Category Archives: Unit 2 Portrait

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Saul Steinberg

Small Family Group, Chelsea Hotel (from the Mask Series with Saul Steinberg), 1962. ;Photograph by Inge Morath, © The Inge Morath Foundation

Steinberg captured people with paper bags over there face, hiding and disguising their identity. On the paper bags there are shapes creating a cartoon style face. When someone looses their identity they tend to hide their emotions with fake ones, the paper bag acts metaphorically to show the fake emotions that a person is likely to present when they loose their identity, which presents the conceptual elements within this photographic series. Technically speaking the models are located in the centre of the frame, allowing them to be the main focus point. The background is used to present the background of the person, the type of people they are. In this case they seem rich due to the posh fireplace and large amount of space surrounding them. The photograph is presented in black and white which allows the image to be high in tonal contrast allowing details to be shown clearer.  Space, tone and texture are the main formal elements which are being presented within this image. They are all presented through the background and the model, which all add the effect of loosing an identity. The camera settings when taking these images where precise, the ISO seems to be slightly high as there seems to be an intended noise, this also contextually shows the time period (1962) that these images were captured in. The shutter speed seems to be quick as there is no intended blur, moreover there is a large depth of field due to the whole frame being in focus. This photograph presents cold artificial lighting, which adds to the depressing and sinister tone which Steinberg is creating around the idea of someone loosing their identity and trying to be someone whom they aren’t. Contextually, Steinberg wanted to show that everyone is society ‘wears a mask’ to hide the true identity, whether it is metaphorically or physically, through makeup. He said that this was because it acted as “a protection against revelation.”. Applying this to loss of identity, it shows how when people loose their identity they try and pretend to be someone they are not, so people do not find out what they are going through. To apply this contextual idea to this image the paper bags are suggesting that because these people are rich they have to act rude and snobby towards others due to the class system.

Based on this artist research I want to conduct a study where I look at capturing my model disguising their identity. In order to present a stronger relationship between the artist and loss of identity, I intended to use plain white masks and plain simplistic background, so no identity is built around the background of the model. Moreover, I intended to use a similar soft cold lighting in order to create a depressing tone to my work. In order for more inspiration with the use of masks and paper bags, to disguise and present the idea that my model has lost their identity and pretending that they are okay, I intended to conduct visual inspiration through a mood board, were further interests surrounding this topic can be presented.

Mood Board Of Other Artists Work With Masks
  • While exploring further into mask photography, I got a glimpse of the idea of surrealism with masks. Within this I saw a thin white material like a bed sheet around the head of the model, which takes the viewer away from naturalistic photographs. This presents loss of identity as it shows that there is nothing left when you lose your identity, the white sheet presents metaphorically that the person who loses their identity is left with emptiness. This is an aspect which I think could inspire my photoshoot of masks
  • Another aspect which present clear ideas is the use of a blank white mask. These masks can be considered eerie and scary, which can present the emotions that a person feels when they loose their identity. Moreover, the mask physically covers the face of the model which shows the loss of their identity.

By conducting this further research of mask photography I have clear ideas and visions that I want to bring forward to my photoshoot which will be inspired by Steinberg’s use of paper bags/masks.

Identity: Tish Murtha Case Study

For my identity project into the influence that adults have on the development of children’s identity,  I have decided to take inspiration from the work of Tish Murtha, a social documentary photographer who worked in Britain. she is was best known for documenting more marginalized communities, such as the working class in the North East of England.

Her photography is documentary style, and often uses candid photography in order to truly show a true to life representation of the life, struggles and social workings of the groups she photographed. Examples of her work can be seen below:

Her work often shows the raw emotion on the faces of her subjects, allowing for the identity of the subjects to be presented through their emotions, feelings and reactions to their present situations.

Murtha uses her photography to inject personality into the individuals who are often simply stereotyped and grouped into certain groups of people. Her photography gives individual personalities to the people who are often shun by society due to their social class, position in society, age, gender or job.

