Category Archives: Unit 2 Portrait

Filters

Author:
Category:

Identity – Mihaela Ivanova

The last photographer I will be looking at is Mahaela Ivanova.

Mihaela Ivanova is a Bulgarian photographer who experiments with simple conceptual shots and black and white series. The works below focus on the concept of identity, with the subject holding a part of a portrait of a different person, whether it be the eyes or the mouth, in front of their own face, hiding their identity.

Image result for Mihaela Ivanova
Mihaela Ivanova
Image result for Mihaela Ivanova
Mihaela Ivanova

Contact sheet:

Contact sheet

In the pictures I took, since I wasn’t able to get a picture of another person’s face in time for the photo shoot, I instead used a blank piece of paper for the subject to hold over her eyes, and will be photo shopping another person’s face into that piece of paper to create the look of Mihaela Ivanova’s work. I told the subject to look directly into the camera with the ripped piece of paper over her eyes to get the right pose, which resulted in these photos.

Chosen edited picture:

Image

How I did it:

Step 1

I started off by choosing an image which I could use, it being this one.

Step 2

I then went and chose a picture of myself and copied half of my face, and then pasted it onto the picture where the stirp of paper would be. I then reduced the opacity and erased the excess image around the strip of paper. I got rid of some of the image on the strip of paper around the edges to try and create a ripped effect, as in Ivanova’s work. I also brightened my eyes using the dodge tool to make them stand out more.

Step 3

Since i had pasted a picture over the original image, I covered all the shadows, so I had to implement them in myself to give it more of a 3D look, as if the piece of paper with the image on is actually there in her hands. I did this by using the eyedropper tool to take the colour of the image underneath her fingers, darkening the colour a few shades to almost a black, and then taking a soft brush tool and drawing it on where the shadows should be.

Step 4

To make it look more natrual, I reduced the opacity down to 30%.

Step 5

To clean it up and to make the shadows actually underneath the fingers and not on top of them, I carefully erased the excess shadows which were on top of the fingers.

Step 6

To comply with Ivanova’s style, I changed the image to black and white, playing with the settings until I got my desired look.

Step 7

I then went and adjusted the brightness and contrast, making the image darker and creating a dramatic contrast between the darks and lights.

Step 8

Finally, I adjusted the levels, making the background darker so it brings out the subject.

Final image

This is my final outcome in response to Mihaela Ivanova. I believe it was successful, it’s clearly inspired by her work, with the ripped out person in front of someone else’s eyes, hiding their true identity,and the black and white filter on the image which gives it a dramatic effect. I like how well the photo is put together, and how I managed to put the image of my eyes onto the ripped piece of paper without making it too obvious that it’s photoshopped, however I don’t like how my face doesn’t align up with the subject’s, like in Ivanova’s works. It doesn’t look like it’s actually part of her face, the nose is out of line and the face is too wide compared to the subjects. I should have made the image of my eyes less wide and positioned it better or chose a different image which fit better.

It fits the concept of lack/loss of identity because you can’t make out who the person behind the piece of appear it, you can only see the lower half of their face.It may also be perceived that the subject hasn’t got an identity and is longing to be someone else, hence the image of someone else in front of their own face.

Editing Onto The Prints

For my ideas for the theme of Identity I am choosing to draw and write onto the physical pictures.  I’m going to be doing this using white paint pens, writing and creating comments on the persons identity with the writing surrounding them.

I am going to be finding close information about the subject to write along the pictures, to make it a bit more intriguing and interesting I am going to be finding other ways to write the information such as significant places written using the longitude and latitude of places.  This will make the information more interesting and mysterious as it will not be immediately clear what it means.

Blah, Blah, Blah | 2014 | I-70 Sign Show | Hatton, Missouri.

Above shows a piece done by conceptual artist Mel Bochner who  has been active since the 1960s.  A highly versatile artist, Bochner works with painting, installation art, and photography.  His thesaurus paintings show overlapping synonyms executed in rainbow colors, while other pieces often take a single word, repeated for effect.

