Photographers such as Robert Adams, Lewis Baltz, and Bernd and Hiller Becher, were inspired by the new topographical theme, mainly based on parking lots, suburban housing and warehouses.

As coined by William Jenkins in 1975, this term is used to describe a group of American photographers (such as Robert Adams and Lewis Baltz) whose pictures had a similar aesthetic.

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These topographic images show a clear contrast of man-made structures to nature, either in the foreground or background of human civilization. They go against the ideas of the previous romanticist movement, showing the obstruction of mans necessity for functional living areas, overshadowing the worlds natural beauty.

PHOTOSHOOT 1 ROMANTICISM APROACH FINAL EDITED IMAGE:

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This is my edited final image. In this photo I have chosen from the range photos I took at Le Pulec. I found that this photo had a very good focal point of the lighter colour waves. I took inspiration from landscape photographer Ansel Adams and decided to edit the image in black and white.

HOW I EDITED IT:

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On photoshop, I decided to increase the exposure by going to “image, adjustments, exposure” and increasing the exposure to +90. As well as this I lowered the offset to -0.0163, and increased the gamma correction to +0.82, internally making shadows darker and highlights lighter. This created a high contrasted image with dark shadows and light highlights.

After this I changes the image into B&W by going to”image, adjustments, black and white”. After decreasing the colder colours such as blue and green, and illuminating reds and yellows in the black and white image, I cropped the image to straighten the horizon line. I think what after using the way Ansel Adams ported his photos my edited image fully exaggerates the cliff face

For my “rural” landscape photo-shoot I decided to follow Micheal Kenna’s work. I liked the way he presented nature and his use of lighting and tonal range

Here are some examples of Micheal Kenna’s work:

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Micheal Kenna is a British photographer who was born in 1953 Widnes, England, he is best known for his black-and-white landscapes.

He studied at the following schools:

1973-76, London College of Printing, London, England.
1972-73, Banbury School of Art, Banbury, Oxfordshire, England
1964-72, St Joseph’s College, Upholland, Lancashire, England

Kenna generally focuses on unusual photography with long exposures. His work has been shown in many exhibitions in places such as Europe, Australia, and Asia.

He has also taken photo in a array of countries for example; Thailand, Turkey, USA, Switzerland, New Zealand, Morocco, Korea, Hong Kong and many more.

Micheal Kenna has also won numerous awards such as; nstitute for Aesthetic Development Award, Pasadena, California, USA, 1989, Honorary Master of Arts, Brooks Institute, Santa Barbara, California, USA, 2003, Special Photographer Award, Higashikawa, Hokkaido, Japan, 2016

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A comment on mass production / mass consumption?

Where do ideas come from? How about through collecting, sorting, classifying. That’s one way to begin. It is an organized method of investigation used in the sciences and the arts. In the field of archeology the exploration of the similarities and differences among the same type of object is called a typology. This same methodology is popular among artists, especially those using photographic processes.

A typology is a collection of a single type or class, with the collection itself being more important than the individual components. According to Marc Freidus, “A typology is assembled by observation, collection, naming and grouping. These actions allow the members of the class to be compared, usually in search of broader patterns.”

Typologies appear to be objective – finding specific items that fit a clearly defined category – but of course, someone has to create that category in the first place, which can be seen as an act of invention. It is here that the artistic mind is located. Stylistically, these typologies try to remove the unique “artist’s hand,” and this may be the reason they are found more in photographic work than in painting or sculpture.

The ability to compare the similarities and differences between the components of a typology is important and for this reason artists often use a grid, book format or a linear layout in a contained space (such as a gallery) to aid in this analysis.

August Sander, “The Farmer”

Working in Germany between the first and second world wars the photographer August Sander undertook a massive typological study called The Physiognomy of Our Time. He classified German society into types based on class and social standing, using the following major categories – The Farmer, The Skilled Tradesman, The Woman, Classes and Professions, The Artists, The City and The Last People (which were further sub-divided.) He wasn’t interested in taking photographs that revealed the uniqueness of each person, rather he saw them as archetypes and employed a style that emphasized this aspect. The photographs were designed as a multi-volume atlas, a reference of German types. (In the image above I have used a grid format to show a small portion of the work but please note that this is not how Sander presented it. He presented it as a book.)

Bernd and Hilla Becher

Sander influenced generations of photographers, among them the married couple Bernd and Hilla Becher. In the 1950s they began documenting rundown and disappearing industrial architecture – blast furnaces, water towers, foundries. Their work can be seen as a type of industrial archaeology. Presenting the work in a straightforward grid format, each picture was taken under a uniform grey sky at the same time of day, from the same distance and angle – allowing the images to be easily compared and classified. The Bechers endeavored to make dispassionate, objective images. Like Sander before them, the Bechers influenced large numbers of contemporary artists and photographers – Thomas Demand, Candida Hofer, Thomas Struth, Thomas Ruff and  Andreas Gursky – who follow their lead in employing a detached documentary style in their work.