Murtha produced exhibitions such as Youth Unemployed (1981), Elswick Kids (1978) and Juvenile Jazz Bands (1979), which showed the struggles of children living in the lower bands of society during the 70’s and 80’s, using photography to display real life issues such as poverty, unemployment, conflict and a lack of individual identity within the children of the working class.

Elswick Kids – Tish Murtha (1978)
Elswick Kids – Tish Murtha (1978)
Elswick Kids – Tish Murtha (1978)

Through her photography, Murtha raised important issues about society with the public, as her work depicted the struggles of the working class, and the social issues they face, which the viewer can then compare to the issues they themselves face.

Murtha, born in South Shields in the North East of England, was accustomed to the poverty and deprivation that was common in the area. Her work focused a lot of attention to proving that, although the subjects in the photographs often look care-free and happy, the environment in which they live is often poverty-stricken, run down, and appears to lack any outside help in order to make it safe and appropriate for living in.

The above image was taken by Murtha as part of her Youth Unemployment exhibition. This image uses the shock factor of the young boy holding a cigarette so nonchalantly in his mouth, in order to draw the attention of the viewer, before allowing them to understand the underlying meaning. This image portrays the children in a situation (playing cards and smoking cigarettes) that would normally be associated with adult behavior. Here, Murtha is commenting on the fact that a deprived environment often forces children to grow up faster than they should, and the situation they are placed in (poverty) influences them to take the identity of the adults around them.

The above image is an example of where Murtha took close up head-shots of individuals living in the run down areas of Newcastle. Murtha incorporated elements of both candid and posed photography. The above image focuses on the appearance of the subject in the foreground, who appears to come from a poorer, lower class background. While the subject appears to be from a less privileged background, his facial expression does not convey negative emotions, rather he seems distracted by something interesting. 

This image by Murtha really conveys the theme that all of her work follows. The young girl in the image is seen jumping on an abandoned car, a dangerous activity in a hazardous run down area that now days, would violate health and safety regulations immediately. However, the context of the image indicates that the subjects are actually enjoying this activity, with the subject in the background moving to stand back on the car roof (presumably after already jumping off). Here, Murtha is able to covey that, even among the deprivation and poverty, children still adapt to their environment and create fun out of seemingly dangerous or boring situations.

Photo-montage: Response to Peter Kennard

In order to experiment with photo-montage, I have decided to create a response to the artist Peter Kennard. His work focuses on portraying his views on political and social issues, such as war, politicians and environmental concerns. His work often criticizes the use of nuclear weapons, and highlights the importance of protecting the earth and innocent lives from the consequences of war

Below is a montage of the work of Kennard that challenges the current politics and social issues:

Taking inspiration from Kennard, and his criticisms of politics, the first photo-montage I created involved using Photoshop to cut and paste different facial features of different well known politicians onto the face of the current prime minister of England. For this image, I have taken inspiration from an image created by Peter Kennard, who used an image of the prime minister and photos-shopped another politician into her head. This is a statement made by Kennard voicing his opinion on UKIP, and the decisions made by the politicians involved.

The image I have created also criticizes the current political situation of the UK, and incorporates the same style as Kennard (using a black and white color scheme, and using a black background in order to draw maximum attention to the image in the foreground).

My photo-montage
“Where’s UKIP now?” – Peter Kennard

As well as criticizing politics, Kennard also uses his photo-montage work to criticize the physical state of the world and environment.  He uses photo-montage to show his opinions on how human activity destroys and disrupts the environment.

Kennards photo-montage depicting a nuclear power plant as the top half of earth, created to criticize human use of resources that produce waste harmful to the environment

In order to further experiment with photo-montage, I decided to take inspiration from Kennards work revolving around criticisms of environmental issues, and created the following photo-montage:

This image uses the same color scheme (grey-scale) as Kennard, which helps to emphasis the image in the foreground. As well as taking inspiration from Kennards work for the color scheme, I have also used a plain black background, as I feel like this allows for the image in the foreground to warrant maximum attention of the viewer, and helps to show the issue presented in the montage as an issue separate from anything else, allowing the viewer to focus all attention on the issue at hand.

