Initial ideas: I created this film to visualise the teenage experience of many during recent isolation and pandemic situations, contrasting the difficulties of online learning in isolation with the freedom of summer and missing times with friends. It became a great creative outlet for me just producing a product that really highlighted how the last year has felt , but i am also happy with my final film from its technical aspects. My first ideas came from a few different amateur student films i had found online about quarantine experiences such as ‘Numb’ by Liv McNeil and ‘Quarantine Perspective’ by Myles Dean. From these i chose a few specific camera shots i wanted to reflect in my footage, as well as the time-lapse idea from ‘Numb’. Through the initial ideas i developed them during the editing process to add my own style, deciding to create the isolation time-lapse, but layering it over chosen videos from summer to show the extreme contrasts in a single shot sequence – which overall i think created a really impactful ending to my film.
Filming: Overall i thoroughly enjoyed the filming process for my project. My film was split into three different sections, where before each shoot i had fully planned each individual shot to make the filming process easier and precise. The first section is all based in my bedroom, focusing on the struggles of online learning. I kept this section basic, using simple shots and minimal audio as i wanted it to allow the space for a build up throughout the rest of the film, and slowly introduce the main themes of the film. I used a quick and simple time-lapse sequence to show the unproductive passing of time felt during quarantine which would then link to the dramatic ending sequence in the film, and introduced a few short archived videos from summer to initially show the feelings of missing times of freedom. The second section was the most enjoyable and fun to film. I was very lucky when it came to the day of filming, catching a beautiful sunset which made all of the shots look stunning naturally. I had a friend help film this, using a high tech stabiliser for a phone, directing them through what angles i was looking for, and discovered that if you held the stabiliser up high, it created an aerial, drone looking point of view which i thought was a really unique angle (inspired by shots from Myles Deans short film). I combined different shots of me walking through fields with a few skating shots for some diversity, switching between third and first person perspectives, with the overall aim to create a general visualisation of ‘freedom’. The final section of my film was about creating a lasting, impactful message that encapsulated my whole idea of contrasting the stagnation of isolation to the feelings of freedom and missing the fun times during summer. At first i was planning on filming each section of the time-lapse everyday after a few weeks and filming later in each day to capture the slow decline with light, but instead realised it would be much easier to film it all at once, ensuring my tripod wouldn’t be knocked out of place and the composition of the camera would be the exact same. So between each shot i changed clothes, moved a few objects around my bed, and once i was halfway through, used my blinds to slowly control how dark the scene looked. This allowed the editing process to be much easier and i could choose which background archived videos would match up with the footages lighting.
Editing: The editing process for this film was quite long as i had many specific sequences and transitions i wanted to include, as well as a very clear idea of the way i wanted the film to flow throughout. I have multiple blog posts on the detailed editing process of the three sections, but there were some key points i think came out well. With the filming process as well, i knew i wanted to have certain footage that would act as transitions themselves and lead into the next scene, so i made sure especially between the field and time-lapse section, i had a a separate clip of me physically leaning into the time-lapse to clearly link those parts well. I made a fair few changes from my idea of the time-lapse to the final product when editing, as once i started i saw lots of areas for improvement. I changed the length of each clip from one second to just less than half a second as found the sequence to be too short, and then actually used the other half of it and added it somewhere else to make the time-lapse longer to have time to fit in more archived videos. Last minute i also decided to edit the time-lapse video to grow every few clips to take over the screen until at the end it had fully covered over the background videos, which i thought added some dramatism to the sequence. This grew with the background music, which i had slowly brought in during the second sequence, however edited the audio of all the field and background videos during the time-lapse to varying levels so it seemed as though the dramatic music grew even more throughout the film than it originally had. I also used lots of gradual and continuous fade transitions throughout the film, mostly to transition between archived videos. I was most proud of one gradual fade that i used at the end of the freedom section, to switch from ‘live’ filming of the field to the video playing on a laptop screen and slowly moving back to a wider view. I think this turned out really well and was effective in creating a hybrid of both the main themes in one shot.
Final thoughts: Overall i felt my short film was successful and i am very happy with how it turned out. I think this project really helped develop my technical skills needed for editing on Adobe Premier Pro, as well as structuring a short film in an effective way to tell a narrative. After uploading my film to YouTube i received lots of positive feedback from viewers, with the video now having over a hundred views, which i think really helped solidify my confidence in the outcome of this project. The inclusion of different filming styles such as the time-lapse sequence and experimenting with different filming technology for the drone-like footage allowed me to explore styles i don’t normally use and i think brought a unique aspect to my film. If i were to change anything about my project i think i would expand my research of a few more artists and bring in their styles to my own, to help experiment with a few more underlying themes and develop my narrative skills. To conclude, i’m very happy with the outcome of this project and put in a lot of effort to try and reflect the shared experiences of the past year in a way that allows many people to identify with, as well as express my own perspective in a rewarding and creative way.
