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Unit 2 Portrait

WEEK 5- TABLEAUX CASE STUDY

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Andrew Wyeth

Wyeth was born 1917 and was a visual artist as well as a realist painter who worked predominantly in a regionalist style and was most well known as one of the best US artists of the middle 20th century.

He was home- tutored due to his frail health which he had inherited from his father. Due to his father also being home schooled at a young age, they both lived a sheltered life and one that was ” obsessively focused”. Wyeth has been known to tell people about how he felt as if his father kept him in jail and “he kept me to to himself in my own world”. While being ‘trapped’ at home he read a lot of poetry and appreciated the writings of Robert Frost. His knowledge of poetry and his love for music and movies inspired him and ended up heightening his artistic sensitivity.

At the age of twenty he was noticed for his paintings and made his first one-man exhibition of watercolors at the Macbeth Gallery in New York City. In his paintings he limited color range which made his paintings a lot “drier” and therefore had a different style from his fathers work. The exhibition was sold out. A couple of years after his first exhibition he was known as a classified realist painter (1965) and he thought of himself as an abstractionist.

He worked predominately in a regionalist style, and in his art his favorite subjects were land and people around him.

 

Analysation picture 

Context 

This image called ‘ Christina’s world’ is a 1948 painting, painted by Andrew Wyeth. It is a realist style painting, depicting a woman lying on the ground in a treeless field looking at a barn in the distance. The women in the painting has been known to suffer Charcot- Marie- Tooth disease which inspired Wyeth to take the image of her crawling across the field to the old barn house as it would show desperation.

Emotional response

When first looking at this image i firstly spotted the crawling lady on the bare floor looking away from the camera. This first sight immediately drew me in due to the position the lady is in. The way her arms are placed make it seem as if she crawling towards something, as well as the direction her head is at supporting this as she is looking up towards something in the distance. The location of the place this lady is in adds a sense of loneliness as we can see there is no one around and the barn in the distance also helps to add a sense of hope. We can not see any other buildings around which makes us wonder how long the lady has been walking for which has been done to make us feel sorry for her. The fact that it looks as if she’s crawling also makes us think theirs a chance she could have injured herself, again making us feel sorry for her.

Visual response 

This image is very interesting to the eye due to how simple the picture is. The the plain scenery helps to add to the atmosphere of loneliness and desperation.

The lady is dressed in a plain pale pink dress which has been seen to be a little worn out due to the dirt under her skirt, suggesting that she has pulled herself across the muddy floor.

Technical response

When looking at the image, i see that there is texture shown due to the bare ground being painted different colors adding layers to the image. This texture is showing that this floor has not been used in a while, adding to the loneliness. There is a full depth of field used in this image which means we can see the whole image and take in all the surroundings.

Conceptual response

This image is very up to debate..

 

 

 

 

 

 

 

 

 

AO1 Develop Ideas, AO2 Explore Ideas, AO3 Record Ideas, AO4 Present Ideas, Component 1 Personal Investigation, Component 2 ESA, Unit 2 Portrait

Tableaux Vivant

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A tableau vivant (often shortened to tableau, plural: tableaux vivants), French for ‘living picture’, is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be theatrically lit. It thus combines aspects of theatre and the visual arts.Staged reality is a main aspect of tableaux vivant in which the photographer captures an artificially constructed scene.

Tom Hunter

Tom Hunter (born 1965) is a London-based British artist working in photography and film. His photographs often reference and re imagine classical paintings. He studied at the London College of Printing, and was the first photographer to have a one-man show at the National Gallery of London.

He worked alongside friends, neighbours and family to recreate others work but in a much more modern way. For instance the picture on the left is not this own work it is in fact Johannes Vermeer artwork which entails a young girl standing by a window reading a love letter from her man who is far away, possibly at war. Hunter has recreated Vermeer’s work but with a modern update, the women isn’t holding a love letter she is holding an eviction notice. Tom has spent time with the people he takes pictures, for instance he lived on the same tower block as his women, he knew the problem she was going through as he was also being evicted. Even though the to photos are very similar, there are underlying differences, for instance the open window on the left and the light flooding through has connotations of hope and freedom as she is happy her lover is still alive, whereas on the right the window is closed this has connotations of being trapped with no hope for the future, now she is homeless with a baby. As well as that on the left there is a bowl of fruits yet on the right there is a baby, this is symbolic of the fact that the women on the right has a lot more to lose then the women on the left, fruits can be eaten but a baby can’t just be thrown away, it needs love and care and a roof over its head. There is a clear rule of thirds in this photo, this is symbolic of how the women on the left has a structured path in life, its all going in one direction, she can see her path clearly because soon the war will be over and she can marry the man she is in love with. Whereas the women on the right, her rule of thirds represents a sense of being trapped, she can’t escape this harsh cycle of council housing, she is stuck in this rule of thirds layout.