After looking further into Kennards work, I have produced a variety of images that take inspiration from his photo-montage style, but do not replicate his work exactly (they include some original ideas and concepts). Below are the results of this:

 

 

Editing Potential Final Outcomes

I have had a go at editing some of the images I have taken in the past that I may use as final pieces or to help inspire me and show me some of the styles I could use for my final pieces.

On this image I started by using the cropping tool so that I could easily focus on the main point of the image which was the person.

After this I used the black and white option that can be found under – Image > Adjustments > Black and White in Photoshop. I have tried using this with a few of my images because the photographers I have looked at in my case studies all started in black and white.

I have then used the Brightness and Contrast option. I have tried not to use this excessively. I used it to make the darker areas in the image darker to make the person stand out more especially since his hair has come out dark.

This is the final outcome from the small amount of editing I have done on the image. I like how the image has come out using the black and white filter over the top. I like how this image has come out, it doesn’t really create a detailed view of the persons life though.

This is another one of the images I have taken that I thought I could edit a bit, to experiment using different tools. I have started by using the cropping tool to avoid having too much white space around the person. This also allowed me to use the rule of thirds.

After this I changed the exposure settings to make the background a lot brighter and consistent in colour. This also allowed me to have the light on the person sort of blend in with the background, on the left side.

I have also experimented using the vibrance settings on this image. This allowed me to make the colours seem like they are darker, but look as if they glow a little bit to help them stand out more. 

This is the final outcome of this image that I have come with while experimenting with these features. I like how the image has come out using the rule of thirds, but it could use something in the background other than white, as it makes the image look barren and doesn’t really create an identity for the person.

 

 

 

Typologies Research

I have decided that I’m going to present my images in the format of a typography. since a lot of my images in the first photo-shoot are very similar in composition and feature the same subject, I believe that a typology would be a good way of presenting my images and thus I will adapt my future photo-shoots for the project to the format of a typology.

One of the most notable photographers in typologies are Brend and Hilla Becher while there work doesn’t thematically link to mine as they photographed buildings as opposed to possessions however I believe that their work is some of the best examples of typologies available.

Image result for typologies becherImage result for typologies becher

Image result for typologies becher

Some other examples of photographers that have used typologies as a form of presentation for their work include Zhao Xiaomeng, his work with typologies is also more closely related to mine as it deals with possessions in the format of a typology.

Image result for typologies photography zhao xiaomengImage result for typologies photography zhao xiaomeng

I believe that typologies give the photographer the freedom to use a variety of images which is especially helpful if you believe that there isn’t a single image that could properly represent the best of the photo-shoot and convey the message of the photo-shoot properly.

Idris Kahn experimented with the photos of Bernd and Hilla Becher and presented his own take on the ideas of typologies. The images are essentially multiple exposures overlayed over each other. Since the images all come from the same typology they are very similarly composed and thus give an interesting effect with a Gaussian distribution.Image result for idris khanImage result for idris khanImage result for idris khan

Photo-montage – Peter Kennard Case Study

Kennard is a British contemporary artist who experiments with photo montage in order to express his opinions on issues such as politics, environmental concerns and social problems. He is the Senior Research Reader in Photography at the Royal Collage of Art (London). He was an active participant in the anti-Vietnam war movement, and used his artistic background to create photo-montages in order to spread images showing the consequences of continuing the war. He also involved himself in the Campaign for Nuclear Disarmament in the 1970’s-1980’s.

Kennard is an activist for world peace, and conveys his passivism through his photo-montage work. His work often includes relatively basic layouts, involving only 1-3 images with a black background, use to draw maximum attention to the photo-montage in the foreground. Below are examples of Kennard’s work:

Kennard describes his own work as used to: “Rip apart the smooth, bleached and apparently seamless surface of the media’s presentation of the world and to expose the conflict and grubby reality underneath.” This quote indicates that Kennard used his work to portray the reality of life, not leaving out the horrors and atrocities that come with war, human suffering and conflict. His work contrasts how the media typically presents such issues, as the media often glances over the severity of certain issues such as the increasingly advanced technology used to produce nuclear weapons, and focuses more on issues that, arguably, matter much less (such as celebrities).

