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Week 3 Homework Task | The World is Beautiful

Homework 3 | Practical / photoshoot

Due in first lesson of Week 4

Minimum Expected frames/ exposures = 150-200 images

Respond to Albert Renger-Patzsch 1897-1966

We will aim to expand our approach to photographing things around us…whilst responding to influential approaches in the development of modern photography.

Watch this…

By responding to The New Objectivity you will be able to classify a greater range of your images whilst learning more about the Formal Elements and Adobe Photoshop techniques including :

  • Cropping
  • Image Adjustments

Extension : Karl Blossfeldt (1865 -1932) vs Maholy Nagy (1895-1946)

Both photographers were revered for their objective approach to photography…and were re-known for applying technological approaches to creating their imagery.

thumbnail

Maholy-Nagy

Image result for blossfeldt photography

Karl Blossfeldt

Compare and contrast the 2 approaches by analysing a key example from each artist and responding with your own examples.

Try to demonstrate core skills eg :

  • Camera : Manual Focus (Blossfeldt)
  • Photoshop : Multiple exposure / blending options

Describe, explain and evaluate your process carefully.

Clare Rae X Claude Cahun

Both these images caught my eye when at the exhibition but both for different reasons. Clare’s work all had her in it as the focal point but the positions she took up didn’t overpower the photos they blended in with the surrounding well and even though some of the positions looked uncomfortable they created a delicate feel to the photo, like in the one below. Her clothes also add to this they where clearly thought out, in the photo above she wears a mid-length skirt which adds to the modesty of the photo and how she doesn’t want to be spotted she wants to blend in with her surrounding  and not stand out. Whereas I feel the opposite with some of Claude’s work, as she dresses up very boldly to make a statement, but in the photo below I felt differently because her naked body seemed to fit perfectly with the surroundings. The low position meant she could become closer to her surroundings creating a more natural pose. The seaweed wrapped around her is a subtle but genius addition to the photo, it’s as if the water is trying to grab onto her and bring her closer. Even though being naked isn’t subtle, to me it feels delicate and it’s our natural state, so it matches the natural state of the rocks and the sand. Cahun is well known for exploring the world of gender within her work, I feel that Rae has also emphasized that in her work. The two photos above both exhibit a great deal of gender confusion as the people in the photos could be either male or female. Both positions show a lack of control over themselves and how they can’t move a certain way, they are who they are, and they can’t do anything about it, they are stuck that way. Also, the fact that neither of their faces are showing expresses how you can’t define gender by a certain look, facial features don’t have anything to do with your gender, you make your gender, your looks don’t define you. 

Clare Rae
Claude Cahun

Experimenting with Paper

Martin Creed

Martin Creed

Martin Creed (born 1968) is a British artist and musician.  He won the Turner Prize in 2001 for exhibitions during the preceding year, with the jury praising his audacity for exhibiting a single installation, Work No. 227: The lights going on and off, in the Turner Prize show.  Creed lives and works in London. 

For this experimentation with Paper I focused on the artist Martin Creed.  Creed is looking at a sense of possibility.  He is experimenting with the shape of the ball and also into the creases that can be made onto the paper as shadows and lines.

My aim was to use Martin Creed as inspiration to produce my own set of photographs from and experimental photoshoot.  This included experimenting with the different positions of the paper and where in frame it sat but also what effects I could create with the creases in the paper and also different paper textures such as plain white paper and also tracing paper.

 

Contact Sheet of Own Experimenting

I have done experiments with the angles I have taken of the paper and how I have positioned the different sheets to form one image to create different compositions.  I have tried to experiment with the different traps of light between the creases of the paper to create different tones in the final photographs.

I often used the flash when creating my photographs, I did this to experiment with the amount of light I could hold and experiment with to see different outcomes of tone and exposure as I photographed the paper.

Final Chosen Photograph

Unedited
Final Edited

contact sheets

contact sheet
noun
plural noun: contact sheets
  1. a piece of photographic paper on to which several or all of the negatives on a film have been contact-printed.

    An example of a contact sheet

Image result for contact sheets

 

To create a contact sheet, open all your jpgs onto your device and save them to your files.

