Is the opening of the lens to see how much of the light will enter the camera sensor. If the camera is in a dark environment then the opening of camera will be largely opened; whereas if the camera is in an environment with light then the opening wont be as large as the dark environment. The amount in which the camera is opened is determined by the f-stops. Here in f/2.8 it is clear that a lot of light is entering the light sensor. On f/16 there is hardly any light entering the light sensor therefore this f stop is better made for a light and bright environment.
Depth of Field:
Depth of field is the distance between the farthest and closest objects in an image that appears acceptably sharp.
Our Photography
With these 3 pictures I instantly knew that they would not work due to people moving or the angle in which I took the image.
After Taking these pictures I unfortunately realized that most of the images were underexposed.
This was my favorite image as although the image is under exposed due to me using a shutter speed of around f/22 the image was clear you are able to see the light shining on the pens which I think creates a nice contrast.
Lighting – The back ground photo is taken in natural lighting but my own photos (the hands holding the poppies) were taken with flash. The colour of the poppies are slightly saturated to contrast with the black and white hands and the soldiers are over exposed.
Aperture -The majority of the photos in the montage are sharp except for the soldiers which have a grainier look due the opacity being lowered.
ISO – The texture of the gravestones are the most noticeable and the soldiers have a higher light sensitivity.
Visual
The majority of the colours in this montage are warm making the montage have positive connotations which juxtaposes the sadness of the thousands of gravestones. The tone of the montage is mostly lighter shades and the smooth texture of the sky contrasts with the rest of the photo making the most important things in the photo stand out e.g. the grave stones and the poppies. The repetition of the poppies and gravestones signify the importance of them. The space between the gravestones getting thinner the further you look into the photo gives the photo a 3D effect.
Contextual
The soldiers faded look is to make them look more ghost like and to remind you that the graves are meant to represent actual soldiers who fought in the war.
The poppies have been duplicated to show a high level of respect for the soldiers and to intensify that respect the saturation has been put up higher to make them stand out even more against the white gravestones.
Conceptual
The overall idea of this montage was to remind people too pay their respect to the soldiers as we wouldn’t have liberated without them fighting.
2nd Montage
Edits for montage 2
How to extract colours from an image apart from one e.g. red
Click the add pipette and click the red and press ok. Then the red should be selected, then press delete.
3rd Montage
Edits For Montage 3
How to fade. Click the layer you want to fade and change the opacity.
I got inspiration from : Peter Horvath and Hannah Hoch.
Ansel Adams was recognised for his monochromatic landscape photos. He formulated a zone system, from which he attempted to encapsulate each of the 11 zones into his photography.
Example of how the zone system is applied (Not one of Adams’ photographs)
Adams grew up and was tutored at home. The lack of interaction with others may have led to his interest in nature. He became an environmentalist, meaning he was passionate about protecting the wildlife and the natural environment. He aimed to encourage the conservation of nature and the wilderness through the use of his camera and the photographs he produced, allowing people to see the sublime power of nature.
Adams techniques
For his work, Adams used numerous different colour filters in order to achieve the tonal effect he was aiming for. He also spent a lot of time in the darkroom to develop a singular image, painting onto the enlarger the areas of the photo he thought should be darker or lighter than others- A method otherwise known as dodging and burning that he used to cover all aspects of his zone system.
Darkroom enlarger
Photo analysis
Monolith, The Face of Half Dome, Ansel Adams.
The composition of Adams’ image creates an atmospheric perspective. Having a small cliff edge in the foreground (and in the bottom third) aids in the sublime portrayal of the cliff face behind as it places the spectator where Adams would’ve taken the photo and highlights how the cliff face towers over everything in the image. It’s the only thing present in the top two thirds, illustrating how colossal the cliff face is.
The prolonged exposure on his camera allowed for Adams to produce highly contrasted images. This particular photo covers all 11 zones of his own developed zone system, with the darkest areas being a main focus in the center of the image. The light intensity is low at the top of the image (the sky), which makes the image quite dramatic as dark skies are unnerving and usually associated with storms and discomfort.
The lack of colour in his tonal imagery allows the spectator to focus on individual shapes and formations in the cliffs within the photo. If the image was in colour, the greens of the trees would divert the attention from the cliff face, in turn affecting the overall powerful aspects of his image.
Being an environmentalist, Adams wanted to preserve the beauty of nature in his photographs and advocated the protection of natural environments and landscapes. By producing images like this that are striking helps him to convey the sublimity of nature to the spectator.
Romanticism is a term used to describe the movement in literature and art in the early 19th century. During this time, literature, paintings and poetry were heavily influenced by natural, emotional and personal themes.
Romanticism focuses on the emotional response brought about by nature and rejects the idea of calm, order (rules and regimes), balance and idealisation. It represents the irrational and strong emotions of an individual or their spontaneity, celebrating wildness and nature above reason and science.
In the medium of photography, Romanticism is mostly associated with the natural landscape. The natural environment can be very humbling to a spectator and may produce strong emotional responses.
The power of the sublime can be overwhelming to the subject as it conjures up feelings of terror or even danger, due to its unpredictability and mercurial nature. However, nature to a romanticist can also be very sensual, calm and quiet, which in turn makes the subject respond in awe at the environment around them.
Examples
Within art: (paintings)
Albert Bierstadt (1868) 19th-century romantic painting
Shipwreck in a rocky inlet Carlo Bonavia (1757) late 18th-century
In landscape photography:
Upper Twin lake mountains, Mark Meyer
Ansel Adams ‘The Tetons and the snake river’
What makes a landscape photograph romantic?
Aspects of the wilderness can take you away from the bustling activity and norms of human-life. Certain landscapes may hold sentimental value to an individual (personal themes in romanticism). The enormity of some structures also takes away from the engineering of humans as their stature is incomparable to any work produced by us.
