Category Archives: Component 1 Personal Investigation

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Saul Steinberg

Small Family Group, Chelsea Hotel (from the Mask Series with Saul Steinberg), 1962. ;Photograph by Inge Morath, © The Inge Morath Foundation

Steinberg captured people with paper bags over there face, hiding and disguising their identity. On the paper bags there are shapes creating a cartoon style face. When someone looses their identity they tend to hide their emotions with fake ones, the paper bag acts metaphorically to show the fake emotions that a person is likely to present when they loose their identity, which presents the conceptual elements within this photographic series. Technically speaking the models are located in the centre of the frame, allowing them to be the main focus point. The background is used to present the background of the person, the type of people they are. In this case they seem rich due to the posh fireplace and large amount of space surrounding them. The photograph is presented in black and white which allows the image to be high in tonal contrast allowing details to be shown clearer.  Space, tone and texture are the main formal elements which are being presented within this image. They are all presented through the background and the model, which all add the effect of loosing an identity. The camera settings when taking these images where precise, the ISO seems to be slightly high as there seems to be an intended noise, this also contextually shows the time period (1962) that these images were captured in. The shutter speed seems to be quick as there is no intended blur, moreover there is a large depth of field due to the whole frame being in focus. This photograph presents cold artificial lighting, which adds to the depressing and sinister tone which Steinberg is creating around the idea of someone loosing their identity and trying to be someone whom they aren’t. Contextually, Steinberg wanted to show that everyone is society ‘wears a mask’ to hide the true identity, whether it is metaphorically or physically, through makeup. He said that this was because it acted as “a protection against revelation.”. Applying this to loss of identity, it shows how when people loose their identity they try and pretend to be someone they are not, so people do not find out what they are going through. To apply this contextual idea to this image the paper bags are suggesting that because these people are rich they have to act rude and snobby towards others due to the class system.

Based on this artist research I want to conduct a study where I look at capturing my model disguising their identity. In order to present a stronger relationship between the artist and loss of identity, I intended to use plain white masks and plain simplistic background, so no identity is built around the background of the model. Moreover, I intended to use a similar soft cold lighting in order to create a depressing tone to my work. In order for more inspiration with the use of masks and paper bags, to disguise and present the idea that my model has lost their identity and pretending that they are okay, I intended to conduct visual inspiration through a mood board, were further interests surrounding this topic can be presented.

Mood Board Of Other Artists Work With Masks
  • While exploring further into mask photography, I got a glimpse of the idea of surrealism with masks. Within this I saw a thin white material like a bed sheet around the head of the model, which takes the viewer away from naturalistic photographs. This presents loss of identity as it shows that there is nothing left when you lose your identity, the white sheet presents metaphorically that the person who loses their identity is left with emptiness. This is an aspect which I think could inspire my photoshoot of masks
  • Another aspect which present clear ideas is the use of a blank white mask. These masks can be considered eerie and scary, which can present the emotions that a person feels when they loose their identity. Moreover, the mask physically covers the face of the model which shows the loss of their identity.

By conducting this further research of mask photography I have clear ideas and visions that I want to bring forward to my photoshoot which will be inspired by Steinberg’s use of paper bags/masks.

Typologies Research

I have decided that I’m going to present my images in the format of a typography. since a lot of my images in the first photo-shoot are very similar in composition and feature the same subject, I believe that a typology would be a good way of presenting my images and thus I will adapt my future photo-shoots for the project to the format of a typology.

One of the most notable photographers in typologies are Brend and Hilla Becher while there work doesn’t thematically link to mine as they photographed buildings as opposed to possessions however I believe that their work is some of the best examples of typologies available.

Image result for typologies becherImage result for typologies becher

Image result for typologies becher

Some other examples of photographers that have used typologies as a form of presentation for their work include Zhao Xiaomeng, his work with typologies is also more closely related to mine as it deals with possessions in the format of a typology.

Image result for typologies photography zhao xiaomengImage result for typologies photography zhao xiaomeng

I believe that typologies give the photographer the freedom to use a variety of images which is especially helpful if you believe that there isn’t a single image that could properly represent the best of the photo-shoot and convey the message of the photo-shoot properly.

