a mental model of oneself), self-esteem, and individuality).

Alec Sloth + Raina Matar – https://troutmanart.weebly.com/identity.html

Diana Markosian – https://www.canon-europe.com/pro/stories/diana-markosian-magnum-best-advice/

Yoshikatsu fujii – https://www.lensculture.com/yoshikatsu-fujii

https://www.lensculture.com/articles/yoshikatsu-fujii-red-string

Case study

Alec Soth

https://alecsoth.com/photography/

Alec Soth is an American photographer born and based in Minneapolis, Minnesota. He has published over twenty-five books. In 2008, Soth created Little Brown Mushroom, a multi-media enterprise focused on visual storytelling.

Alec’s debut, Sleeping by the Mississippi , was first published in 2004 and contained photos, of local people, places and things, taken along the Mississippi river during several road trips between 1999 and 2002.

His documentary images leave you wondering about the story behind them. Each photograph has an element of exploration and familiarity, studying middle America and the lives of people.

https://alecsoth.com/photography/projects/sleeping-by-the-mississippi

Photos from Sleeping by the Mississippi:

Brooklyn Museum
charles, vasa, MN, 2002
Alec Soth - Sleeping By The Mississippi - Jimmie's Apartment, Memphis,  Tennessee, 2002
Jimmie’s Apartment, Mrmphis, TN, 2002
Alec Soth - Sleeping By The Mississippi - Reverend Cecil And Felicia, Saint  Louis, Missouri, 2002
Reverend Cecil and Felica, St. Louis, MO, 2002
Alec Soth - Sleeping By The Mississippi - Fort Jefferson Memorial Cross,  Wickliffe, Kentucky 2002
Fort Jefferson Memorial Cross, Wickliffe, KY, 2002
Alec Soth | Sleeping by the Mississippi
Johnny Cash’s Boyhood Home, Dyress, AK, 2002

Alec Sloth’s images based on the theme of identity incorporates the home town of people (place) to show that peoples identity can be defined through their culture and life. The images above have an aspect of the peoples jobs or hobbies which can also influence someone as a person. The images of the objects/locations indicate a more simple or hidden identity isolated from the people. For example the houses seem more intimate and more meaningful then the other images as they seem to tell a story of the past.

I would like to photograph places in jersey which relate to me or my family and have meaning. when taking the photos I want to take the concept of isolation and interpret it by having a single small focal point and an empty sky/background around it.

To make my final outcomes more personal to me I would like to take old pictures of places from my parents towns (England, Broxborne and France, Le Harve) to show parts of my family’s history and culture and try and do some sort of collage with the new photos I will take from where our home is, Jersey.

Claude Cahun

https://www.jerseyheritage.org/collection-items/claude-cahun

Claude Cahun, from Nantes and moved to Jersey, is a French writer and plastic artist-photographer. Her life is closely linked to that of another artist of Nantes origin, Suzanne Malherbe, her companion. She photographed in the period of surrealism.

Claude Cahun – Self Portraits

Rania Matar

https://www.raniamatar.com/

Rania Matar is a Lebanese/Palestinian/American documentary and portrait photographer. She photographs the daily lives of girls and women in the Middle East and in the United States, including Syrian refugees.

The book A Girl and Her Room (published 2012 and various shoots between 2009 and 2010) reveals the lives of girls from the U.S. and Lebanon. Set in the girls’ bedrooms these portraits offer an insider’s perspective of not just who these young women are, but the physical spaces that are extensions to their identities.

Photos from A Girl and Her Room:

a girl and her room — Cordella Magazine
Rania Matar: A Girl and her room
Solid Planet: A Girl and her Room - Rania Matar
a girl and her room — Cordella Magazine

Rania Matar’s series of photos from the Middle East and in the United States comparing the home lives and lifestyles of young women around the same age shows how the identity of people is reflected in their rooms. It also reflects the juxtaposition between location and how people are brought up/live differently.

I would like to take pictures of me in my room or with objects that relate to my identity, things to do with my hobbies or personality.

Yoshikatsu fujii

https://www.yoshikatsufujii.com/

Yoshikatsu Fujii, born and raised in Hiroshima City. He often looks at historical themes and memory in contemporary events.
Fujii’s project “Red String,” his hand-made limited edition photobook was highly inspired by his parents’ divorce.

https://www.lensculture.com/yoshikatsu-fujii?modal=project-51723

Photos from Red String:

Yoshikatsu fujii’s photos relate to objects or people that make us who we are and are part of our life. I like how the relationship between people is portrayed in the photos of people and how they are showing their everyday life and culture.

I would like to take photos similar to the ones with objects or places with a isolated mood but also showing that there is life in the photos. The photos with the people i would also like to take them similarly with different people to show that people act differently. I could also find old photos of me with people and compare them by creating a sort of collage.