Recreation

The Raft of the Medusa Painting by Théodore Géricault

This painting was fairly hard to recreate considering it is located on a raft at sea and there are lots of people involved in the photo. We tried to modernize the photo as much as possible for instance we made sure ‘the north face jacket’ which was acting as a flag was clear too see, as the brands represent how society nowadays is materialist and how we need the best of the best not just unbranded, our whole world revolves around money and out doing each other. We were all at different levels in order to create a pyramid shape, a pyramid having connotations of strength, power and sturdiness. As well that it represents society and how those at the top thrive and survive but those ones at the bottom struggle and fail.

Tom Walker

I recreated this photo in school near the window by art. I had to select the window on Photoshop and decrease the exposure as the light coming through was over-exposed and too bright. I also increased the contrast to add depth and emphasis the light outside against the darkness inside. This symbolizes how the girl in the Tom Walker photo was exposed to the light and sunny world but under the surface the world was creating more troubles for her then happiness and the weather can’t change the fact that she is a single mum without a home. It’s as if the world is trying to sugarcoat all her worries with clear skies, but she can’t see its true beauty, the only thing she can see is the eviction letter she is holding.

Tom Walker

Tom Hunter- The Guardian Article

https://www.theguardian.com/artanddesign/2009/nov/04/photography-tom-hunter-best-shot

AO1 Develop Ideas, AO2 Explore Ideas, Uncategorized, Unit 2 Portrait

Case Study – Tom Hunter

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Mood Board of favourite images :

           Image result for tom hunter best imagesImage result for tom hunter best images

 

 

 

 

 

 

 

Image result for tom hunter best images

Who is Tom Hunter?

“Tom Hunter is Professor of Photography Research at the London College of Communication, University of the Arts London, graduated from the London College of Printing in 1994 with his work ‘The Ghetto’, which is now on permanent display at the Museum of London.
He studied for his MA at the Royal College of Art, where, in 1996, he was awarded the Photography Prize by Fuji Film for his series ‘Travelers’.
In 1998 ‘Woman Reading a Possession Order’ from his series ‘Persons Unknown’, won the John Kobal Photographic Portrait Award at the National Portrait Gallery.
In 1999 Tom’s series of the ‘Holly Street’ estate was exhibited at the Saatchi Gallery, London, while in 2000 his ‘Life and Death in Hackney’ series, went on show at the White Cube Gallery and the Manchester City Art Gallery.
In 2006 Tom became the only artist to have a solo photography show at the National Gallery for his series ‘Living in Hell and Other Stories’, which talked about Hackney and its relationship to its local paper.
His works are in many collections around the world including; MOMA in New York, Tate Britain, The V&A and the National Gallery in London, Moderna Museet in Stockholm, the Smithsonian in Washington and the Los Angeles County Museum of Art. In 2010 he was awarded Honorary Fellowship of the Royal Photographic Society.”

– Words taken from Tom Hunter’s Website.

I have also come to learn that Tom Hunter lived abroad for a period of life. He was part of a group of people with the generic name “New Age Travelers”. In a series of photographs he captured images of the essence of the life he lived whilst travelling round Europe in motor homes with other people like himself, some families, some old married couples. He also captured images of the people he traveled with in a tableaux vivant stylist way which he has now published on his website, in books of his and in galleries across the UK.

Famous Projects:

  • Traveller Series
  • Le Crowbar
  • Figures in a Landscape
  • Solo show figures

Video and Website Links:

Homepage of his website:

Home

AO1 Develop Ideas, Unit 2 Portrait

Tableaux

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Tableau Vivant, French for living picture, is used to describe a painting or photograph in which characters are arranged for picturesque or dramatic effect and appear completely unaware of the existence of the viewer. It  is a static scene containing one or more actors or models. They are stationary and silent, usually in costumes, carefully posed, with props and scenery, and may be theatrically lit.

