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Extension –

Evaluation –

When comparing both my final outcomes, I would say that my interpretation of the extension task worked better as there are multiple flipped/ distorted images layered on top of each other with different opacity’s. This effect adds more depth and visual illusion to the overall image; combining an older style of photo editing(Threshold/ Black and White) with a more surreal way of editing(Layering images and distorting their aspects).

By using the threshold effect, and adjusting the level of threshold visibility, objects, buildings or people can be transformed to silhouettes – very under exposed and completely black. Wheres areas such as the sky are pure white and very over exposed.

Over the past 2 days, I have gone out, at around 5. I went around this time so I could get good lighting, strong contrasts and dramatic shadows. Some of my photographs have been NICHOLAS NIXON, as I took photographs capturing structured buildings and the natural landscape it sits in. I have also gone in and selected my favourite outcomes, which I will edit and evalute.

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Urban landscapes today feature spaces that focus on preserving natural resources while creating environments that are inviting to human and wildlife populations. This is especially important in this time of global change. Urban landscapes must be designed to meet the needs of today and the growth of tomorrow.

TYPOLOGIES

A photographic typology is a study of “types”. That is, a photographic series that prioritizes “collecting” rather than stand-alone images. It’s a powerful method of photography that can be used to reshape the way we perceive the world around us.

One of the first photographic topological studies was by the German photographer August Sander, whose project ‘People of the 20th Century’ (40,000 negatives were destroyed during WWII and in a fire) produced volume of portraits entitled ‘The Face of Our Time’ in 1929. Sander categorized his portraits according to their profession and social class. 

The term “typology” however, was first used in 1959 when Bernd and Hilla Becher began documenting their architectural photographic series. Depicting decaying urban landscapes, each photograph was taken at exactly the same angle, from the same distance, with the same exposure settings. With the aim of recording a landscape in flux, the Becher couple described their subjects as “buildings where anonymity is accepted to be the style”.

NEW TOPOGRAPHICS

New topographics was a term coined by William Jenkins in 1975 to describe a group of American photographers (such as Robert Adams and Lewis Baltz) whose pictures had a similar banal aesthetic, in that they were formal, mostly black and white prints of the urban landscape.

This term would later go on to be a type of landscape photography under the category of urban photography as it explores as it captures human development and expanding urban landscapes showing scale and detail about cities and populated areas.

Some of the photos above show natural landscape behind the urban man-made structures which shows contrast in man/nature, often showing that mankind is expanding too fast and destroying the Natural Landscapes. This shift from Natural Landscape Photography to Urban Landscapes showing natural elements (Natural Landscapes in the background) shows how over time the world has and could well become more/overly urbanized if little is done to slow or halt man from expanding cities and urban areas across the many beautiful Natural Landscapes that Photographers like Ansel Adams captured so greatly. These images als show a juxtaposition because of the ordinary everyday architecture that is placed in amazing beautiful scenery. This could be controversial because of the personal perception of the images.

Robert Adams was born 8th May 1937 and is an iconic American photographer whose work mainly focused on the rapidly changing American West during the mid-1970s. He first became known through his book, The New West (1974), and through his participation in the urban landscape exhibition The New Topographics in 1975.

This image captures the spirit of Adams’ style very well, as it demonstrates how normally ugly or unseen scenes of everyday life can be transformed into art and given meaning. It shows his well-known use of black and white and high contrast, as well as the sky not being entirely whited out.

I particularly like this image as it combines two ideas, that of heaven and religious beauty and that of the dull and simple human world. I especially like Adams’ use of contrast to ensure that the small clouds in the background stay visible and not completely faded into the sky

It was fairly rare to see a night-time image in the New Topographics exhibition which is why this image in particular stands out. It stays with the theme of using contrast to keep the sky in focus and the image itself focuses on a familiar scene for Americans: a fair. I very much like how the electric lights are the brightest light sources in the image as well.

This image portrays how many Western Americans lived in that era, and it shows the average city sprawling across the plains, which makes it seem interesting and brings beauty to the banal, which was the whole point of the New Topographics exhibition.

My Images-

I decided to try and keep with several recurring themes that I noticed during this study of Robert Adams and the New Topographics: keeping the sky and clouds defined and visible, black and white images, and using contrast but not too over-the-top.

I took a sample of images from my urban photography shoot that I felt would fit within the style showed from my research and chose which images to use for my final product from there.

From there I selected my final four images and edited them how I felt was appropriate and suited the image.

With this image I attempted to keep as much of the detail on the stone building as possible as I felt that it makes a nice difference to the plain and simple building directly next door. I also like the strong lines of this image brought on by the electric wires crossing above from the foreground to the background, I fell like they really draw the eye into the image.

To edit this image, I had to adjust the black and white levels to ensure the details of the balconies stayed in focus and that the structure of the image remained. I particularly like how the light highlights on the balcony rails showed up so nicely in black and white.

As you can see I kept the clouds in the background clearly visible and increased the contrast of black and white, but not overly so. This is one of my favourite images as I really like the composition and shape of the buildings, as well as how it turned out in black and white.

I quite liked the odd angle I took this image at, focusing more on the sky than on the house, and also how my editing caused the lights inside to become very bright, which makes the house feel inhabited. In fact it is not, it’s a building site currently, but I felt that the architecture felt very urban and stuck with the same style as the other images in the final selection.