Image Analysis- Alfred Krupp Portrait

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Arnold Newman | Portrait of Alfred Krupp | 1963

In this image, American photographer Arnold Newman has taken a portrait of German industrialist Alfred Krupp. Krupp’s family ran factories during World War 2 making ammunition and weapons for Nazi’s- he insisted on using Jewish prisoners from concentration camps to work at the factories.

In the foreground, Krupp is positioned in the centre of the image between two symmetrical pillars that stand behind him, Newman has deliberately made him the main focus. The camera is angled slightly above Krupp’s eye level and he is looking directly at the camera lens with a sinister expression, giving the impression Krupp is confident. The dark shadows around the perimeter of the image contrast with the natural daylight coming from above through skylights. This casts shadows on his face, particularly around his eyes which makes Krupp look more menacing and mysterious. I believe Newman did this purposefully to paint Krupp as a villain and to give the image negative connotations.

In the background, we can see lots of lineal patterns with repeated shapes along with industrial equipment and what seems to be trains, it is possible the photo was taken in one of Krupp’s factories. It is clear Newman has used a high aperture as the whole image is in focus, allowing us to clearly see the factory’s assets, alluding to the idea that Newman knew the truth about what Krupp and his family had done during the war and that he wasn’t going to hide it from the camera or the world. Furthermore, the repetition of lights above Krupp’s head could symbolize the many lives he ended by being a Nazi sympathizer and providing weapons/ammunition to them.

The image looks a little under exposed with a high contrast and dark tones throughout. There is also a subtle green hue surrounding the image which links to the idea that Krupp is malicious since green is often associated with evil and wickedness. The colours of the image have low saturation and are not the best quality, this suggests the photo was taken with an older camera. The lack of vibrancy creates a dull, lifeless atmosphere, again symbolizing the lives lost by the hands of Nazi soldiers/supporters. I believe Newman portrayed Krupp in this vicious way to expose him for his crimes and to get justice for Jewish people, after all Arnold Newman was Jewish himself so taking this shot let him finally have his revenge and find peace.

PATTERNS AND RHYTHM

Alfred Steiglitz:
Alfred was born on January 1st 1864 in New Jersey , USA. He began to photograph while a student in Berlin in the 1880s and studied with the renowned photochemist Hermann Wilhelm Vogel.  When going back to the US in 1890, he began to advocate that photography should be treated as an art , he wrote many articles arguing his cause. For many years Stieglitz photographed New York, portraying its streets, parks, newly emerging skyscrapers; as well as some of its people. n the late 1910s and early 1920s, he also focused his camera on the landscape around his summer home in Lake George, New York. 

His work:


Contact sheet:

Selected images:

Edited images:

I like the outcome of my images as I feel they match and represent Alfreds images well. I edited my images into black and white to replicate Alfreds images.

Image Analysis

Arnold Newman-Portrait of Alfred Krupp (1963)

Alfred Krupp was a German industrialist and a Nazi sympathiser. He made ammunition and trains for the Nazis during world war two, and his workers were prisoners from concentration camps and prisoner of war camps. Arnold Newman took this image and it could be seen that he took his image to show the world what kind of man he is. Arnold was Jewish so it could be seen as payback on how he treated his culture.

The man is wearing a suit which allows the viewer to believe that he’s a businessman.It looks as though he is wearing an expensive gold watch on his wrist, which could show that he is wealthy and important to his surroundings. The fact that Newman took this image in his place of work creates a sense of hatred towards him as this is where many people were tortured to work long hours for very little pay with practically no breaks.

Newman has taken the image face on and that could be seen as showing Krupp that they are both equal, there is no inferior race or person. Krupp has his hands interlocked to show authority however it also makes him look aggressive and intimidating to others.

The damage on the columns behind Krupp can show that he cares very little for his factory and mainly focused on the money that was coming into his pocket.

The dark edges of the image allow the viewer to focus on Alfred, the lack of light shows that he could be seen as evil and someone you wouldn’t want to be near. However the gap in the ceiling could represent a halo which contradicts him as a person and the mood of the image. It could however represent that he is an angel of death as he worked along side Hitler, who was responsible for millions of people’s deaths, the fact he fueled that also makes him a killer.

