“Landscape photography shows spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on man-made features or disturbances of landscapes. Landscape photography is done for a variety of reasons” – Wikipedia

Landscape photography explores places in the world that are usually seen as continuous and never ending by implementing sublime, detailed landscapes in conjunction with beautiful skies that set a mood with a phenomenon known as pathetic fallacy. Some photos may have dark, dull and high contrast skies made up of dark blues, grays and blacks to set a negative mood/tone, whereas others may be brighter and happier in tone with the implementation of natural sunlight, often being used at dawn or dusk when the light is less harsh and makes for cooler, more vivid colours with hints of yellow, orange, red, pinks and purples adding to the photos colour palatte. This makes it possible to tell stories through landscape photography, often having many underlying meanings for the observer to decipher.

Most of the time, this type of photography is meant to show the presents of nature, but it can also contain man-made features that have disturbed the nature such as city skylines.

However, landscape photography doesn’t normally show much human movement and mostly focuses on the pure signs of nature and extreme weather. Photographers are inspired and challenged by the beauty of nature ever since the begging of the landscape photography up to this day.

WHAT IS ROMANTICISM?

The Romantic era was an artistic, musical and intellectual movement in Europe towards the end of the 18th century. Romantic era lasted approximately from 1800 to 1850. The movement of art/intelligence showed intense emotions such as terror and fear. All of those emotions were shown by the perfection and the beauty of nature.

Ansel was born on the 20th February 1902, he died on the 22nd april 1984. He was an amazing photographer who based many photos on the american west. He helped create the group f/64. A group of photographers that preferred sharp focus and a range of tonal colors.

Landscape photography presents the worlds natural areas and open spaces, often from far away, but can close in on specific corners of an environment. They are typically used to display wildly natural scenes but can also include features of man-made structures

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Spending much of his time in the dark room, Adams pioneered in the zone system, where he would paint onto enlarger the areas on the photo he thought where lighter or darker. We refer to this as burning and dodging.

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ANALYSIS OF HIS IMAGE:

TECHNICAL:

The lighting of this image is generally quite dark, with highlights of the mountain illuminated by obvious daylight. You can see this lighting is natural, reflecting the focus of the photograph. The image looks generally underexposed, with a high contrast between the shadows in the crevices of the mountain and the highlights scattered along the jagged mountains.

The aperture of the photograph looks as if is around f/16 as there is a deeper depth of field. The shutter speed seems to be quite short, maybe 1/320 as the image seems to be underexposed and quite focused and sharp. However you can see that this image is slightly grainy, which indicates a high iso. This could mean that the iso was high, maybe ISO1600.

VISUAL:

The colour of the image is black and white, which is very common in Ansel Adams work, however through this black and white image, there is a lot of tone, with very bright highlights and dark shadows (Zone System). There is a lot of texture coming from the mountains in the photo due to a range of lights and darks scattered across them, clearly indicating that they are the focal point.

There is very clear line in the image, between the dark rolling hills and the mountains, however the horizon line is very high up on the image, this could be to exaggerate the height and power of the mountain landscape. There is a very clear rule of thirds being applied in the image, with the segments going horizontal (lightest focal point being the mountains in the second third.)

CONTEXTAL/CONSEPTUAL:

The purpose of the image is to exaggerate the beauty of nature and the dramatise the landscapes in the image through the use of technique. This image truly reflects Ansel Adams ideas toward nature by bringing a Romantic approach to is photographs in order to promote the conservation of wilderness areas.

Below are the contact sheets from my first landscape shoot, in St Peters valley. I took photographs of the pond and the trees, as it related to the romanticised landscape.

Ansel Adams, was born on February 20, 1902. He had always enjoyed nature, and spent lots time exploring and collecting insects as a kid. Adams was homeschooled for two years by private tutors, his father, and his Aunt Mary.

He was influenced by Ralph Waldo Emerson, living modestly and morally, and later, the philosophy of Edward Carpenter inspired Adams to pursue beauty and display it to the world.