How is reality represented within surrealism and dreams?
“We think we understand the rules when we become adults but what we really experience is a narrowing of the imagination.” ― David Lynch
Dreams are something that make our minds wonder, leaving us on the edge of our seats; whether it’s because we want to know what was about to happen next or whether it’s because we want to know the meaning of what they dreamt of. Our life within reality which influences what we dream about is what interests me; how do we know what’s reality and what is just a dream? When we are dreaming, we’re not usually aware of it because it seems so real which leads me to think, maybe the line between dreams and reality isn’t so clear. “We think we understand the rules when we become adults but what we really experience is a narrowing of the imagination.” David Lynch, a film director who revolves his work around surrealism and abstract forms of reality, is known to be “the first popular Surrealist” and has developed his own unique was of creating cinematic masterpieces by trying to expand the audience’s imagination to have their own understanding of what they are seeing within his film, his style has been dubbed as “Lynchian”; characterised as meticulous sound design and dream-like imagery. He tries to make his films as surreal as possible and the way they are interpreted differs from each viewer as they have their own perception of realism. One of his films called Lost Highway inflicts a lot of intriguing questions about reality, “I like to remember things my own way…How I remember them. Not necessarily the way they happened” Fred, Lost Highway (1997). Throughout the film the protagonist finds himself to be in unrealistic situations but with a pattern – Renee/Alice creating a sense of normality, therefore showing reality with a dream or vice versa. Inception was the other film that is a good example of dreams being represented within reality, “Dreams feel real while we’re in them. It’s only when we wake up that we realize something was actually strange.” Cobb, the protagonist from the film Inception, said this which Christopher Nolan deliberately wrote in the script to make the audience think about the truth of the statement. This links into my hypothesis very well as to why we may not know how to separate reality from dreams as sometimes reality can be surreal at times. Although the film Inception is quite complex as it goes into detail about dreams within a dream and going into limbo; apparent lack of limitations, limbo is described as a dimension that can allow a dreamer to manifest their deepest desires, but also unwittingly trap themselves in a world where they lose their awareness that the world created is not reality. Therefore, suggesting that you can get trapped within your thoughts and some have described the film to be similar to how a coma would be; an ongoing dream that feels like reality. In an attempt to answer the question, “How is reality represented within surrealism and dreams?” I will be delving into the history of surrealism, realism, dadaism and how the film producers David Lynch and Chris Nolan express dreams as a different reality.
The artistic movement known as Surrealism helped to allow artists to express their imaginative thoughts more thoroughly. Surrealism as an artistic movement began as early as 1917, heavily inspired by the captivating paintings of Giorgio de Chirico for having such a hallucinatory quality to them such as The Song of Love. Closely following behind Chirico was the Dadaist writer André Breton’s 1924 Surrealist manifesto, just as the Dada movement ended in 1923, “The imaginary is what tends to become real.” is how he observed the new movement as, creating the most obscure imaginary things into something in the physical world. For the poets and artists of the surrealist movement, dreams stood for all aspects of the world repressed by rationalism and convention. The ‘revolution of the mind’ sought by surrealism drew upon the uncensored creative impulses of the unconscious. This ensured that it never became a style as everyone’s view on surrealism was different. The movement of Surrealism created new opportunities for unique and unappreciated artists to emerge and make their mark on attitudes towards the abstract world. For the first time people had the chance to show how they look at life and express their feelings through unrealistic and obscure paintings and photographs, to turn the world into a different reality in order to open up people’s minds to the unimaginable. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision.” Salvador Dali once said this to convey his thoughts on what he believed to be the true meaning of Surrealism; an art allowing us to do limitless stretches of the imagination in order to proceed forward in the artist world. One Dali’s famous artworks is “The Persistence of Memory” from 1931, inspiring a lot of other Surrealist artists around the globe. The artwork consists of melting clocks which seem to be in a dry desert like landscape. A lot of paintings were famous in the surrealist movement before many photographs because at the time many photographs were discarded as just a copy of the real world and it wasn’t considered a talent of any type of artist, whereas paintings and drawings were seen as well thought out art as well as individual to each artist. This movement helped to create other movements that have more abstract qualities to them.
Giorgio de Chirico, The Song of Love
The Persistence of Memory, 1931,Salvador Dalí
“Black has depth.. you can go into it.. And you start seeing what you’re afraid of. You start seeing what you love, and it becomes like a dream.”