The dark colours in the image add to the fact that he wasn’t a nice person and that he shouldn’t be praised or applauded for his work. It also shows the viewer that this image shouldn’t be seen as a nice image, instead it could be seen as justice for all who were tortured by the Nazis.

Arnold Newman

Image result for arnold newman alfred krupp
Arnold Newman | Portrait of Alfred Krupp | 1963
Picture

Context : Arnold Newman  was born on March 3 , 1918 in New York City. He was a photographer known for his portraits of artists such as Pablo Picasso. He moved to Philadelphia to work as a photographer.

Visual : We can see a old man in the center (Alfred Krupp) He looks powerful. The image is in colour. The background is  symmetrical and is getting smaller as it goes.

Technical : The lights are coming from the top and the sides  focused on Alfred Krupp , the liht next Krupp is darker than the background.

Conceptual :  The photographer Arnold Newman was a Jewish man and Alfred Krupp was an industrialist who ran war factories manufacturing arms for the Nazi . Newman did not want to take the picture of Krupp but after a while he decided to do it. The portrait of Krupp was a revenge from Newman

Image Analysis

Arnold Newman was a Jewish/ American photographer who was one of the most accomplished portrait photographers in the twentieth century. Moreover, his portraits where environmental meaning that whatever the main focus of the picture was, the focus was taken a picture of in their usual environment, which in Alfred Krupp’s case was his working place. Also, Alfred Krupp was a businessman who made firearms and bullets etc for the Nazis which could have made this a personal picture for Arnold Newman to take. As you can see in the picture Alfred Krupp is staring straight down into the camera lens which makes this picture eerie, knowing that he done this for the Nazis and having a Jewish photographer take his picture. 

Technical:

For the technical sides of this picture, the lighting seems to be natural as the picture is very sharp with all the details being crisp, especially on Alfred Krupp which goes to show how he was the main focus of the picture and the background was slightly blurry.

Visual:

Visually you8 can see that the colouring is natural in the picture which goes to show that this picture is raw and most likely wasn’t edited in terms of colour keeping it realistic. The tone would be in the middle between light and dark as you can clearly see the face of Alfred Krupp however, some of the environment in the background is dark due to not having much light. The form of this picture is 3d as you can clearly see that in the picture the environment has depth into it and stricture meaning it wouldn’t be 2D.

Modern Day Heroes

As an introduction to portrait photography, I focused on the theme of “Modern Day Heroes”. This project involved taking photographs of essential workers who helped to save and serve the public during the COVID-19 lockdown.

Photoshoot plan

Modern Day Heroes inspired photoshoot

I decided to take pictures of my mum, as she works for the Jersey Hospice Care Shop, although they were unable to open during lockdown, they were one of first retail shops to reopen in order to raise money for the Jersey Hospice Care.

I took photos of her wearing her uniform to represent her essential work and captured her wearing a face mask, as the workers were made to wear masks throughout their entire shift to keep the public safe. I thought this was an important aspect of essential workers as it proves that in a time like this, we all have to be considerate of others which proves the sense of unity that COVID-19 brought to the world, despite the tragedies occurring daily.

Image ANALYSIS

Technical
– Straight away the main focal point is defined in the image by using highlights, due to the subject being close to the camera, the natural light illuminates the front and top of him from the slots in the ceiling of the factory.
– The overall photo is dark, this contrasts with the highlights, and sets a mysterious mood.
– There is a high depth of field (example f.24), as everything in the foreground and background is in focus. The lights have a starburst like pattern which means, that there’s a small aperture, which allows more light into the camera.
– The image has warm tones, the orange train and the exposed skin, such as the head ans the hands.
– The shadows are more dominant than the highlights, which makes the mans face more detailed, the shadows appear under his eyes, which makes him look evil. This could be a reference to his criminal past.

Visual
– The man is sitting down with his chin resting on his hands, which are interlocked. His head is slightly tilted down, and has a sly grin. He is staring into into the camera, which is intimidating. This body language, makes him look like hes plotting something evil.
– The background of the image is framed using concrete pillars that are just behind the man. They are dirty and covered in a moss-like coat. The frame draws our eye to the abandoned factory.
– The fact that the abandoned factory is behind the man, is like his past has been left behind, as the man is Alfred Krupp, who was a factory owner, and made equipment for the Nazi’s. This is reinforced, as he is looking away from the abandoned trains, and instead hes looking directly into the camera.
– The photo has been thought about because, there is no empty space, and the image is split in two. The bottom half is the foreground which features the man. Then, the background which features the background, which is the abandoned factory.