His interest was first securely brought on by visit to Yosemite National Park in 1916 with his first camera, a Kodak Brownie box. He continued to visit Yosemite every year for the rest of his life.

He worked on commercial projects for companies such as Kodak, AT;T, and Fortune magazine, and preferred the high resolution of large-format cameras, and as a result his black-and-white photographs of nature became his trademark.

Some of Adams’ most popular works include, Monolith, The Face of Half Dome, Moonrise and Aspens

Adams developed a photography technique named the Zone System, split into 10 sections, was a highly technical guide to controlling the light and dark in landscapes in the most valuable way

Ansel Adams died aged 82 from a heart attack in hospital, in Monterey, California. He worked hard to preserve the wilderness and was a strong environmentalist. Through his life he wrote hundreds of letters to newspapers and politicians, but the legacy of his photographs continue to make an impact.

TECHNICAL:

Adams uses natural lighting and a moderate tonal range in this image, creating an overall gray effect, with occasional darker rocks to add contrast. The tonal range highlights the sun rays poking out of the clouds, reflecting off the rocks in the foreground and adding lighter tones. He has most likely used a tripod and a slow shutter speed to capture all the detail and light rays in the image.

VISUAL: 

This image has a range of different textures, from the softness in the clouds to the hard lines of the rocks and the sculpture of the mountains. The brightness of the clouds and light rays  create a balance throughout the image and fits with the theme of the harmony of nature, definied is Romantasicm.

CONCEPTUAL: 

The ideas of Romanticism in art and photography is that nature is beautiful, serene and unpredictable. This is represented in the soft, heavenly light that shines from behind the mountain, which covers over the foreground of the image createing a sense of peace.

CONTEXTUAL: 

Adams himself spent a lot of his life in the American West and was inspired by the untouched landscapes and the power of nature among the mountain landscapes. This is represented through the use of his photography, often from his own view, but also going to different heights to capture the best views of the whole landscape.

what will i photograph?

• beaches
• trees
• rock faces
• skies
• sunsets
• streams

when am i going to take the photographs?

• early mornings eg. dusk
• early evening eg. sunset

where will i take the photographs?

• greve d’lecq
• greve d’lecq woods
• st peters valley
• st ouens beach
• mourier valley
• queens valley

why am i designing the photo shoot this way?

I have decided to take photos in these places, as this is what MINOR WHITE tends to take photos of, and I feel really inspired to take photos like WHITE. I have decided to take photos at those times, as they have the best lighting and will allow me achieve the best photos, which will be similar to MINOR WHITES.

how am i going produce the images?

I am going to use;

• panosonic g1 camera with 45-200 lens
• canon eos 1200d with 18-55 lens
• a mirror
• a tripod
• a wooden picture frame

what is aperture?

Aperture is defined as the opening in a lens through which light passes to enter the camera, measured in f-stops. You can shrink or enlarge the opening to let more or less light into the camera. Increasing the aperture, increases the overall exposure.

what is depth of field?

Depth of field is the distance between the closest and farthest objects in a photo that appears acceptably sharp. You can change the depth of field by changing the aperture.

contact sheet from shoot

What is aperture? Aperture is the opening gap in the lens which allows different amounts of lighting into the photograph being taken. As you move between bright and dark environments, the iris in your eyes either expands or shrinks, controlling the size of your pupil. However in photography terms the “pupil” of your lens is called aperture. You can shrink or enlarge the size of the aperture to allow more or less light to reach your camera sensor. Aperture can be seen on the camera by looking at the f/stops and is generally written as numbers such as 1.4, 2, 2.8, 4, 5.6, 8, 11 and 16.

What is Depth of field? Depth of field is an important aspect in the taking of photographs. Depth of field is the distance between the closest and farthest objects in a photo that appears acceptably sharp. Now your camera can only focus sharply at one point. But the transition from sharp to unsharp is gradual. Depth of fields in photographs can be seen in foreground, middle ground and background.