Make sure your photos are in a thumbnail format before screenshotting.

screenshot your photo thumbnails and open the image onto photoshop.

select the brush tool and use colours and lines to show what photos you are going to use, which ones you are going to discard etc…

You should end up with something like this…

 

Green box – using

red stroke – not using

green question mark – not sure to use as final

red question mark – not sure wether to use at all

horizontal lines – cropping

 

 

 

 

Abstract

Ernst Hass

Ernst Hass was born in Vienna in 1921 and decided to do photography after the war. His early work on Austrian returning prisoners of war brought him to the attention of LIFE magazine but he declined the job as a staff photographer in order to keep independence. In 1951 he moved to the US and began to experiment with Kodachrome colour film. He soon became the first colour photographer of the 1950s. In 1962, his work was the first color photography exhibition held at New York museum of modern art. Throughout his career he has traveled and taken pictures for publications such as LIFE, Vogue and Look.

Style

  • Pioneer of colour
  • Abstract, lines, reflections, texture
  • Creating mood through colour and light
  • Beauty from the mundane

Hass used a lot of black and white film for most of his career but colour film became very important to his photography. He frequently used techniques such as shallow depth of field, selective focus and blurred motion to create metaphorical works. Once he began working in colour he often used Kodachrome which is known for its saturated colours. To print his colour work he used a dye transfer process which is expensive and a complex process and allowed for great control over colour hue.

Ernst Hass shows beauty in mundane views or objects. Most of his photography involves creating simple but eye catching pictures, ones that are heavy with texture, have beautiful light and create feelings through colour. Ernst Hass takes simple pictures by finding something fascinating and paying close attention to it. He captures detail through his zoomed in images, making it hard to distinguish what it is. Ernst Hass takes things down to their simplest elements to make it interesting for the viewer.  I like the vivid colours you see through his images and the concept of making everyday things that we see look visually stunning. To respond to his work I will focus on elements in nature as well as building structures to create images that have a seemingly unreal appearance from the real object.

My Response

Best abstract images

As you get increasingly close to a subject the detail that was not apparent at regular viewing distance will emerge as an abstract photograph. In this case the detail of the stigma is captured instead of the form of the flower. The petals and shadows casted have been blurred in the background so the colour yellow stands out in the image creating a visually interesting photo.

By capturing a section of the fan palm I have filled the entire frame with the subject, eliminating the unwanted background making the image appear abstract. The different shades of green fill the entire picture creating visual impact. The diagonal lines make the image more dynamic and provide a better overall balanced composition. They add a strong visual interest and make your eyes travel across the photo. They are dominant in the image and are the main focus point.

The zoom lens has captured close detail on the leaf as well as texture which can be shown through the focal points.  The curved lines coming out the stem are very effective in this photo as they create a more graceful composition.  By rotating the photo I created a different orientation, making the image more interesting. The shadows casted on the leave also catch the viewers attention and create a sense of depth to the picture.

The various width of lines are the main attention in this photo. Since this photo was taken up close you can see lots of detail and texture to the bark. Most of the lines are curved and seamless and create a smooth effect to the image. There’s a lot going on in the image because of the amount of detail captured, creating an unfamiliar image.

To capture this image I held a dream catcher towards the sunlight so that a light source would shine through the netting. By manipulating the lighting I created shadows and highlights to add depth and interest to my image. The feathers on the right hand side are out of focus by motion so that the main focal point is on the pattern of the dream catcher. I like the composition of the photo and how the foreground is slightly blurred to create layers.

To take this photo I scrunched a bunch of towels together to create an interesting form. The composition is complex and interesting and makes it appear like a ‘landscape’. Texture from the towels can be seen in the front and slowly begins to blur out further away. The aspect of the photo which most grabs the viewers attention is the different shades of blue which greatly contrast with each other.

This photo is of feathers that hang down a dream catcher. Most of the image is blurred since I moved the object side to side so it could create an effect of motion. I like how the photo only captures the edges of the feathers while the rest has been unfocused. The further back, the more blurred it becomes creating a sense of depth which the shadows and highlights also help create.

The sharp vertical line in the middle is the first thing that grabs your attention when looking at the image. I like how one side is focused while the other is blurred. Even through the blurred side the colour is still visible and creates interest to the image. The light specs can also be seen in the background, creating highlight.

