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Tabluaex vivants mood board

This is my mood board for the topic of Tableaux Vivants, as you can see Tableaux has been around for a while, and can be re created in order to remake or refresh a memory from a past time/long time ago.

I like these images because I feel that the atmosphere within is strong but also the colors and contrasts between light and dark really allow you to get a feeling from the photo but makes it seem high quality and draws you in more to have a closer and more in depth look at the photo.

Some words that I associate with Tableaux Vivants are:

Representation, still life,  re-create, illustrate.

Some recreations of Tableaux can be a certain lyric to a song, an album cover, a poem, mythology or even a dream.

 

Photomontage

Background

Photomontage is often used as a means of expressing political dissent.

It was first used as a technique by the dadaists in 1915 in their protests against the First World War. It was later adopted by the surrealists who exploited the possibilities photomontage offered by using free association to bring together widely disparate images, to reflect the workings of the unconscious mind.

In 1923 the Russian constructivist Aleksander Rodchenko began experimenting with photomontage as a way of creating striking socially engaged imagery concerned with the placement and movement of objects in space.

Other key exponents of the medium are John Heartfield, the German artist who reconstructed images from the media to protest against Germany’s Fascist regime and Peter Kennard; whose photomontages explored issues such as economic inequality, police brutality and the nuclear arms race between the 1970s and the 1990s.

Mood Board

Examples of Early – Late 20th Century Photo-montage

Raoul Hausmann’s – “The Art Critic”Image result for marcel moore collages

Image result for marcel moore collages

Photo-montages by Claude Cahun and Marcel Moore

 

Photo-Montage, Constructed Paper Task 1

“Photo montage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting composite image is photographed so that a final image may appear as a seamless photographic print. A similar method, although one that does not use film, is realized today through image-editing software. This latter technique is referred to by professionals as “compositing”, and in casual usage is often called “photo shopping” (from the name of the popular software system). A composite of related photographs to extend a view of a single scene or subject would not be labeled as a montage.” – https://en.wikipedia.org/wiki/Photomontage

Examples of Early – 20th Century Photo Montage:

Image result for photo montage photography
https://amaliyahartspace.wordpress.com/2015/04/06/introduction-to-photomontage/

 

 

Image result for Martha Rosler
Martha Rosler Beauty Rest from the series House Beautiful: Bringing the War Home c. 1967-72
Image result for Jesse Draxler
Jesse Draxler
Image result for peter kennard
John Stezaker
Image result for Aleksandr Rodchenko
Aleksander Rodchenko
Image result for Richard Hamilton
Richard Hamilton, Fashion-plate 1969–70

 

Final Tableau Vivant Image

WHO – this is a recreation of Arnis Balčus’ work, using my own model in order to take form of the little boy

WHAT – the main objective of this photo shoot is to recreate and understand how Balčus creates his work and the symbolism which he chooses to include and adapting the environment and resources I have in order to recreate the photo in a similar way.

WHEN – the image was taken during mid day as I figured this would be a similar time of day judging by the original image and the direct sunlight in it

WHERE -the image was taken in an old communal garage space which resembles the location a lot in the image I am trying to recreate.

WHY – to understand the most suitable ways in which to photograph people, organize photo-shoots and comprehend the symbolism which has been used by the original artist

HOW – I used my regular DSLR camera for this photo shoot, all natural lighting.

FINAL IMAGE –  

IMAGE I WAS RECREATING
RECREATED IMAGE

VISUAL ANALYSIS OF IMAGES – 

VISUAL – 

The image overall has a very gloomy and depressing mood around it. The depiction of a small child (recreated by a model which is also quite child like), looking at the empty beer bottle is synonymous with the prevailing alcohol abuse problem in Eastern Europe. The environment, which is worn and old, also suggests poverty and shortage of necessities for the child, almost using the beer bottles as toys. The child portrays sadness and loneliness. To put a modern twist on my own imagery, the glass bottle has been replaced with a speaker, as this is representative of the technology reliant youth of today. The weathered and old garages in the back of the image nicely contrast the main subject in the foreground by disturbing the repeating pattern. In order to have some similarities with the original image, the model is wearing a bright blue jacket, which immediately draws in the viewers eye to the center of the image. Both images can be split up with the rule of thirds, where the subject is situated in the middle of the image. The upwards facing power play between the camera and the model makes her seem a lot taller than reality, giving some power to the subject. The neutral expression of the model also creates a theme of confusion and mystery in the image as the viewer is not clear on what the subject is feeling. The direction in which the subject is looking at, leads also the viewers eyes down to the ground where the speaker is (situated in the bottom left third of the image). The overall color scheme of the image is dull and neutral, being mostly made up of subtle blues and grays.

