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Claude Cahun and Clare Rae Exhibition Analysis

The exhibition showed the different ways that Australian photographer Clare Rae, the resident artist in Jersey, responded to the work of Claude Cahun, a French photographer who specialized in creating surreal self portraits, which often focused on topics such as gender and identity. The exhibition made it easy to compare the two artists work, and the influence that Rae took from Cahun was made obvious. Both Cahun and Rae have presented their photographs using black and white contrasting colour themes, which is the most obvious similarity between the two artists work.

The following example is of a photograph taken by Cahun. This photograph explores the theme of identity, as the hands reaching out from the stone allow the viewer to question who the hands belong to, and so the missing identity of the subject makes the photograph more thought provoking. The use of the gesture the hands are making displays an emotion, but that emotion cannot be immediately recognised due to the lack of any other body parts that would usually be used to judge the emotions of a person. An unusual camera angle (facing slightly upwards) has also been used to add to the abstract and surreal theme of the photograph as a whole. In this image, Cahun has removed the identity of her subject, and has placed it in a surreal, abstract location in order to make her

The following image was taken by Clare Rae, and was directly influenced by the photograph above taken by Cahun. For this image, Rae has been inspired by Cahoons theme of identity, and has responded by creating a photograph of a human arm in an abstract and surreal location (behind a stone). For this image, Rae has placed the subject (the arm) coming out from behind the rock. This makes the  viewer question the emotions and motives behind the positioning of the arm, in the same way that the open gesture of the arms in Cahun’s work makes the viewer question the emotions that the subject is showing. Because the viewer of Rae’s work has no way to know why the arm seems to be coming out from behind the rock, they are left to wonder the identity of the subject, and so Cahun’s abstract and surreal style of photography can be seen to influence Rae’s.

The way the exhibition was organised allowed for the viewer to clearly see the similarities and differences between the two artists, by placing their work in two separate but connected rooms. The exhibition provided a wide range of both Cahun and Rae’s work, so that the way that Rae had been influenced by Cahun could clearly be seen in multiple pieces of work. The exhibition was organised and presented well, and showed the work of both artists using a simple and effective layout.

Contact Sheet 1 (Entre Nous)

The meanings of each symbol are as follows:

Green Dots: One green dot symbolizes that it is a photo i believe could be useful and is a good representation of what I am trying to display. Therefore the more Green dots, mean the better i believe the photo is.

Black crosses: A black cross through the photo means i dont believe it is effective in displaying what i am trying to and i do not want to use it.

Red line and dashes: Areas that are shaded in red below or above the line with dashes are places i believe that photo should be cropped to, to improve its appearance.

Here are some examples of other contact sheets made by other photographers:

 

Abstract photography contact sheets

WHY WE DID THIS – 

The aim of this photo shoot was to capture the abstract shapes and forms which can be found all around us.Even when going through school, in mundane things, beauty can be found. I captured images which suit best the theme of “abstract”, incorporating simple shapes and forms in order to do so.

Claude Cahun X Clare Rae Exhibition

I found the interpretation of Claude Cahun’s work by Clare Rae incredibly interesting. The way she has captured the style and look of the photos makes it seem almost as though they were taken by the same person. There were obviously some differences in the models used, even some of the same locations were used. Both photographers focus of the surreal contrast, and also similarity, to nature and man.

Claude Cahun’s Work

 

The picture below was one of my favorites. Not only does it have a nice contrast between the blacks and whites, but it shows the connection between man(or in this case woman) and nature. The way that her arm reaches around the rock almost makes it seem like the rock is alive and the two are connected.

Clare Rae
Taken from Her book ‘Never Standing On Two Feet’ by Clare Rae
Another Photo From Never Standing On Two Feet – Clare Rae

Another piece of her work that caught my eye was this photograph(above). While it shows the clear disconnect between humans and nature, the color of the dress and physical connection to the rock represents how we are still connected with nature and that it is an important part of what makes us human. The reflection off of the rocks and the dress also seem to represent this idea.

 

Week 3 Abstract Photography Best Photos

For all of these photos I was on the shutter mode on the camera. The ISO was on 400 and the shutter speed was around 4-6.

This photo was taken outside at the back of the school and I really like the outcome of this photo.

This photo was taken of  a piece of art that I really liked. I feel like this photo is very abstract and unique.

 

This photo was taken of another piece of art. This has to be one of my favourite photos I took. I really like the colours and how some of the shapes fade into the background.