Idris Kahn experimented with the photos of Bernd and Hilla Becher and presented his own take on the ideas of typologies. The images are essentially multiple exposures overlayed over each other. Since the images all come from the same typology they are very similarly composed and thus give an interesting effect with a Gaussian distribution.Image result for idris khanImage result for idris khanImage result for idris khan

When Time Was Prime 3 – Selection of Images*

When I went to take the images I changed the way that I did the images and set them up. One way that it changed was that I was planning on taking the photos so that they lined up perfectly with the background, the way that i re did this is that I lined up one major feature within the picture and the same in the background like a door frame or a window.

For the first image there are multiple attempts as I was trying to line up the shot and then changed to the style of showing that I am in the same location by including features and the scene.

Image Selection/ Editing (Part 1)

This Photo-shoot was inspired in terms of composure by the images of Zhao Xiaomeng. I used an ISO of 1600 in these images in order to have some grain in the images while allowing for well lit sharp images without a tripod. All images in this photo-shoot were taken using the same settings apart from the first 4 which were taken using a lower ISO than the other images in the series, as for other settings i used an F stop of 5.0 and a shutter speed of 1/125. All these images were taken using raw images in the CR2 format, this allowed for more options when it came to editing the images in light-room.

My personal favourites of this photo-shoot are photos 4584, 4590, 4592, 4593, 4596, 4598, 4601, 4606, 4608, 4610, 4614.

Below are some examples of lightly edited images

Identity and Place Image Manipulation Example (Photo-shoot 1)

For this image in particular I began in light-room where I most notably adjusted the exposure, contrast and cropped the image, however I did also make some changes to settings such as color temperature and vibrancy. I also made minor adjustments to sharpness and noise reduction settings, this was because although I like the grain created on this image, it looked too heavy in certain areas and in my opinion was affecting image quality.

In photo-shop I only used the selective color tool to reintroduce some of the warmer tones into the whites of the image and increase the blacks in some areas.

OriginalRetouched

Self Identity

From the stimuli given, I’m going to focus more on the idea of self identity. This will include self portraits and timed frames. This can aid me to explore a person’s ‘mental identity’ because i’m exploring my own. This then can enable me to convey more emotions and ideas due to the model and the photographer being the same mind – it can help convey they correct message. 

The definition of self identity is – the perception or recognition of one’s characteristics as a particular individual, especially in relation to social context’

Self identity is all a collection of beliefs that can physically embody the concept of ‘Who am I?’. This in relation to the stimuli can show the reality of someones thoughts and feelings. 

 

First Ever Self-Portrait

The first ever self portrait photograph was created by Robert Cornelius. It was created in 1839 , taken only a few months after Louis Daguerre revealed his daguerreotype process in 1839. Cornelius simply ran in front of the camera after taking the cover off the lens, vastly different to today’s technique of snapping away.  

Identity And Place – Action Plan

Who: I have decided that I’m going to focus on my brother for this section of my portrait project

What: I will be taking photos of various personal items of his which I believe represent his personality and the face he shows to the world. for this particular photo-shoot I will be photographing his car in the style of Zhao Xiaomeng’s photographs of the bikes of Beijing. For the second photo-shoot I will be photographing various smaller items relating to my brothers identity in order to fill the lower row of my typology.

Where: I will use a parking lot in town which is a placed on a demolished building, this left the outline of the walls on the other surrounding buildings which I believe creates a fitting background similar to those in Zhao’s photos. The second photo-shoot will be conducted on my gravel garden area for a grey background which still has some texture.

When: I will be taking the photos in the early evening The second photo-shoot will be taken during the afternoon.

Why: I like the idea of using possessions to show someones identity as it better conveys someones personality if they are normally a rather closed off person. Using possessions also allows me to better manipulate the subject in the images. I have chosen this time as it will give a good soft lighting for the images.

 

Photo shoot 1 – Edits

In my first photo shop idea I wanted to show the body of my model disappearing. I decided I wanted to get rid of the body but keep the arms and the head. My model has her head slightly turned showing her nose, this makes it look like she is looking out to the horizon, potentially looking for her identity. Her arms are joined which shows she is trying to keep herself together, due to the disappeared body implies that she is finding it hard to do this. The image is in black and white like Simpson’s work and clearly demonstrates my model loosing her identity. In order to achieve this I cut out my model using the quick selection tool, and placed this layer onto a new A4 white page. I then used the rubber tool in order to rub away the body. I then leveled and desaturated the model layer in order to allow a high contrast in tonal regions. I believe that this edit is successful as it shows the process of the model loosing her identity.