― David Lynch,
The first relation to the question, “How is reality represented within surrealism and dreams?” is the famous film maker David Lynch. He first was first enrolled at the Museum of Fine Arts in Boston, as he initially wanted to become a painter but then he later moved on to studying at the Pennsylvania Acadamy of Fine Arts from 1965 to 1969. This is where the 60 second film called Six Men Getting Sick in 1967, which was his first animated film. He eventually carried on in film making and created his first film Eraserhead, in 1977, at American Film Institute’s Center for Advanced Film Studies where his strange and obscure way of looking at reality and dreams stood out, baffling anyone who watched the film. Other famous films that Lynch is well known for are, Blue Velvet, Lost Highway, Wild at Heart, Elephant Man and the Series Twin Peaks, many of which he Has been nominated for best director for his outrageously weird and creative way of viewing the surrealistic world. By allowing his films to be portrayed as strange and to make the audience watch something they’ve never seen before it forces the viewer to think about what the film could possibly be about and how it could possibly relate to the real world as well as what the message is behind the film. David Lynch believes that not everything in the world has to have a clear explanation or meaning, “I don’t think that people accept the fact that life doesn’t make sense. I think it makes people terribly uncomfortable.” although there have been many thoughts and investigations on the meanings of his films, he prefers for people to have their own interpretation, to not just be told what to think and believe what you believe to be the true meaning. The way I see it is, why only believe everything you see in reality when realistically a lot of the imaginative thoughts and dreams people have can be put into the real world?
Lost Highway, made in 1997, is one of the films that I have watched that has a very strange meaning behind it when it comes to my own view on the film. In the film there are two main characters Fred Maddison/Pete Dayton and Renee/Alice. The film starts off with Fred and Renee receiving video tapes of what seems like a stalker watching them outside their house. Eventually Fred bumps into this ghost-like man at a party, the man came across as freakish and creates an unsettling feeling for Fred and the viewer as he claims to have already met Fred before. Later on, the couple get another video tape of Fred murdering Renee when originally when the tape was filmed the couple would’ve been alive, but this is made to confuse the viewer to think whether what they saw before the tape was real or just an illusion or vice versa. Fred is shown to be having a mental breakdown in prison and then turns into Pete Dayton, who is then released as he isn’t seen to be the same person that they put into prison for committing murder. Dazed and confused, Pete goes home to find a girl who looks exactly same as Renee but is called Alice, who now has blonde hair. This creates and unsettling and ominous feeling as us as viewers know that she is dead which can only mean she is part of the reason why all the madness is occurring. Pete ends up having an affair with Alice to find out that she is meant to be dating a wealthy and powerful man that Pete knows as somewhat a father figure. Alice and him plan to runaway together, leading to Pete finding Alice in another man’s house who he ends up accidently killing and finding a photo of Alice and Renee in the same photo together, making the audience baffled that they are twins. Towards the end Pete turns back into Fred and meets the ghost-like man again who is filming him and interrogating him. An odd turn of events eventually leads to Fred and him killing the wealthy man who was meant to be with Alice. The story line leads me to think that Fred possibly had a personality disorder such as schizophrenia, he may be transitioning from one alter ego to another, and the ghost-like man is his devilish sub conscious persuading him to do unimaginable things such as murder which he doesn’t remember due to his illness. I think Lynch was trying to put across that Fred imagined the world differently to others and that he didn’t want to see reality and physically seeing things as the only possibility, “I like to remember things my own way…How I remember them. Not necessarily the way they happened” this quote again demonstrates the meaning he is trying to put across which was mention during the beginning of the film – foreshadowing the future events. Other viewers may see it as all a nightmarish dream as it leads back to the house at the beginning leading back to the main question of, “How is reality represented within surrealism and dreams?” this starts to make me think that David Lynch wanted to represent reality as something that isn’t set in place; something that can be tarnished and manoeuvred to be whatever you want it to be.