This photo was taken outside near the entrance of the school. I really like how bright the trees are in this photo. The lighter greenish/ yellow tree really stands out.

This photo was taken at the back of the school. I really like how the whiter bits of the tree are making a curved shape, it makes the photo more abstract and different.

This photo was taken in the canteen near the lockers. I really the contrast of the light coming from the lights and the darkness coming from the ceiling.

 

This photo was taken at the main stairs. I really like how the photo is the tiniest bit blurry but it still works because the focus goes straight to the three lights.

I am really happy with how all these photos turned out and I hope to adapt and use this style in future projects and photo shoots. Also I think to make this better I can take a few more photos so I can select more photos and have a wider selection to choose from.

Trip To Entre Nous Exhibition

Claude Cahun and Clare Rae

  • Who is Claude Cahun:

Claude Cahun (1894-1954) : Claude Cahun was an avant-garde queer artist and writer associated with the Parisian surrealist movement in the 1920s, before she relocated with her female partner Marcel Moore to Jersey in the 1930s. Since her rediscovery in the 1980s, Cahun’s subversive self-portrait photographs and texts have become highly influential for artists dealing with questions of gender identity and representation of the female body. Claude was known for her self riveting photographic portraits that seem early ahead of her time, Claude has attracted  and almost cult-like following,

  •  .Who is Clare Rae:

Clare Rae is an artist based in Melbourne, Australia who explores ideas of performance and gesture to interrogate and subvert dominant modes of representation. Her work is informed by feminist theory, and presents an alternate and often awkward experience of subjectivity and the female body, usually the artists’ own. Recent projects have engaged with site specificity, involving works that are captured and displayed within the same environment. A central interest within her practice is the exploration of performance documentation, specifically how the camera can act as a collaborator, rather than mute witness, to the performer.

 

 

On the trip to Entre Nous we looked at a recent exhibition on Clare’s in which she tired to immitiate similar themes of moving into the spaces around her in the landscapes, which some, previously, were inhabited and imaged by Claude Cahun. The theme of black and white was maintained throughout as well as the images predominantly being captured on coastal lanscapes, usually featuring objects such as large rocks and cliffs.

In the picture above the higher middle picture shows the model lying down on a patch of sand. This can symbolise the model trying to blend in with the natural environment around them which in this case is the beach.

The middle picture in this image is another of Claude’s and shows a set of arms coming out of a pilar of rock. This follows Claude’s theme of blending into the natural environment as it is as if the photographer is trying to capture the model moulding their body and changing the way it is to fit in with the norm around it. Therefore some believe that Claude’s work has a deeper meaning that relates to Claude’s depicting herself in her environments in that day and age and how although she would try to blend into the natural surroundings, her sexuality preferences would stand her out from the crowd of ‘environment’ due to it being so uncommon at that time to be queer.

This is a photo of Clare Rae’s where she is trying to re-create the idea of the model moulding to and fitting in the the natural environment them. I think this replicates the first photo i described of Claude Cahun’s very well because this photo, like the first of Claude’s is located on a coastal location and more precisely, probably in a rock pool on a beach. Not only does this make it similar to Claude’s work, it also can be seen to be similar due to the model posing in an unusual way as if they are trying to become part of the surrounding environment. Which carries on the ideas and themes Claude created.

This is my favourite photo captured by Clare Rae due to its eerie and very weird nature that comes along with the carried on themes from Claude Cahun of moulding the body to fit in with the natural environment.  As well as capturing the model moulding to the rock, this picture also captures the essence of how Clare could have perceived Claude’s experience of fitting into the norm back in her era and how hard she believed it could have ben for Claude to do this being queer. This is captured by the actual position the model is in and how uncomfortable this would be known to be by the interpreter.

Overall the trip taught me about the deeper meanings to a photographers work and how it can be related to their lifestyle, time era and personal thoughts and ideas. It also shows how themes of photography have remained consistent over time for example the Black and White feature and how modern photographers still enjoy capturing ideas that older generations had that still contain a strong message.

 

Contact Sheets

In class we were introduced to the concept of contact sheets. We complied all our images on a Photoshop document and then we could ether edit them by had or by using Photoshop. I decide to do them by hand because i like the look of the finished product the combination of pen and printed. Each different color of pen and design have a different meaning, for example the red circles over the images mean i want to use them in a final product and the ones with black dots are ones that can be discarded. This is very similar with the other contact sheet i made.