Although I am not working into a sculpture or the surroundings to then take the picture I feel I can relate what I am doing some how to Mel Bochner as I am going to be writing certain things for an effect just as Bochner does with the idea of repeating a word.  This is a photograph an artist I can show where some of my inspiration has come from with how to go about the writing.


My Own Editing

Before going straight onto the actual images I started by printing on paper my layout to test how to work the paint pens and what I wanted going where so I could get a rough idea of what works and what doesn’t and also testing the thickness of the pens.

I have stuck to having only 5/6 ‘facts’ across the whole layout as I don’t want to over crowd the photographs, I have also chosen to draw into the actual photos not just with words as to make the photographs more intriguing.

Starting editing trials

Below shows how I finished off editing straight onto the prints, I stuck mostly in using codes as references towards significant places or things to do with the subjects identity.  I have done this to try and make it more intriguing, knowing that the codes stand for something however they are not completely clear.

I have also added some outlines as highlights to certain parts of the page this is just to add something to the photograph and to make it more pleasing to the eye.

While editing onto the actual prints I did encounter some trouble with using the paint pens and this halted the process a little bit and made things a little more difficult however I feel that they still turned out in a way that I wanted them too.

Writing Edit 1
Writing Edit 2
Writing Edit 3

Eamonn McCabe

Eamonn Mcabe 

BIOGRAPHY:  he was born in 1948 currently 71 years of age. He is a British professional photographer who began his carrier as a sports photographer and who has won four times sports photographer of the year between 1978-1984. He then changed his attention to The Guardian and The observer for more general editorial portraiture. Not only that but McCabe managed to cover 3 of the Olympics.

Image result for eamonn mccabe sports photographer

Image result for eamonn mccabe sports photographer

Image result for eamonn mccabe sports photographer

Visually, the images above all have a story behind them.The purpose of photography is to capture moments which make you reflect on the day, the event, the moment. Here, the first image i have interpreted it as a celebratory moment. By looking at this image its quite evident just by the body language of the man that he had clearly scored a goal and this was his celebration moment.  The shutter speed in the image would have had to on a fast setting to be able to capture the moment he started running towards the camera and we can see that by the way his hair is being breezed backwards. The image itself is focused well and the contrast between the man and the people in the background that almost look gutted that they didn’t manage to black the goal.  Additionally , the image is quite happy to look at and gives a sense of almost achievement as if we were there to cheer with them. The iconic 1970s English soccer player, Kevin Keegan was the first sports personality to actively enter into what was then known as a “face contract” for what were essentially his image rights.

The last image from the ones above i chose to insert into the blog as  it caught my eye as its like an action shot. This drew to my attention due to the posture of the footballers.

Furthermore, Eamonn McCabe was the Bradford Fellow in Photography for 1998, and photographed City both on and off the pitch. Bradford-born Ian Beesley captured City’s first season in the Premiership. His photographs reflect the emotions of not just a professional photographer, but also of a Bradford City fan. Hence the story of the images below. Examples :

Team photo time, waiting around for the photographer to say smile © Eamonn McCabe National Science and Media Museum Collection

Middlesborough v Bradford © Eamonn McCabe National Science and Media Museum Collection

Crowd with man clapping © Eamonn McCabe National Science and Media Museum Collection

Final Outcome Choices

These are some of the final outcome ideas that I have come up with using my favourite and best images.

The first two images shown below I have not really edited a lot. This is because I was trying to do them like John Bulmers work and didn’t want to overdo the editing, as John Bulmer did not normally edit his work. Although these two haven’t really been edited a lot I like how they came out, especially the first one due to the saturation used to make her face stand out along with the other darker colours in the glass and the drinks in the fridge.

 

With this third image I changed the contrast and the exposure so that her face in the image isn’t as dark as in the original image because it was quite hard to see her face in the original image. I have also transformed this image to turn it as I took it on an angle.