Ed Ruscha, “Every Building On The Sunset Strip”

The artist Ed Ruscha is famous for his paintings and prints but is also known for his series of photographic books based on typologies, among them Every Building on the Sunset Strip, Twentysix Gasoline Stations, Some Los Angeles Apartments, and Thirtyfour Parking Lots. Ruscha employs the deadpan style found in many photographic topologies. The book shown above is a 24 foot long accordion fold booklet that documents 1 1/2 miles of the Sunset Strip in Hollywood.

Jeff Brouws

Twentynine Palms by the photographer Jeff Brouws is a photo book that contains 29 pictures of vintage roadside signs advertising fortune tellers and palm readers – a homage to both Ruscha and the photographer Walker Evans.

Here’s a few more topologies for you to look at:

Karl Blossfeldt

Ólafur Elíasson

Franklyn Swantek

A great resource is the blog The Typologist and its associated website, both maintained by Diane Zlatanovski, the Collections Steward at Harvard’s Peabody Museum. Here’s her description of a typology – “By definition, a typology is an assemblage based on a shared attribute. Patterns, both visual and intellectual, resonate and reveal themselves within collections. Information not apparent in isolation becomes visible in context – only through studying groupings are we able to discern similarities and contrasts. In observing collections of similar things, the beautiful variations become evident. And the closer you look, the more you see.”

I started out by using the exposure bracketing skills that I learnt to create this HDR image using 3 images that I took, all with different exposure levels. Then I edited the merged image by increasing the saturation and adjusting the levels to create the final romanticised image I visualised beforehand. I also had to edit the tilt of the image, as the horizon was not entirely level.

With the second of my chosen images I decided to produce it in black and white, since Ansel Adams and other romantic photographers used black and white photography for their images as well. When it was in black and white, I edited it further to increase the contrast and the levels of black and white and also the grey midtones to produce the best version of my original image.

This image took the most editing due to the obvious man-made structures on the horizon. Because this photoshoot focused on romantic landscape photography, I decided to edit out the large building and tower to remove any non-natural aspects of the scene. Afterwards I increased the contrast and saturation to further the romantic feel of the image, and to highlight the colours in the sky cause by the setting sun.

Landscapes are all the visible features of an area of land, that are often considered aesthetically pleasing whether they have a lot of detail and a lot of colour or if they have a main focus in the photo and it’s in black and white. In my photo shoots I will attempt to have a lot variety in my photos whether i do this through camera settings or if I do edit them whilst using Photoshop.

Natural Landscapes

Paul Marcellini

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Ansel Adams

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Ideas

I will get inspiration from the photographers above when I’m taking my own photos. I will consider using the camera to make my imagers look different such as; using exposure bracketing and DoF as well as editing the images using HDR toning on photoshop.

Romanticism and its History

Romanticism was an artistic, literary, musical and intellectual movement that originated in Europe in 18th century, and in most areas it was mostly popular from 1800 to 1850. Romanticism has many characteristics, one of them being the emphasis on individuality. Compared to neoclassicism, romantic art relates to peoples emotions and is dramatic, often exotic, and at times, drawn from the artist’s imagination.

WHAT:

Landscape environments highlighting the theme of romanticism.

Cliff faces, caves, woodlands, sea, sand (beaches), hills, fields.

WHEN:

Late afternoon, leading into evening – avoids harsh light from the middle of the day and allows for a different atmosphere and setting when the sun begins to set.

WHERE:

Possible locations include:
Sorel point, L’Etacq, Grosnez, Plémont Beach, La Corbière, Blanches Banques, La Pulente, Bouley Bay, Bonne Nuit Bay.

WHY:

I’ve chosen to do this photo shoot with these locations to relate it back to the research and topic of Romanticism within landscape photographs we’ve been studying. I’ve chosen a variety of natural environments for my shoot in order to cover the different emotional responses that come from the power of nature and the sublime.

HOW:

Equipment:
-Phone
-Tripod

Use of a tripod to help keep the camera stable while using slower shutter speeds as well as keeping the camera view the same while exposure bracketing (to create HDR images). Additionally, I will be experimenting with different exposures to create a contact sheet of images to use for exposure bracketing to produce HDR images.

I’m aiming to purposely over-expose and underexpose a group of images to build up layers to produce HDR images. It will be beneficial to check the weather forecast (Wind strength, sun set, tides etc.) to work out the optimum time to photograph certain locations to maximize the effect in my photos.