Examples Of Tableau Vivant Photographs

The Dining Room (Francis Place), 1997, Sarah Jone
The Sitting Room (Francis Place), 1997, Sarah Jones

The sitting room and the related photograph, the dining room, are the result of a project Jones began in 1996 with three teenage girls. She has photographed them in two of their parental homes. The images are carefully set up, the furniture was often rearranged and studio lights were used to enhance the staged atmosphere. The girls belong to wealthy upper-middle class families and their homes are ornamented with symbols of wealth and status. However, in Jones photographs they appear uncomfortable and bored despite their comfortable background.

Travellers Caught in a Sudden breeze at Ejiri, 1832, Katsushika Hokusai
A Sudden Gust of Wind, 1993, Jeff Wall

A sudden gust of wind  is a large colour photograph displayed in a light box. It shows a flat landscape in which four foreground figures are frozen as they are reacting to a sudden gust of wind. It is based on a woodcut called ‘Travellers caught in a sudden breeze at Ejiri’ (1832) from a famous portfolio called ‘The thirty-six views of fuji’, by the Japanese painter and printmaker Katsushika Hokusai. The result of the photograph taken by Jeff wall is a tableau which appears staged in the manner of a classical painting.

The last supper in the Bible
By David Lachapelle

David Lachapelle’s series of ‘Jesus is my homeboy’ is one of the most popular reinterpretations of the last supper in modern art. The image shows Jesus with 13 modern day people in a living room setting sitting around a table. the people in this photograph are not holding the same positions as the ones from the original painting but it is still obvious that this is the famous painting the last supper since they are sitting around the table reacting to Jesus.

AO2 Explore Ideas, AO3 Record Ideas, AO4 Present Ideas, Unit 2 Portrait

Tableaux Photography – Post 1 (Planning)

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Tableaux Photography:

Tableaux , French for ‘living picture’, is a still scene containing one or more actors or models. They are stationary and cannot speak, usually in costume or a selected outfit, carefully posed, with props and/or scenery, and use careful lighting to enhance the effect or narrative of the composition.

Mood Board:

Mind Map:

Key Images:

 

AO2 Explore Ideas, Unit 2 Portrait

Tableaux Photographer: Tom Hunter

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Hunter is a British photographer who’s tableaux photography work has gained attention from the public and other photographers, due to it’s metaphorical symbolism and the meanings behind them.

Hunters tableaux work reflects his opinion on how certain groups within society are cast out, and treated as lesser beings due to their personal life choices, or events that they have little control over altogether. Hunter’s work has heavily influenced the people that he depicts in his photographs, for example his photograph Woman Reading a Possession Order (1997), was taken in response to Tom’s squatting neighbors receiving eviction notices. The photograph sparked a debate in the local council, and the houses were not destroyed.

Hunters work often focuses on the lives of those struggling with housing issues, such as squatters, caravan-dwellers and council housing tenants. Hunter sympathizes with this community of people due to his own life experiences, and portrays their struggles and hardships through his work.

The following images are examples of Hunter’s work:

The below image is one of Hunters most popular; it takes inspiration from the artist Jan Vermeer, and incorporates a modern story into it:

The above image has taken inspiration from artist Jan Vermeer’s “Girl Reading a Letter”. This is a clear example of Hunter creating a tableaux image, as he has taken inspiration for the pose and setting of his photograph from a different artist, but has changed the meaning to one that better reflects the issues that are meaningful to him, and relevant for the time. ‘It’s inspired by Vermeer’s Girl Reading a Letter – except she’s a squatter reading a possession order’ – Tom Hunter regarding his photograph.
Hunter voices that he is especially inspired by painters, more specifically artists such as Caravaggio and Vermeer. Hunter often uses the work of these artists to influence his tableaux photography.

Many of Hunters images make use of ordinary people as subjects, where the viewer is placed in a position where they are looking into the private lives of the subject. This gives the viewer a sense of familiarity, where they are able to relate to the subject, yet projects such as “Person’s Unknown” are titled to contradict this sense of familiarity by giving no identity to the subjects. This contradiction allows for Hunter to emphasize his opinions on matters such as evictions and the casting out of certain groups from society, as it shows that the people dealing with these issues are just regular people, and live normal and relatable lives.

