In 1924 he co founded the Czech Photographic Society with Josef Sudek and Adolf Schneeberger. Two years later he produced a series of Surrealist images of store windows (Glass and Reflection) based on the photographs of Eugène Atget. Funke served for several years as editor of the journal Fotograficky obzor.

His interest in modernist ideas led him to make studies of simple objects. As the decade progressed, he turned to the production of arranged still life emphasizing abstract form and the play of light and shadow. During this time he also produced several important series of photographs, including two inspired by the images of Eugène Atget: Reflexy (Reflections, 1929) and as trvá (Time Persists, 1930-34). 

Jaromir Funke

The series of photographs that inspired me is the Absrakni Kompozice (Abstract Composition) photos. In these images he focuses on shape, light and shadow. He uses a different objects to get a range of unique, interesting and abstract shapes. In the background of the the images he uses the material of paper to get structure in the background with the creases and edges of the paper. This also helps to have a solid white background.

Images from Abstraktní kompozice that inspired me:

Image Analysis

In Abstraktní kompozice Funke focuses on the use of light in his photos creating light and darkshapes.

In this image in particular the lighting used seems to be natural and is positioned behind the camera facing forwards making anything in front cast a shadow. There is a large range of tones due to the contrast between the light and dark areas in the image which help make the shadows from the objects sharp and visual. The aperture and shutter speed in this image creates a crisp photo in the sense that the abstract shapes are clear and sharp but the image overall is under exposed which makes it seem blurry and more warm toned. There is various lines from the objects. The shadows created are very geometric and layer on top of each other creating a composition with the more organic curvy shapes. Overall it is quite warm toned as it is not a normal black and white photograph it is more of a black and off white colour due to the white balance.The middle of the photo is framed by the dark shadows around the light, creating a vignette.

Photo shoot 1

Photo shoot Plan:

Who	Jaromir Funke takes photos of objects and light so I will not need anyone else in the photo however I will need someone to hold the objects.
What	I am going to take photos of shadows from interesting objects with different silhouettes and shapes.
Why	I am going to take these photos as it will closely interpret Funkes images with abstract forms and light and shadow.
When	I will take these photos late afternoon so the sun is starting to set and it will be shining where I need it. Also the shadows will be strong as the sun should be quite bright at this time. The weather also is important as I will need it to be sunny.
Where	I will be using a plain white canvas for the background so it gives a solid colour for the background and I can move it to where the sun is shining for the best shadows.
How	I will place the canvas in front of the sunlight and get someone to hold the objects where I need them to be as I will be taking the photos and will not be able to hold the objects whilst photographing.

My response 1:

I chose to do this idea for my first photo shoot inspired by Jaromir Funke as I wanted to try and get the shapes he has used. In particular one of the objects I used was a whisk because in one of his photos he uses a couple of whisks to create multiple shadows and photographs the object in front of the camera. For these particular photos I set the shutter speed lower so the camera would capture the movement of the whisk and would give it a blurry affect. I used the natural light from the sun coming through the window to create a soft, yellow shadow. If I were to do this photo shoot again I would perhaps use artificial lighting so that the shadows would be harsher like Funke’s images. I used a canvas for the background of the image as it was plain but also gave the image a slight yellow cast with the light settings on the camera.

Photo shoot 2

I chose to do a second photoshoot following Jaromir Funkes’ images closer so that I could get the same abstract effect as him. For this photoshoot I used plain white paper to set the background of the photo and as an area to cast the shadows onto. I also incorporated a black curtain into the background so that I could create a vignette effect, having the black background around the sides of the photo framing the centre which is brighter. The lighting used was artificial lighting coming from a projector, I used this to have a more yellow light rather than white lighting and so that the shadows would be harsher. Additionally it was easy to control where the light and the shadows were in the images because I was able to place the objects in various places on the projector glass and it would reflect with the shadows of the objects. The lighting used also created soft and harsh shadows making shadow shapes contrast.

Final outcomes

When editing my images I wanted to make them busier and edit the shadows so that they were harsher and bolder. To make the images busier I combined them together layering 2-4 images over each other altering the opacity of each photo so certain photos were more visible then others. I also cropped and adjusted the positioning/rotation of the photos either choosing certain parts of photos to layer or crop the final outcome. When editing the lighting and colour of the images, I used adjustments on photoshop and altered the exposure, contrast, levels, vibrance, saturation and more.