The above image was created by Kennard to emphasis that the world (more specifically, politicians and those in power) focus so much on developing unnecessary weaponry and war supplies, while completely ignoring the, arguably, more important issues such as world hunger and poverty. This image is designed to mimic a poster, and uses photo-montage editing techniques to reflect the contrast between a loaf of bread (representing hunger) and a nuclear weapon. This image is used to highlight the worrying order of the priorities of those in power, where they continue to mass produce harmful, dangerous weaponry while turning a blind eye to the real issues at hand.

The image seen above is used to convey Kennard’s opinion that those in charge are playing a dangerous game (gambling) with issues as serious and hazardous as the development of nuclear weaponry. It emphasizes that such a serious topic is often treated like a game, which contrasts the reality of what should occur, given that weapons are designed to destroy lives. Here, Kennard’s anti-war beliefs come through his work, as he highlights the careless and shameful way that those in power treat serious topics that could ruin uncounted lives.

Kennard often injects a sense of irony into his photo-montages. Above is the image of a skeleton (representing death) reading a manual on how to survive. These two elements clearly contrast each other, and so Kennard is able to convey the irony of handbooks that were distributed by the government in the 1970’s listing what to do in the event of a nuclear attack. Kennard believed that in the possibility of the event of a nuclear attack, the government clearly did not feel enough concern for the population to take more drastic measures, and simply handed out leaflets stating how to survive. This image projects Kennard’s opinion, that the government took very basic, almost pitiful action, when in reality, drastic measures would be necessary in order to do any real good.

When Time Was Prime 3 – Selection of Images*

When I went to take the images I changed the way that I did the images and set them up. One way that it changed was that I was planning on taking the photos so that they lined up perfectly with the background, the way that i re did this is that I lined up one major feature within the picture and the same in the background like a door frame or a window.

For the first image there are multiple attempts as I was trying to line up the shot and then changed to the style of showing that I am in the same location by including features and the scene.

Image Selection/ Editing (Part 1)

This Photo-shoot was inspired in terms of composure by the images of Zhao Xiaomeng. I used an ISO of 1600 in these images in order to have some grain in the images while allowing for well lit sharp images without a tripod. All images in this photo-shoot were taken using the same settings apart from the first 4 which were taken using a lower ISO than the other images in the series, as for other settings i used an F stop of 5.0 and a shutter speed of 1/125. All these images were taken using raw images in the CR2 format, this allowed for more options when it came to editing the images in light-room.

My personal favourites of this photo-shoot are photos 4584, 4590, 4592, 4593, 4596, 4598, 4601, 4606, 4608, 4610, 4614.

Below are some examples of lightly edited images

Identity and Place Image Manipulation Example (Photo-shoot 1)

For this image in particular I began in light-room where I most notably adjusted the exposure, contrast and cropped the image, however I did also make some changes to settings such as color temperature and vibrancy. I also made minor adjustments to sharpness and noise reduction settings, this was because although I like the grain created on this image, it looked too heavy in certain areas and in my opinion was affecting image quality.

In photo-shop I only used the selective color tool to reintroduce some of the warmer tones into the whites of the image and increase the blacks in some areas.

OriginalRetouched

Possible photos For mock exam – Self Portraits

 

 

* Denotation – What is literally in the image

In the image above I have got the girl position on a chair facing towards the camera, the person is wearing a tiara, glasses and earrings.

* Connotation – The meaning, what is implied/suggested by the photo

 

* Studium – What we know about the photograph based on our own knowledge of the context

i know that it is taken in a studio

 

* Punctum – meaning that pierces/pushes you personally – initial emotional reaction (not every photo has a punctum)

On this picture i have used a filter called oil paint where it makes the picture look like as if it has been painted on, Also it can be seen as it it is on a piece of crumbled paper. I like this as it could resemble a lack or loss of identity.