Mark Meyers commented on this saying, “Wilderness goes all the way to the core of this world and our human works merely touch the surface.”. He’s truly highlighting how insignificant humans are compared to the power and presence of nature and the sublime.
Landscape photography tends to show vast and unending areas in the world, such as land, sea and natural environments like cliff faces, woodlands and marshes in order to capture the presence of nature, avoiding the interference of humans on the area. However it can also focus on the integration of man-made structures and features, such as urban landscape photography.
History
Earlier versions of cameras and photographic technology forced photographers to take photos of fixed objects, due to the long exposure time of their cameras which made moving objects blurred. This restriction allowed for landscapes to become ideal material for photo shoots.
Louis-Jacques-Mandé Daguerre’s cityscape in 1839 is a prime example of these constraints. He managed to photograph a human being due to the static positioning they were in (having their shoes shined). The image took a pain-staking 10 minutes to make and he managed to capture the individual in his image by coincidence.
Boulevard Du Temple, Paris, France, 1839
Eventually, the technology involved in photography became more and more developed, allowing it to become more accessible and affordable to anyone. In the 20th century, landscape photography had been mainly led by American photographers, who had various and vast environments to experiment with.
Peter Horvath is a Canadian photographer whose revolves around video, sound, photo-based and new media art as well as digital art. His recent work focuses on taking images out of context, deconstructing and creating completely unique imagery through collage , drawing from his archive of mid-20th Century material. He uses juxtaposition and scale combined with saturated colour to produce surreal and sometimes humorous re-workings. Usually he mixes photos/images from different times and puts modern images with older images and links them together.
He first started using digital art in 1995 when his friend gave a Macintosh Plus, allowing him to discover the capability of computers and how they expand the range of edits you can do to make a photograph look different/better. He was also inspired by other photographers, Hannah Hoch and John Hartfield because the way they create new images with photo montage techniques e.g. cutting, gluing, rearranging and overlapping two or more images (less technological).
Horvath is most known now for intentionally displacing and disturbing anything remotely familiar or nostalgic, or both. Due to his discovery of computers he could now fulfill his desire fro his personal artist expression; a feeling of freedom from the two-dimensional context had an effect on his exploration of social, creative and conceptual boundaries and identity issues, interlaced with psychic and emotional relations.
Technical
Lighting – the hands in this photo montage have been shot in a shaded lighting as well as the city in the background (or made to look this way). As for the iceberg, it’s been taken in a lighter area and is highlighted/they used flash. The iceberg’s intensity is also high due to its saturation, Horvath has most likely done this because it is the main focus of the image because it’s positioned in the center. The city in the background’s exposure is lower and is faded to make it look more polluted. Horvath has put circles on the image to make it look like the light is reflectin off the camera lens as well as for several other reasons that will be exp-lained later on.
Aperture – (DoF) the hands and iceberg have been sharpened whereas the city is blurred.
Shutter Speed – There isn’t any motion blur.
ISO – Both the city and the hands have high light sensitivity creating a grainier image allowing there to be more texture.
White Balance – The colour accuracy for the iceberg is not accurate as the colour intensity has been heightened and has a very cold colour (blue) this is due to the contrast being higher. The city’s intensity of colour is much lower and has mostly brown tones to makee it look dirtier to get the message of it being too polluted across better. The warm colours of the circles are meant to remind you of the sun and the warmth from it so they have a higher contrast to intensify it.
Visual
Visual elements – The tone on the hands is darker in the shadowed area but the lighter areas have been highlighted. As for the city it does have much depth to it when it comes the darker tones of that section of the montage. The texture on the iceberg is very detailed and you can see that in the majority of the image making it look quite rough. The on 2D images are the circles and the hands, the iceberg and the city are 3D forms. The circles are also repeated.
Contextual
This photo montage also has a lot of context to do with environment and also the selfishness of some humans (social context). Firstly the misty and faded back background of the buildings are meant to represent pollution caused by humans and is believed to be in the background because it’s so unnoticed in reality. As for the iceberg in the hands of a human, this is meant to represent humans destroying the earth and global warming and the polar ice caps melting because of it and the warmth from the human hands is making the ice melt quicker. The iceberg in the hands has a double meaning, the image of the hands also represents third world countries struggling for clean water. Over all this photo montage is meant to be an example of all the major isues in the world.
Conceptual
The overall reasoning behind producing this photo montage is to make people more aware of the problems around them and how they all link to each other.
I started selecting my favorite photos out of the shoots and discarding others I knew i wouldn’t use. I used poppies to symbolize the soldiers lost in the war as well as the colour of them standing out a lot against black and white photos. All of them are unedited apart from the last photos.
These photos in particular stand out the most to me and are the ones i will most likely be using in my photo montages.
The idea of landscape photography is to capture an image that exemplifies the spirit of the outdoors, and to carry a sense of being there in the moment, so that the viewer is brought into the scene. Many of the most important landscape photographers have been motivated by an appreciation of the beauty of the natural environment and a desire preserve it. This means the majority of landscape photographs avoid human disruption in order to focus simple on nature.
MOOD BOARD
Features such as strongly defined landforms, weather, and ambient light are frequently, and photographs incorporate bright, vibrant colours from sunsets, dramatic tones from harsh skies, rough lines from mountains or cliffs, as well as reflections from lakes and rivers. This is a modern way of capturing an image of a Romantic landscape.
lighting; usually no flash, instead uses naturally occurring light such as sunrise, sunset etc.
wide angled lenses to allow broad angle of view
small aperture to allow all areas to be viewed in focus.
camera tripod usually used to maintain composition when taking same shot in different ISO’s.