In my second edit I wanted to make it more symbolic, through the use of shapes. In the centre of the image is a black circle, this circle is used to represent the model being swallowed up (her identity being taken away). The color black and white represent a empty void where nothing is, conceptually showing what it is like when you lose your identity. The models legs are sticking out as if she is sitting in this void. This shows that she is so far in (highly depressed) she does not want to come out and talk about, which is usually the best option. Like the other idea no colors have been used in order to prevent a small identity being shown. In order to achieve this idea I created a new A4 page and place a black circle in the center of the page using the ellipsis marquee tool. I the opened up the image I wanted to use and used the quick selection tool to cut out my models legs. I then placed the leg layer on to the A4 document and used the burn and blur tool to blend the legs into the black circle. Using the transformation tool I made the legs smaller, to shows how small loosing your identity can make you feel. I am extremely happy with the outcome of this edit and believe it matches the theme of loss of identity.

Due to the success of my second edit I wanted to use use the black circle again due to meaning and representations it bought to image. I started off by using the quick selection tool to cut out my model, in the bent over position. I then placed the leg layer on to the A4 document and used the burn and blur tool to blend the legs into the black circle. Using the transformation tool I made the legs smaller, to shows how small loosing your identity can make you feel.

In my next idea, I selected the image were someone else was covering the face of the model who has lost their identity. In order to show this person having an Identity, I decided to use the quick selection tool to cut them out. I then turned the background layer black and white by pressing ctrl + U. This created a colour splash, I felt that I could expand this idea. I decided to change the colour of my model to a ‘wild’ colour in order to create a dramatic contrast. I did this by pressing ctrl + u and altered the hue slider. This contrast I feel clearly portrays someone with identity to someone who has lost their identity. The model who has lost their identity can be seen in the background as a blur, which shows that she is a minor and does not want to be seen by others, thus it helps to create a powerful image.

Due to the success of the idea above I decided to follow the same steps but with the image above. Having the hand of someone else covering the models face shows how she is not important and should not be looked at, also presenting what it is like to have lost an identity.

In my final idea I wanted to showcase this natural double exposure. The image was taken through a window, so you are able to see the model and the background being reflected by the mirror. In order to show this I adjusted the levels and curves in order to allow both the model and the scenery to clearly be visible. I turned down the saturation of the image as well to create a dark and depressing mood to the image. I created this to show a before and present image. The scenery is what life was like before the model lost their identity and the model herself is seen looking the other way showing that her life is nothing like this anymore.

I am very happy with all my outcomes from this photoshoot as I believe they all showcase what life is like when you loose your own identity. I believe that these outcomes could lead to successful final pieces.

Identity – Photo shoot 1

This photo shoot is inspired by the artist Lorna Simpson, who captured the model without including their face. I believe that this is a good idea when trying to capture someone loss of their identity.

Planning

I will conduct this photo shoot in a variety of settings, from outdoors to indoors in enclosed areas. In these multiple locations I tend to have a plain background which means setting will not ruin the idea of having no identity. My camera settings will be kept normal, however I may experiment with changing the ISO to make the images darker, which also helps to show the dark and depressing side loosing identity has. Moreover, I am going to look at experimenting with the shutter speed in order to create and intended blur, to convey that maybe loosing an Identity leaves your life in a blur, making those images metaphorical. I will be using different props such as people, pillows, windows etc in order to block the face of my model allowing the sense of loss of identity to be shown.

Contact Sheet

I am very happy with the images I managed to take out of this photoshoot as it has provided me with inspiration in the editing stage. However, I found it hard to capture images without repeating the image before, resulting in less images. Knowing this fact it will help inspire my next photoshoot.

When time was prime 2 — Shoot plan*

My plan is to go to the locations depicted by the photos and then have my camera set up on  tripod and either hold the images or suspend it from fishing wire. The images will either line up almost perfectly with the background, or if that is too difficult I will have the image so that it is in a position where it is clear that it is where it was taken there, and some major features line up but it shows a wider field of view and area is shown clearer.