Here is one of the possession order that Tom Hunter and his neighbors received while squatting. It is one of the things that drove him to produce the “Persons Unknown” Photography project, in which he depicted members of his community in dignified and relatable situations and positions to create a sense of familiarity for his viewers.

Hunter has been able to incorporate his own life experiences into his work, allowing for a more personal touch to be added to his images, and uses his work as a way to advocate for social groups who are often cast out of society.

In an interview with The Guardian newspaper discussing his photograph, “Woman Reading A Possession Order”, Hunter was quotes as saying, “I phoned her up last week and she’s still happy with the picture. It’s a record of her, her child and her home at the time. The great thing is, the picture got a dialogue going with the council – and we managed to save the houses.”

Unit 2 Portrait

BEST OVERALL PORTRAITS FOR DIFFERENT LIGHTING TECHNIQUES

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Overall best images for lighting techniques

Now that i have experimented with using different lighting i have chosen my best out of each of my photo shoots.

Ring light

This shows the clear use of the ring light as we can see the ring in the models eyes.

Chiaroscuro 

This clearly shows the chiaroscuro technique due to the shadowing on the right hand side of the models face.

Natural lighting

The natural light is evenly proportioned on the models face by using a reflector.

Using effects

Using the colored transparent paper allowed for the colors to be printed onto the model.

Flash

The flash allowed for the models and the tree to be lit up while keeping the background dark.

AO2 Explore Ideas, Unit 2 Portrait

Artist Study- Michael Spencer Jones

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Intro

Michael Spencer Jones is a British art photographer and video director most widely known for his work with 90s english rock groups such as Oasis and The Verve.

Work

Jones started off studying photography and film at the university of Bournemouth, where he gained a distinction . He then moved up to Manchester just as the ‘madchester’ music scene was developing. There he met Tony Wilson of factory records. Wilson introduced Jones to The Stone Roses and Happy Mondays, Both groups Jones Photographed in the images belowImage result for michael spencer jones stone roses

Image result for michael spencer jones happy mondays

Image result for michael spencer jones happy mondays

Although not tableau, these images give us a good idea of his style and approach to his work.

Oasis & The Verve

Jones is most known for his collaborations with britpop giants Oasis and The Verve. Jones shot The Verves iconic album cover for Urban Hymns as seen belowImage result for the verve

After the success of the album, Jones was directly contacted by Noel Gallagher of Oasis, who had seen the album covers and was drawn to Jones’ Style.  Jones and the group immediately set about shooting the album cover for the groups up and coming debut studio album Definitely Maybe. The series of shots were taken in guitarist Paul Arthur’s House. The final image included motifs that paid homage to stars such as Burt Bacharach, Manchester city player Rodney Marsh and Director Sergio leone. Below are shots from the shoot.Image result for oasis definitely maybe outtakes

Image result for oasis definitely maybe outtakes

Image result for oasis definitely maybe outtakes

Image result for oasis definitely maybe outtakes

The most Prolific shoot in terms of Tableaux photography by Jones, was the album cover for the groups 3rd Studio Album Be Here Now.

The whole shoot happened at Stocks House in Hertfordshire. The shoot consists of all of the members of the band around a swimming pool with a partly submerged Rolls Royce and various props such as a gramophone, a  moped and an inflatable globe to pay homage to the iconic Definitely Maybe Shoot. Here are a few images from the shoot.Image result for be here now oasis outtakes

Image result for be here now oasis outtakes

Image result for be here now oasis outtakes

AO1 Develop Ideas, Unit 2 Portrait

Tableau portraits – Mind map

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moodboard

Tableau photography is a static scene containing one or more models or actors. They are usually in costume and are planned out carefully to create a certain scene.

The term was first used in the eighteenth century by French philosopher Denis Diderot to describe paintings with this type of composition. Tableau paintings were natural and true to life, and had the effect of walling off the observer from the drama taking place, transfixing the viewer like never before.

In the 1860s, the concept of the tableau reached a crisis with Édouard Manet, who, in his desire to make paintings that were realistic rather than idealised, decisively rejected the concept of the tableau as suggested by Diderot, and painted his characters facing the viewer with a new vehemence that challenged the beholder.

In the 1970s, a group of ambitious young artists like Jeff Wall and Andreas Gursky began to make large format photographs that, like paintings, were designed to hang on a wall. As a result these photographers were compelled to engage with the very same issues revealing the continued relevance of the tableau in contemporary art.