TECHNICAL – 

This photo was taken during late morning, on a cloudy overcast day. I especially chose this day due to the fact that this is what resembled most in the photo I was trying to recreate. I set the white balance of my camera to the “cloudy” setting in order to achieve well balanced images. As it was a cloudy, yet still bright day, I turned down the ISO of my camera down to 200 to avoid the image being overexposed. As this was a very staged image, and the subject was standing still, I chose to use a tripod to make sure the image is crisp without any motion blur, due to this I kept my aperture mid way at 1/125 as I wasn’t concerned with the camera moving. I had a very clear idea of the positioning of the model and the prop therefore I first angled my camera and refereed to the original image for guidance. After a couple of shots, I was confident in the final image therefore contact sheets for this photo shoot weren’t necessary.

CONCEPTUAL – 

The main objective of this photo shoot was to make sure that what I was recreating conveyed similar visual elements as the original image, using a model of a small stature and an environment which is very similar as the original. Of course as I am not the original photographer, not in the same environment, I have had to adapt and make do with the resources I have resulting in the differences seen in the image. I wanted to convey a different social issue which affects us here in Jersey, relating to our environment and society, with the presence of the speaker on the ground. Representing how technology dependent the youth is, looking to it for guidance, happiness and companionship. This effecting social skills and the way in which children grow up and interact with one another.

CONTEXTUAL –

At the end of the 1980s all the countries of eastern Europe and the former Soviet Union enjoyed relatively high levels of human development and social welfare. Extensive social investments during the period of communist rule meant that literacy was almost universal, and well above other countries with comparable levels of per capita income, and life expectancy averaged 68 years. Unemployment was unheard of and – at least officially –poverty did not exist. Few commentators could have foreseen that the process of transition towards market economies and democratic governments would have been so tumultuous and accompanied by such high costs in terms of individual well-being, particularly among the countries of the new Commonwealth of Independent States (CIS). The collapse of economic output in many of these countries following independence, along with hyperinflation that wiped out individual savings, resulted in a dramatic drop in living standards for the majority of people and the emergence of poverty as a major issue within the region. Increasing poverty leading people to alcoholism and the use of it in daily life.

Nearly all the top 15 biggest drinking nations are in Central or Eastern Europe. Poverty and the harsh climate, particularly in Russia, play a part, as does the tradition of drinking. “Where it’s extremely cold it’s not uncommon for people to drink all day long,” said Val Smith, president of International Wine and Spirits, which provided the data on per-capita alcohol consumption.

And particularly in agrarian regions; farmers often produce their own home brews from anything ranging from potatoes to sugar beets, making alcohol very accessible and very cheap, said Smith. This also makes per capita consumption hard to measure, with official figures sometimes well below actual consumption rates.

source: https://www.unece.org/fileadmin/DAM/ead/pub/041/041c7.pdf

WEEK 6- PHOTO MONTAGE RESEARCH

What is photo montage?

Photo montage is the process of putting together multiple picture in order to create a new image with a different feel. This is done by gutting, gluing and rearranging two or more photographs to make a new one. There is also a more popular method of creating the idea of photo montage which is done on an app called ‘ photoshop’.

History of photo montage

Photo montage became a thing is the 1880s and was first done by merging different photos together into a combination print. It was then again looked at in the 20th century by Dadaist and Futurist artists.

The most iconic photo- montages were produced by George Grosz, Hannah Hoch and John Heart.

 

What photo montage is used for

Photo montage can be used for protesting subjects, political purposes ie, World Wars, and for conveying opinions. When creating the photo montage it can be done though hand manipulation ( cut and stick) as well as Photoshop.

Hannah Hoch

Hoch was born in 1990 on November 1st in Germany. She began her training in 1912 at the school of Applied Arts in Berlin- Charlottenburg. However, after being there a few years she ended up moving back to Germany after World War 1 started in 1915. While being away she changed to specializing in glass design but went back to focusing on painting, graphic design, wood cut and linoleum- block- painting until 1920.