The images below are different than the ones above as they aren’t taken as street photography and are instead studio photography.

This fourth image I have taken on a white background with artificial one point lighting. I like how this one came out because of how sharp it was, this along with the high contrast I have added, makes her hair and face stand out over the rest of her body

I have picked this last image because of his pose in the image. This image isn’t the sharpest image, but this is because the camera was focused onto his feet so that his face and body was put into the background. The pose he is in may show people what the persons personality is like.

This image like the one above, shows the person in a pose. This pose is a lot simpler as it is just him looking away. I have taken the image from underneath to make them look as if they’re higher up than others.

 

 

Brad Mangin – Sports Photography

Brad Mangin 

Brad is actually a sports photographer but as my theme is identity and place and that my model is my brother playing football to symbolise his idea of valued place to portray his hobby I thought that looking at a bit of sports photography would be great.

Bio:

Brad Mangin is a Bay Area freelance sports photographer. Mangin has done eight cover shots for Sports Illustrated. Mangin graduated from San Jose State in a degree in photojournalism. He was born in 1965 and is now age 54.  Mangin is known for his  photographing of Major League Baseball for clients like Sports Illustrated and Major League Baseball Photos since 1987.

The reason i have chosen Brad Mangin to study is because it links well with the idea of identity and place. He chose to place himself in areas of the game to capture action shots like some of the examples before. This links well with my idea as im doing sports as part of the identity of my model. I’ve also decided to use the times before and after the games as almost like a before and after to capture the tiredness and the determined facial expressions of the individuals.

Image result for brad mangin

Image result for brad mangin

Image result for brad mangin

Image result for brad mangin

Image result for brad mangin

Having looked at Brad’s work, I have chosen to go down the lines of social identity and enviromental portraits.  To be able to achieve sports photography,

However having reviewed over more photographers that base around the area of Sports photography i have decided that i do not just want to  stick to the idea of just photographing my brother playing sports in a field but to capture his passion for football. I am going to portray a series of images that rather than just being seen as a simple images with no context there will be a story of a boy who aspires to be a famous footballer and play for teams like Manchester United and Portugal, not to mention his slight obsession with Ronaldo, whom  he sees as a role model.

Editing Photos from my Final Photoshoot

This is the original image. It is bright and uses natural lighting and artificial lighting from above.

Firstly, I changed the contrast and the brightness to make the image slightly brighter, but also so that I could add more shadows in the background such as under each shelf.

Secondly, I changed the Vibrance and saturation options to make the lighter colours stand out more and become brighter.

After this I cropped the image down a little bit to remove her hands from the image and line up her face into the middle of two different thirds.

This is the final outcome of this image. I like how it has turned out. I could edit it more, but I do not want to overdo the editing as it could become far from the original image and be very different from the images like Tish Murthas and John Bulmers.

The image below is also one of the original images I took.

Firstly, with this image I transformed the image and turned it slightly to remove the angle that I took the image on. After that I cropped it down to remove the background showing behind the image that was created after I turned it. Then like the first image I changed the brightness and contrast to make the shadows larger and appear darker.

Secondly, I changed the vibrance and saturation again. This allowed me to make her face which was red at the time stand out more and let other colours such as the drinks in the background and the reflection off the glass to appear more easily.

This is the final outcome of that image. I especially like how this one turned out by using the high saturation.

 

 

Case Study:Barbara Peacock:American Bedroom-Mock:Identity and Place

Barbara is an American photographer/photojournalist. She is one of five recipients of the Getty Images annual Grants for Editorial Photography programme, which gives photojournalists an award of $10,000 as well as the agency’s support in pursuing projects of their choosing. American Bedroom is an ongoing series of portraits in which she explores the complexities of contemporary American life. American Bedroom is a cultural and anthropological study of Americans in their private dwelling; their bedroom. The nature of the project will be portraits of individuals, couples and families that reveal the depth of their character and spirit.