Contextual
–  Arnold Newman, was an American photographer, who was born on March 3rd, 1918, and later died on June 26th, 2006. He was known for his environmental portraits of artists and politicians. Additionally, he was even know for his carefully abstract still life portraits, such as the portrait of Alfred Krupp.
– Alfred Krupp was born on August 13th, 1907, he was in a family company, know formally as Friedrich Krupp AG Hoesch-Krupp, it was a key supplier of weapons and material to the Nazi regrime and the Wehrmacht during World War II. He was later arrested for slave labor, which he served 3 years in prison. Then he died in 1967.

Conceptual
– He man is old, which means he been through a lot. This means his life is mostly behind him, which is why the factory in in the background as it was his job and responsibility to manage it, but now it isn’t.
– His hands are positioned close together as if he had hand cuffs on, which represents his time in prison.
– He is dressed smart as it contrasts from the dusty factory in the background,
– Alfred used slaves to build supplies for him. They probably had back problems from working a lot, which is why he is leading over, as it connotes pain and exhaustion.

Image analysis

Arnold Newman | Portrait of Alfred Krupp | 1963

Contextual : The photo was taken around 20 years after the end of the Second World War. The photo was taken in an old factory that made all things from railroad cars to trains and in the Second World War his family made ammunition for the Nazis. The photo was taken in 1963 by Jewish photographer Arnold Newman.

Conceptual : The image was taken as a form of payback for the Jewish community on the Krupp family after supplying the Nazi’s with ammunition for the entirety of the Second World War. Newman made Krupp look evil and have shadows around him with light in the background. He makes Krupp look sinister and mysterious but also not in power as the photo was taken looking down on his subject. This references the Krupp family power when the Nazi’s relied on them during WW2 and how after the war ended their power had gone.

Technical: The lighting in the photo is harsh and has a very large depth in the photo. The photo transitions from a very dark and sinister tone to a free and light one. The photo is deep and is taken to make the sinister figure in the centre of the image look below the viewer as if he is not in power.

Visual: The color pallet of the photo are dark and mysterious with a lot of dark colors and then quite white and bright colors swell. The darker and more mysterious colors are in the foreground of the photo near the man and the brighter and more normal colors are in the background of the image. The photo is clearly three dimensional and the different layers of the photo can be seen clearly. The image has some symmetry and very straight lines.

IMAGE ANALYSIS

Image result for arnold newman alfred krupp
Picture

Arnold Newman was a Jew who took environmental portraits of influential people such as Bill Clinton and Pablo Picasso. Alfred Krupp was a German steel manufacture and inventor. He made ammunition for the Nazi’s and used the Jews from the concentration camp as slaves. Arnold was very hesitant to work with Alfred because of the type of man he was and because of his beliefs.

This image shows a sinister looking man in the foreground of the image with an industrial background. As a viewer we can only see from Alfred’s torso up and he is lent forward with his hands linked , making him look more intimidating

The lighting of this image is a mixture of natural lighting and artificial lighting. Arnold set up artificial light on each side of Alfred so the the lighting hits the sides of his face and deepens in the middle of his face making his eyes look menacing.

The overall consensus of this image is very negative and leaves the viewer feeling quite uncomfortable as Arnold has portrayed Alfred as a very powerful looking man and the fact Alfred is looking directly into the camera gives the viewer the feeling that he is looking straight at them leaving them with an uncomfortable feeling.

Street photography introduction

Street photography is made for art or enquiry that that features random chances of encounters or incident’s that occur within a public place. 

As you can see from the pictures above that have been stated with the names of the photographers, every single image above has their own personal value to them and their own story behind it which makes street photography special because the picture almost becomes a story to tell, due to the pictures being captured in random moments of an incident that has occurred. Moreover, their could be some context behind these images for example, with the Gordon Parks picture on the top right would could imagine what it could be about like maybe people having fun on a hot sunny day, however in reality the picture is a gang fight that was captured in the middle of the streets.