Hock first became interested in photo montages properly in 1917 and herself and Dadaists were the first to fully explore the idea of photo montages. She continued to make art through WW1 and tried to stay relevant after it ended which proved to be very hard.As she grew and developed she worked with new modes of expression but continued to reference her past. Hoch was such a key part of photo montage and was clearly an important influence during her period of six decades of hard work. Her work began to receive more attention in the late 1960s which was due to the concerted effort by feminist scholars and artists to uncover and reclaim the art created by her in the 20th century. She died on May 31st in 1978.

Pieces she produced..

 

 

 

 

 

 

 

 

 

Tableau vivants research

Tableau vivant (often shortened tableau) is french for ‘living picture’ is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be theatrically lit. It thus combines aspects of theater and the visual arts.

Tableau can either be staged inside a controlled environment such as a photography studio or it can be made outside in a real life environment/situation, such as the forest.

Tableau photography can do so much in one freeze frame, such as tell a story, or recreate a memory or scene in a movie.

 

 

studio1 finals

 

In the studio, I initially took about 300 photos. I narrowed them down to about 9 and edited each of them so I would have a bigger choice of photos to choose from for my finals.

using double exposure, I created the effect of two people being present.

Here, I used a pink filter of the one point light.

For the next three photos I increased the haze so that they would look somewhat surreal, almost dreamy.

~ tableaux and staged reality ~

 

Tableaux is used to describe a painting or photograph in which characters are arranged for picturesque or dramatic effect and appear absorbed and completely unaware of the existence of the viewer.

The term was first used in the eighteenth century by French philosopher Denis Diderot to describe paintings with this type of composition. Tableau paintings were natural and true to life, and had the effect of walling off the observer from the drama taking place, transfixing the viewer like never before.

It can be used to create surreal landscapes and visions, expressing or pursuing existing ideas, thoughts and situations,

Tableaux photography is staged, and the final outcome was made purposefully with an idea in mind.

 

 

 

 

CCA Galleries – Clare Rae and Claude Cahun Comparison

Clare Rae is a photographer based in Melbourne, Australia. Her work has recently been placed in the CCA Gallery in Jersey, the work that has been put up is the work she has done that has taken inspiration from Claude Cahun. Some of Claude Cahuns work has also been put up to show the viewers of the gallery how Clare has taken inspiration and what she has changed from how Claude Cahun worked. Claude Cahun normally used her body in her images. In response to this Clare Rae has used her body in her images. She describes this as a private performance for herself. Her work shows her body as a piece of art. She is trying to present an alternate view of the female body.

 

 

Clare Rae like Claude Cahun worked mostly in black and white while taking images for this project. Though she used the same colour scheme to get contrast between lights and dark’s, Clare Rae normally used lighter background colours, so that in black and white it would become a lot brighter with the darker colours over the top. This is different from how Claude Cahun worked as she normally used backgrounds that were a lot darker and overlapped lighter colours on top.

This is my favourite image in the CCA Gallery. It shows Clare Rae interacting in the environment in a way that makes her seem trapped.

Due to using their bodies as an art piece, both would have had to think about what they were wearing a lot in their images, to get what the wanted displayed in each image they took. They had to interact with the environment around them, this means that a lot of thought would have had to go into how they were going to pose themselves in their images.

In conclusion, the images produced by both people could be taken in multiple ways and have a different meaning for every person.

 

Tableaux&Staged Reality 1

TABLEAUX

Tableaux is a french word that stands for living picture, it is a static picture containing models to portray certain characters from paintings of to reenact a story. They are carefully posed with props and scenery, it combines aspects of theater and visual arts.

RESEARCH

TOM HUNTER

Tom Walker is a British photographer and film maker who was one of the first to have a one man show at the National Art Gallery, Walker was born in 1965. His photos mainly re-imaged or made reference to classical paintings. When beginning his photography he focused mainly on local issues and sensationalizing news headings, one of his well known photos is the ‘Woman Reading a Possession Order’, he said he just wanted to take the picture to show the dignity of a squatter.

Image result for Woman Reading a Possession Order'Woman Reading a Possession Order’

ELI REZKALLAH

Eli Rezkallah was a photographer who switched the roles of gender in advertising. He used reveres sexism to show that all genders are equal and are capable of doing each others jobs. Some people have commented on his work has being sexist but it is just him trying to beat stereotyping. 