The rectangle shapes form structure to the image and attract the viewers attention. These strong geometrical shapes with straight edges give the photo a powerful visual impact. The shadows casted by the overlapping wood panels create layers to the photo and make it visually interesting.

Evaluation

My understanding of abstract photography has changed throughout the photo shoots as I have learned different techniques on how to create an abstract image. At the start, most of my abstract images were close ups of subjects to make them appear unrealistic. Later on I learned that you can create abstract images by taking pictures of objects with dynamic shapes, texture, patterns, lines and curves, shadows etc. As long as the photo appears seemingly unreal it will count as an abstract photograph. My photos later on did become better abstract images because they had interesting compositions and were becoming more complex than a close up of a subject. The editing afterwards also enhanced my photos to make them appear more abstract however, to create more effect I could of used Photoshop as it has more editing tools to use and experiment with.

Favourite outcome

My favourite abstract image out of the ten is the section of the fan palm. Since the photo is a close up of the subject it appears to look different from what it actually is. When I look at the picture I see stairs because of the wide diagonal lines and the different shades of green that fill the entire frame. My favourite aspect of the photo are the lines since they help make the image more dynamic and provide a better overall balanced composition. The lines are the main feature of the photo because they are dominant and makes the image visually interesting since your eyes travel across. The lighting which is coming from the left hand side helps dramatize the form of the plant since the right hand side becomes darker through shadow, creating an illusion of a staircase. To further emphasize this aspect, I edited the image so there would more shadow; This made the photo a better abstract picture. This image is inspired by Ernst Hass work since the saturation of the colouris high and he has lots of bold colours in his photography. The composition is also well balanced and is simple at the same time which is what make Ernst Hass photos visually interesting and stunning.

Camera Skills

Exposure

Underexposed photograph.  Taken with a high shutter speed and medium sized aperture

 

Overexposed photograph. Taken with a low shutter speed and medium sized aperture.

 

Perfectly exposed photograph. Taken with a medium shutter speed and wide aperture.

 

F-stop and aperture

Wide aperture, low f-stop.

 

A wide aperture/ low f-stop

 

Shutter speed 

In photography, shutter speed or exposure time is the length of time when the film or digital sensor inside the camera is exposed to light, also when a camera’s shutter is open when taking a photograph. The amount of light that reaches the film or image sensor is proportional to the exposure time.

Slow shutter speed ( 2 secs)  fast shutter speed (1/1000th second )

– a fast shutter speed may be used to photograph birds in flight or a fast sport (eg swimming, running etc)

– a slow shutter speed may be used to photograph movement, (eg a dancer or a waterfall)

 

ISO

ISO measures the sensitivity of the image sensor. The lower the number the less sensitive the camera is to light and the finer the grain. Higher numbers mean the sensor becomes more sensitive to light which allows you to use your camera in darker situations. The cost of doing so is more grain/noise within the final outcome.

 

Depth of field

Depth of Field: The distance between the nearest and the furthest objects giving a focused image. A narrow depth of field means that its main focus point will be the only thing in focus, leaving everything else in a blur. Where as a Large depth of field means that most things in the frame will be in focus.

 

Week 2 | CCA Gallery Visits | Homework

Here is the schedule for the gallery visits…

  • Mon 10th Sept = Class 12B (meet at 2.00pm at Reception with signed permission slip)
  • Wed 12th Sept = Class 12E (meet at 2.00pm at Reception with signed permission slip)
  • Fri 14th Sept = Class 12C (meet at 2.00pm at Reception with signed permission slip)
  • Tues 18th Sept = Class 12A (meet at 2.00pm at Reception with signed permission slip)

We will be walking to The CCA Gallery in Hill Street, St Helier to view this exhibition by Clare Rae in response to Claude Cahun’s pioneering work in the mid 20th Century…

ENTRE NOUS by CLARE RAE x CLAUDE CAHUN

 

Bunker.jpg

Homework Task 2

Due Week 3 | First Lesson

  • Write a short, visual critique of the exhibition
  • (Ensure that you have your own photographs of the work)
  • Choose 1 x key image by Claude Cahun to discuss
  • Choose 1 x key image by Clare Rae to discuss
  • Describe and explain what you see, feel and understand about the 2 examples you have chosen
  • How do you think Clare Rae has been influenced by Claude Cahun?
  • Discuss how well you feel the exhibition is curated, organised and presented