WHO – when going out to do street photography, the subjects of the images are always random by passers on the street, people going about their daily business .

WHAT – the main objective of the photoshoot was to capture snap shots of people’s regular daily lives.

WHEN – the images would be taken during late afternoon, and as it is late autumn, this is the time of day when the sun hits from quite a low angle.

WHERE -the images would be taken all around st.helier.

WHY – to document the different types of people that we encounter in our everyday lives, from young to old, rich and poor, we would capture everyone.

HOW – I used my regular DSLR camera for this photoshoot, taking advantage of the natural, bright lighting during that day.

MOST SUCCESFUL IMAGE:

TECHNICAL –

As street photography means capturing images of people on the street going about their daily activities, I was forced to use quite a fast shutter speed. Many of the people I captured were moving quickly so the images were prone to motion blur. The lighting during that time of day was also quite direct p, often glaring into the lense and creating overexposed images, therefore to combat this I used a sun hood. In terms of aperature, I switched the f stop depending on the environment I was in. I used a higher f stop for when I was inside the market to increase the amount of light entering the camera and used a smaller f stop when in natural lighting was present.

VISUAL –

Firstly the colors in this image are very monotone, with the suit of the man and the surrounding environment being a cool grey. The bright yellow tie the man is wearing provides a very distinct focal point to which the eye is immediately drawn to. Furthermore, the central positioning of the man in the foreground means that he is the subject to stand out the most. Although I was attempting to capture people going about their everyday business, the subject in the image made direct eye contact with the camera. This instead of being a bystanders perspective, has become more personal, as the man is now making a direct connection with the viewer. The simple suit that the man is wearing works well to draw most, if not all the attention to the tie and the face of the man ,accentuating the eye contact he is making with the camera and the viewer. The repeating pattern on the ground is disturbed by the presence of the man. The horizontal lines going across the ground are opposed by the straight stature of the man. The light in this image is very well balanced, with the highlights and shadows working together to create a well lit image.

CONCEPTUAL/CONTEXTUAL-

Street photography is a way of walking through a space while being constantly aware of momentary changes in light. It is a discipline and constant awareness of how one can arrange and frame compositional elements in advance of a yet-to-be-seen sequence of events that may or may not happen: for example, when out seeking images, some photographers prefer the shady side of the street and will walk along a curb to utilize the vanishing perspective lines of the sidewalk merging with the adjacent buildings.

Street photography is about being open to the endless possibility of what might make an interesting photograph; arguing couples, balletic pedestrian movement, uncanny and witty juxtapositions of seemingly unrelated subject matter. Street photography is about spontaneity: the choreography of synchronizing an impulsive emotional or cerebral response that may transpire over the course of milliseconds with making a photographic exposure. And street photography is so often about not knowing what a good photograph will look like, yet trusting the desire and impulse to pick up the camera, frame the scene, and rely upon intuition to recognize the moment where form and content are at an apex.

RULE OF THIRDS:

This image also follows the rule of thirds. When the image is split into 3 separate segments, the man ends up being in the center segment. This is significant as this means that he becomes the focal point of the image is the man, even  more notably, when the same segment is cut again into 3 parts, the bright and notable yellow tie of the man is central in the image.