He believes that he got his inspiration from growing up with his mother and sisters during the war as they did all the jobs a male would do, he said “they lived like nothing was happening, so my work is a prettier version of their reality”. He started Plastik as a platform for his and his friends work, to show case their work and ideas to everyone.

TIM WALKER – FANTASY BASED

Tim Walker was a British fashion photographer, who regularly shot for ‘Vogue’ and ‘Love Magazine’. His work is very fantasy based and was influenced by children’s fairy tales, with the way that the models are posed and look, along with props. Walker was part of a project called ‘Checkmate’ for Vogue. The images within this project are inspired by the Alice in Wonderland scene containing the giant check board and the odd players around it.

This image created by Walker is a fascinating image to look at. The different angles of the walls around the model give it a beautiful abstract feel to it. The angle of the model with their forward foot creating a straight angle, designs an odd appearance of the model, giving it the fantasy feeling to it. 

The colors and costumes in this image give it the fairy tale look, the darkness of the image makes it feel as if these are the villains within the story due to the all black costumes and makeup. The main model in the middle is showing their white eyes which gives it a creepy, chilling feel as they are looking directly into the camera and making contact with the viewer. The dramatic detailing in this image portrays the Alice in Wonderland theme.

 

EXPLORING TABLEAUX/STAGED REALITY PART 1

I am focusing on gender roles, portrayed in images, along with fantasy scenes. 

I am exploring gender roles within fairy tales, mainly within Little Red Riding Hood, it is a European fairy tale that goes back to the 10th century by many European folk tales. The story involves a little girl in a red hooded cape, she is sent through the woods to deliver food to her ill grandmother. A bad wolf is then presented as a problem as he wants to eat the girl and the food in her basket, he approaches the little girl and tells her to pick some flowers which she does. The wolf then enters the little girls grandmothers house pretending to be the little girl and then eats her whole. Later the little girl arrives at her grandmothers house and notices her grandmother is looking very odd. The girl and the wolf have a small conversation and then he jumps out of grandmothers bed and begins to eats her, a near by hunter heard the girl screaming and came to the girls aid with an axe, he fought off the wolf and the girl and grandmother came out unharmed.

There are many underlying stories within this fairy-tale, but the one i’m going to focus on is the portrayal of gender roles within this story. In the story males as show as the stronger more powerful gender. This is evident within the story as the huntsman fights of the wolf and saves the girl. This is showing that women couldn’t look after themselves or defend themselves in any situation and that they always need to be saved whatever the circumstances. This story is still within society and still showing that men are the strong gender, rather than having equal genders. Also little red riding is targeted by the wolf, which again says that women are easy targets.  The wolf was played by a man and this is telling society that men have the power to control women and do what they want with them, as if they were objects.

I’ve decided to focus on Little Red Riding Hood because I want to show how gender roles are created in children’s fairy tales and that these hidden messages within these stories have a huge impact on the way society treats one and other depending on their gender

These images are scenes from the book. I am going to copy these as these represent the gender roles that are present in this story. In this image the wolf is representing the male gender, you can see the look on the girls face, she looks scared and unease by the presence of the wolf. You can see that the wolf won’t let her leave and she is too frightened to, encase she gets hurt. This is a strong representation of male domination, as the wolf has power over her.

This image is showing the male gender as the strongest and most powerful, they can do most damage. In this image the male as defeated the wolf and the girl is clinging onto him because she is scared and believes that, that man is the only thing that can look after her and save her. This images shows that women have been brain washed into thinking they are incapable without men and that they must rely on them to survive.

MY RESPONSE;

This is the best photo I cam out with, but it is not my strongest image because I don’t like tableaux photography and I find it difficult to produce a photo looking like something else. I like to go off on my own tangent and make stuff up as I go. Having a strong structure and a concept behind a photo made it hard to really portray the story and characters. I edited this image into black and white as it shows more texture within the photo, it also makes the shadows more defined and it looks more like the original image I was copying from.

EVALUATION

Overall for this project I feel that the images I produced where poor, this was too bad the bad lighting I had set up and the angle that it was coming from, along with not taking enough images during the shoot to be able to have a variety of images to pick from. The final image I cam out with does represent the concept I was trying to show, which was gender roles, my image shows the girl isn’t comfortable with the masculine figure in her bed. Personally I do not like tableaux and stages reality photography as I don’t enjoy recreating images as I like to be able to have freedom in what photos I take and how I take them, instead of recreating a replica.