Six Men Get Sick (first film in 1967) (animated)
Lost Highway 1997
“I’d written Inception as sort of a clever-clever heist movie. And heist movies tend to be deliberately superficial and glamorous. I needed him to bring the thing together, open it up to the audience and make it a human story, and he’s done that extraordinarily well.” – Chris Nolan (Director)
Christopher Nolan is the other relation to the question, “How is reality represented within surrealism and dreams?” with his film Inception made in 2010. The film Inception is about creating another world where everything feels like reality but it’s actually a dream. The goal is to plant an idea into someone’s head by heading into the depth of each dream without going into limbo where the character will not know the difference between a dream and reality which leads to fatality within the storyline. The protagonist played by Leonardo Dicaprio ends up getting stuck in limbo in his past before his next mission and him and his wife eventually manage to get out, but his wife thinks they’re still in a dream so commits suicide to “get out of the dream”. Surrealistic events occur throughout the entire film but the characters that demonstrate that they are limbo are completely unaware of this which links into my question nicely. Reality is represented as something that is desired within the film for the people who have already seen incredible and dream-like scenarios but for the people who are stuck and have no way to extend possibilities dreams and surrealism are desired greatly. This can represent the real world and how the audience members may feel whilst watching the film; a way to escape reality due to their emotions and feelings being so intertwined with the characters and the motions of the film. Most people in life wish to achieve their wildest dreams but, of course, within reality – in the real world. How much can people achieve with a closed mindset? Christopher Nolan has tried to open people’s mind to the most abstract possibilities, we all know that a film is just a prolonged moving image, but the film can be inspiring; encouraging the viewers to make their life more spontaneous and unbelievable. In other words, reality seems to be represented as a word that discourages people to push the limits of their dreams and not make the thoughts of the unconscious mind into a reality. Making the movement of surrealism occur with our reality rather than just being an art form is possible depending on how much people limit what we can do within reality and how fine the line is between the real world and our imagination. In the film inception Ariadne (played by Elliot Page) is told to join the mission to plant something into someone’s mind, as she was an architect student who seemed to have a view of the world that seemed endless; moved buildings, mirror the world that they stood on to appear above the etc. This demonstrated the endless possibilities that someone could achieve by having a different mindset and being open minded, which was the reason Cobb chose her (Leonardo Dicaprio). Nolan said what his intentions were when creating the film, “I’d written Inception as sort of a clever-clever heist movie. And heist movies tend to be deliberately superficial and glamorous. I needed him to bring the thing together, open it up to the audience and make it a human story, and he’s done that extraordinarily well.” in my mind I think when he says, “make it a human story” that is implying that he wanted the audience to feel like it wasn’t all just completely outrageous with what they were viewing; something that could actually be created. The was the dreams were created could be created one day if we gathered enough intelligence is what I think he means but maybe even the storyline behind it of how much Cobb compresses his emotions due to going too far with his imagination to the point where the real world wasn’t enough. Overall, I think that Christopher Nolan was trying to make the film an emotionally raw but thrilling at the same time; inspiring but as well as showing the limitations of dreams and reality.
When comparing these film director’s films with my own film I think there some clear similarities as well as some differences in order to really define how I think reality is represented within surrealism and dreams. The snap shots from my film below is partly showing how I was trying to represent the world we live and how easily it can be represented as something else with metaphorical meaning. I edited on of the photos as a montage as it was much easier to edit a photo rather than a whole clip the way I wanted to. In the first row of photos, I was representing reality as modifiable and adjustable to the way we want to see them, whether that’s hallucinatory or us physically editing reality through a screen. By making the film more horrific I thought it represent how people fear what they aren’t used to seeing in the real world. I also thought the part of the body you could see on the left side of the shot was ominous looking as in both examples you can be sure if the girl is looking at what she truly looks like or if it’s what the mirror has changed her to appear as. I also added a lot of faces with the opacity a lot lower so they’re barely visible just to add some more unsettling factors to the image without being completely noticeable until pointed out. As for the other row of photos, this was me showing the transition from reality to the dream/film the girl at the start was watching from the beginning. The idea of this was to make the viewer aware that they were watching a film within a film again as they were probably so submerged within the film that they forgot and then this is meant to replicate the viewer themselves being the viewer already shown in the film. The transition from the colour to black and white was meant to represent the girl coming back into the real world. In this sense this relates the film inception when Cobb is stuck in limbo and doesn’t realise that he’s in a dream. Dreams can be so realistic that it is very rare that we’ll realise that we’re dreaming whilst we’re in the dream; this is what I wanted to portray in my film whilst linking it nicely to inception. As for the disturbing factor in my film, David Lynch’s film link to this as his films are wildly abstract as well as this, I wanted my audience to interpret the film in their own way just like Lynch does. I wanted to display the ‘revolution of the mind’ sought by surrealism drew upon the uncensored creative impulses of the unconscious as well to link it to the history of the art form.
Overall, I think the answer to my hypothesis isn’t simple, as the definition of what it could mean is different to every individual person. In my eyes I see reality the simple and basic life everyone sees but within dreams I think it’s much more complex; reality is something that tangible and it can be desired as well as unwanted. With surrealism in the mix, I think that reality is merely a blank canvas to be destroyed, build upon or modified. The movement of surrealism allowed reality to be morphed within people’s imagination as well as in front of their very eyes. I think David Lynch helped to make the surrealism movement move on further especially in the film industry and develop people’s minds to explore their imagination more. As for Inception I think Nolan widened the minds of the viewers of what is possible in the cinematic universe and possibly in the real world also. Reality is just preventing people from exploring their imagination and exploring creative thinking from my point of view.