Cody, Portland, Maine: ‘It’s been really frustrating. I can’t do anything. I can’t hang out with my friends, can’t play sports. I’m stuck here … just me and my illness’ [rheumatic fever]
Pepere, Jay, Maine: ‘I am so quiet in the morning when I wake up so I don’t disturb her. Then I remember she is gone’
Betty, Sweden, Maine: ‘My husband died. I can smoke in the house now’

https://www.theguardian.com/artanddesign/gallery/2017/sep/12/american-bedroom-by-barbara-peacock-photographic-portraits

My Concept:

Barbara’s project on American Bedrooms has influenced me to do a similar idea for the ‘Place and Identity’ mock, in which I am going to take photos of people in Jersey in their bedrooms. I want to be able to explore the inside private space of the people on this island and how their bedrooms reflect their self.

I was also influenced by the media theorist, Goffman who came up with the concept of ‘The Representation of The Self in Everyday Life’ which is the idea that we all have a ‘back and a ‘front’ self, the front  is the one we let everyone see and we want everyone to see and the back is the one that is private to us that we conceal from others. I see a bedroom as a persons ‘back’ self a place or privacy and self expression, the actual person is the ‘front’ self, they leave their bedroom everyday to face the public world they dress themselves up to make an impression on others. I also want to explore how bedrooms change as people age, my impression is that the older you get the less expressive your bedroom becomes and it becomes more neutral and simple. Also it will be interesting to see how the dynamics of marriage and sharing rooms changes a persons private space.

Analysis Of Peacock’s Work:

Image result for barbara peacock photography

Barbara’s concept is simple yet complex because the idea of taking a picture of someones bedroom seems easy but it’s the people she chose to take pictures of it intriguing. For instance in the image above there is a middle aged looking man with a cigarette, no clothes on and a reasonably bare room. At first glance it’s just a picture of a man in this room but it tells a story, such as the fact that he smokes inside might mean he lives alone and this bare chest also suggests this. Also the lack of feminine touch indicates that he doesn’t have a women in his life, as well as that the bed being up against the wall makes me think that he doesn’t have a partner because most couples have their beds in the middle of the room so that it is accessible for both of them. The number of beer cans suggest he is a heavy drinker and the ash tray full of cigarette buts indicates he is most likely addicted to nicotine. The lack of portraits on the wall suggest he is a lonely man, possibly no kids and his parents maybe have pasted away. The boots and tool box suggest he could be some sort of builder or construction worker, this links to the number of beer cans and how working on construction sites means you are around males mostly and going out for a drink it a key aspect of workmen culture.

Barbara uses natural lighting to capture the true lighting of the room as this can indicate to a persons identity for instance some people much prefer having the blinds up or being in rooms with less light, which could suggest they are shy or constantly tired or are more of an evening person. The colours are neutral which creates a warm tone which is contrasted with the dingy feel of the room and how some light coming through is blocked by a yellow object which creates a dirty looking light, this mirrors the old cans lying on the floor and ash scattered on the bedside table. Although the room feels dirty it isn’t messy, the lack or furniture creates a repetitive structure which ties in with the idea that the mans life is very structured, work, smoke, drink, sleep and how it lacks the excitement of family and love. On the other hand the thing that sticks out the most visually in this photo is the notebook and how it seems out of place and you would think that he is not the type of man to write, this empathises how we judge people to quickly on their looks (front self) and it’s when they go home that they become their real self.

 

 

Introduction-Mock:Identity and Place

Identity is the fact of being who or what a person or thing is. Place is linked to identity as it shapes a persons characteristics, for instance living in a slum with no money can make a person more appreciative towards the little things in life and have more empathy towards others. Whereas people who live in places like Beverley Hills in huge mansions don’t value money as much they spend it likes there is an unlimited supply and generally look down on others with less money. Also places like Russia have extremely high levels of domestic violence and alcoholics, which has been a consistently high rate for centuries now, which says something about the culture in Russia.

Gender Identity is the personal sense of one’s own gender. Gender identity can correlate with assigned sex at birth, or can differ from it. All societies have a set of gender categories that can serve as the basis of the formation of a person’s social identity in relation to other members of society.

Cultural Identity is the identity or feeling of belonging to a group. It is part of a person’s self-conception and self-perception and is related to nationality, ethnicity, religion, social class, generation, locality or any kind of social group that has its own distinct culture.

Social Identity is the portion of an individual’s self-concept derived from perceived membership in a relevant social group.

Geographical Identity is an individual or group’s sense of attachment to the country, region, city, or village in which they live.

Political Identity– refers to political positions based on the interests and perspectives of social groups with which people identify. Identity politics includes the ways in which people’s politics are shaped by aspects of their identity through loosely correlated social organizations.

Lack of / Loss of Identity-An illness, injury, and even aging can take a serious toll on the physical self, leading people a physical loss of identity that can sometimes be accompanied by a loss of self-worth.

Final Piece Displaying

Final Piece 1:

For my first final Piece I will be displaying my environmental portraits. I selected my top two images, which showed gender roles and resized them to be A4 images. To display them I am going to mount them on foam board next to each other, 4cm apart from each other. I feel that a white background suits the two images, and allows them to neatly be presented.

Final Piece 2: 

For my next final piece I am displaying the edits from my first photo shoot of loss of identity. I felt that these three images contained a simplistic design and represented the idea that my model has lost their identity, therefore I will be displaying the photographs in a triptych arrangements. All the images will be separately printed on A4 paper, and will be mounted as a window frame. The card is going to be black, due to the image background being white. They will be 4cm apart from each other and 15cm from the top and bottom of the frame.

Final Piece 3:

For my third edit I wanted to showcase, the scribble edits, which I created using the forgotten images. I felt that these images had a strong link to loss of identity and felt like the three images would produce a strong outcome. To do this I will  print the images on A4 paper, and will be mounted as a window frame. The card is going to be black, due to the image background being white. They will be 4cm apart from each other and 15cm from the top and bottom of the frame.

Final Piece 4:

For my next final piece, I wanted to present my top outcomes from my mask photo shoot. I selected these two images, as I felt that they worked well together as a small photographic series. I will be displaying them as a Diptych Arrangement. Due to the two images being naturally lighter I feel like it would be appropriate to display them on white foam board, next to each other. I intended it have the images roughly 6 cm apart from one another and 6 cm away from the edges of the foam board.

Final Piece 5:

For my next final piece, I want to showcase my strongest photo montages. I decided to use these two montages as I felt that they worked well together. Due to the images being square, I have placed both images on the same A4 paper and will display through a window mount. This will allow the square shape to be kept. The two images are 3 cm apart from each other and will be a distance away from the edges.

Final Piece 6:

In my next final piece I want to display the photographs I captured when I studied natural lighting photography. These two images are my strongest outcomes and I feel like they work well together. I will print them out on separate A4 pieces of paper and frame them using foam board. The images will be 10 cm apart from each other and from the edge of the foam board.

Final Piece 7:

My next final piece showcases my attempt at street photography. I have used my top three images from this shoot and am going to display them next to each other, horizontally. The images will be printed out on A5 paper and be displayed using a window mount. The photographs will be 6 cm away from each other and 10 cm away from the edge of the window frame.

Final Piece 8:

In a similar formate to the final piece above, I want to showcase my studio photography images. These images have been selected as it showed my ability to use different lighting and camera techniques, which shows my development as a photographer. The images will be printed out on A5 paper and be displayed using a window mount. The photographs will be 6 cm away from each other and 10 cm away from the edge of the window frame. The middle image has been left in color as I felt it added variety and makes the final piece visually stimulating.

Final Piece 9:

For my last final piece I intend to showcase my top image from the tableaux photography shoot. I will print this image out on A5 paper and then mount it on black card, allowing the mount to not distract viewers from the actual picture.

All Images Being Made Into a Final Piece: