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Tableaux&Staged Reality 2

EXPLORING TABLEAUX/STAGED REALITY PART 2

In this part of the project I focused mainly on staged reality, as I was re creating these paintings

These 3 images are the ones we chose as a class to explore as they were some of our favorites. We chose these images due to the different angles of lighting within the images and the angle the photo has been taken from. The meaning behind these images is strong.

Image result for Eugene Delacroix ‘Leading the PeopleEugene Delacroix ‘Leading the People’

Image result for Caravaggio ‘Deposition’Carravagio ‘Deposition’

David La Chapelle ‘The Last Supper’

MY RESPONSE; 

When taking these photos, we had an allocated director, photographer and lighting person, along with the cast of the image. The director was there to order the photo, in order to get out image as close to the one we were copying. It took many tries to get a good image because there was many people to order and the lighting had to be perfect, along with the photographer getting their settings correct to make sure the photo looked sharp and clean.

This photo is my favorite response from experimenting with Caravaggio’s photo ‘Deposition’. As I feel that the characters are in the right place and the image is sharp. We added our own twist on this image, by dressing the person being held in a gorilla suit, just to make it more creative and give it our own feel. 

When photographing the ‘Leading the People’ by Eugene Delacriox, we struggled getting the lighting in the right places to highlight the right parts of the image. I chose to show these two images from this shoot, because the first one has the lighting in the right place, but the whole frame wasn’t shot. Whereas in the second photo you can see the whole frame with acceptance of the flooring slighting in the photo, but that could easily be edited out. 

The final shoot we did was to reenact the image by David La Chapelle, ‘The Last Supper’. When photographing this image I was in charge of the lighting, I had to have a light in front of the set up and also one from behind to create the type of lighting that was created in the original.

EVALUATION

During this second part of investigating tableaux/staged reality we had to set up the people as they photo had theirs set up, we also had to get the correct lighting to make the photo look something like the original. I found staged reality very difficult because, I like being able to have freedom to change things and set things how I want, whereas in this part we had to follow an image. In staged reality and tableaux there isn’t room for you to do what you like and have the ability to be creative. It was frustrating as it took a while to get characters in the right place and then along with the lighting, it was too boring.

Raft of Medusa – Tableaux Vivant

 

Raft of Medusa

We have tried to recreate the Raft of Medusa painting, shown above. Below are the best outcomes that we got from the small photoshoot.

Below is the best overall outcome for this small photoshoot. This is the best image as it shows everyone in very similar positions to the real image, though we did not have enough people to get the fill every spot for every person in the painting. The blue tint on the image also creates a strange atmosphere like in the original image.

 

Snow White – Tableaux Vivant

These are some of the images from a photo shoot I took. In these images we took inspiration from Disney’s Snow White in the scene where the Witch offers Snow White the apple. The original image we were trying to recreate can be seen below. 

These images below are the original images I have taken before editing a couple of them. For the most part they all turned out decently, though a couple of them came out sharper than others which are the images I have selected to edit.

These images below are the ones I have edited. With the first one I have added, I upped the contrast and the brightness to make the people stand out in the foreground.

With this second one I have changed the brightness to make it seem a bit darker to fit with the personality of the witch. I have also cropped it to remove the window which can be seen at the right side of the first image.

This is one of the images above which I have removed the background in place of another image I have taken recently. This allowed me to get a more authentic looking image.

Tableau Vivants response planning

I have decided to do my own interpretations of music album covers as my response to Tableau Vivants. This is because they are often open to interpretation and sometimes have hidden meanings. This will make for a good response form as  it gives me a wide range of inspirations as well as a rough guide to what to do as the images will be my own take on certain album covers.

I was thinking of re-interpreting album covers such as ‘Starboy’ ‘Blonde’ and ‘Flower Boy’. I will end up doing more ideas than these, but they are the ones which I will prioritize.

The first thing that stands out in this photo are the artist’s eyes and cross. This is because the musician’s clothes and skin tone are all similar colours which helps his eyes and cross stand out as they greatly contrast as they are bright white. His body language also suggests despair and giving up. His head being low and in line with his shoulders makes him look vunerable which further helps portray this emotion. The lighting is blue which subconciously implies that he isn’t angry or hostile in any way, this is because western society portrays blue and green as calm colours.

The part of this photo that stands out most is the artist’s green hair colour. This fits in with the theme of the album which is reminiscence and sadness at some points; as after a hard time such as a loss, breakup etc. a lot of people decide to make a big change in their appearance such as a haircut or dyeing it an extreme colour. The next part we pick up on is the water dripping off of the artist, it is due to him standing in a shower but as we can’t directly see the shower head it appears as those are his tears, almost as if his emotions have been materialised.  One more aspect of this photo which clearly stands out is the contrast between the artist’s skin tone and the background and border of the photo. This makes him stand out more and therefore makes the photo more striking.

This album cover is less about portraying emotions or feelings, it is instead about self discovery. This theme is carried over through real life parallels which are present in both the songs on the album and on the cover itself. Firstly, there is a white Mclaren in the background on a winding road. He uses the car to portray the journey through life, and the winding road as problems you face on the way. Another important aspect of the cover is that one of the bees is covering the artist’s face, this raises the tension of the photo as we can’t be sure what’s behind the bee, this is also helped by most people’s fear of being stung by a bee or wasp; the bee on his face appears to be ready to sting him which may makes some viewers anxious for him. The bee’s wings are painted as if they are moving which  makes the photo more appealing as there is some sort of action happening.

The last two album covers don’t have a deep meaning like the rest, but I have decided to replicate them as they have been edited in a very interesting way. The first cover has had threshold applied to it and had a pink filter applied over every segment of the photo which isn’t solid black. This creates an old school feel, and joined with bright pink creates a connotation of ‘fun’ which matches the song, there isn’t a deeper meaning, it’s just entertaining.

 

This album cover is just about exploring visual effects and using the ones that match the photo and look good. There are multiple exposures in this cover, a photo of the artist, crinkled bed sheets, a classic marshall speaker, and a tilted image of buildings. These help the photo look more full and eliminate any empty space. There is also a semi transparent box around the artist’s head, this highlights him being the most important thing in the photo, as well as strengthening the middle of the photo by differentiating it from the area around it. The bottom-left corner of the photo has been edited so that it appears as if there was a layer of plants behind the photo, the tear between the main image and the plants gives the photo a rough look. The crinkled bed sheets and slight distortion effect helps achieve this image of a torn up and battered album cover.

Album cover responses

This photo is my recreation of the ‘Lil Boat’ album cover by Lil Yachty. In the original the artist’s clothing, boat, and frame are all very similar shades of red. Whereas in my version all of those elements are yellow, this is because I used a yellow raincoat in the shoot which meant i had to make every previously red element yellow. The original photo was taken in front of a green screen, then edited into the backdrop of the original album cover. I used the content aware brush to remove the artist from the picture and placed a picture of my friend. I used the colour range function to select the boat along with its shadow and change it to yellow. To change the colour of the frame I created a yellow layer the size of the whole cover, then moved it so that it was in front of the original red frame, but behind the image in the centre. I then applied some colour filters to the image of my friend and slightly blurred the edges to make him seem more authentic as part of the photo.

This is what the original cover looked like.

The green screen in the background is a bit creased towards the bottom, but luckily there is a lot of contrast between it and the trousers so it was easy to edit out the background.

This is the photo of my friend after I had removed the green screen, this is before any colour correction or editing was done so it there is a feint green outline and some green reflections.

This is the original album cover with the artist removed from where he was standing on the boat. I left his shadow in the water is it was easier to give it a yellow tint instead of erasing it all together and replacing it with a feint image of my friend.

This is the album cover with my friend placed in.

Here the frame has been coloured yellow, I used the eye drop tool to match the colour of it to the coat, this makes the photo more relaxing to look at because there is less variety of tones.

This is my take on the ‘starboy’ album cover. I had to change the colours as the blue colour scheme wouldn’t work as well as in the original because of my friend’s ethnicity. I also had to change the positioning of his hands because he has a different hairstyle and colour to the artist. If his hands were in the same pose they would stand out a lot more against his hair; which wouldn’t have the same effect. Also, due to his hair being longer his fingers would be covered up by his hair if he slid them up his head; which would also be less effective than the original album cover.

The original album cover, it has a much different colour scheme to my version, but these colours work well only in the original because of the artist’s and my model’s ethnicity. The theme of blue-lit black is possible here due to his dark skin tone. There is also a parental advisory tag in the bottom right due to the contents of the album, I didn’t include this in my version because I had already used that tag in previous covers in this project and i didn’t want to repeatedly use them.

This is a work-in-progress edit of the photo which I decided to abandon because it looked too __ and didn’t fit the theme of the cover. My idea behind it was to make everything light colours apart from the eyes and cross (this is the opposite of what they did in the original album cover; everything dark apart from eyes and cross), I edited the eyes first and realised that the idea didn’t really work out so I didn’t bother editing the rest of it.

 

This is my take on the cover of ‘Falacy’ By Raheem Bakare. I have kept the basic composition very similar. However, I have changed around the angles, colours, and used different layers in the photo. I changed the overlays to purple as it complements the brighter skin tone more than red. I have overlayed images of crumpled paper, sound amplifiers, and strip lights, and there is a torn corner with autumn leaves behind it. I also took the photos in front of a subway background to match the urban look of the original cover.

This is the original album cover for ‘Fallacy’. It has a lot of layers placed on top of each other; which fills in the empty space which the main photo would otherwise have. There are plenty gray/dull coloured layers and red elements to highlight the artist’s head, title of the album, as well as leaves in the bottom left corner.

This is the original photo, it doesn’t have the same effect as the finished product as there is too much empty space in the background, the person is standing in the middle, in addition to there only being one layer present, which is the photo itself.

This is my recreation of the ‘Nice For What’ cover by Drake, I posterized it to create blocks of light/dark. I then applied a pink colour block to all the white areas of the photo to match the original again. However, I applied a much darker shade of pink to make the cover pop more as a whole, it also makes the writing in front of it easier to read.  I then cropped the photo to show a close up of two faces like the original cover. The writing is in two different fonts, with a lot of spacing added between the letters so that they fill out more of the box and appear more bold. The final step was adding the parental advisory stamp in the bottom right corner to match the original.

This is the original ‘Nice For What’ album cover, it’s edited so that you can’t really tell what’s going on but it’s possible to make out the main shapes and the title in the middle.

 

This is the original photo, I chose to take it in front an urban background in hope to achieve some distortion in the background after I applied the filters.

This is the image after I had edited it, but before cropping and adding and lettering. As you can see there is distortion in the background due to its texture, however its only present around the outer edges, so it wasn’t visible in the final cover after I had cropped it.

CLAUDE CAHUN AND CLARE RAE COMPARATIVE EXHIBITION ESSAY

 

On Monday the 10th of September as a class we walked down to go see an exhibition of Clare Rae and Claude Cahuns work at the prestigious CCA gallery.

In her photographic practice Clare explores ideas of performance and gesture to interrogate and subvert dominant modes of representation. Her work is

informed by feminist theory, and presents an alternate and often awkward experience of subjectivity and the female body

 

Recent projects have engaged with site specificity, involving works

rks that are captured and displayed within the same environment. A central interest within her practice is the exploration of performance document

ation, specifically how the camera can act as a collaborator, rather than mute witness, to the performer.

Claude Cahun’s photographic self-portraits present a mirroring mix of mystery and exuberance. Born in France, she lived most of her life on the island of Jersey with her stepsister and long-term love, Marcel Moore.

 

Also known as Lucy Schwob and Suzanne Malherbe, both women adopted their preferred gender-neutral pseudonyms during early adulthood. Moore, although often invisible, was always present – typically taking the photographs and also authoring collages – and in this sense was as much artist collaborator as she was Cahun’s personal support. Described in her own words as a “hunt”, through a combination of text and imagery, Cahun’s exploration of self is touching and at tim

es unsettling. From circus performer, clothed in layers of artifice, to a stripped-down Buddhist monk grounded by integrity, Cahun is engaged in an ongoing dialogue with multiple maenings. Tragically in line with the fragmentary nature of her outlook, much of the artist’s work was destroyed following her arrest and subsequent imprisonment for resistance against the Nazis. What remains bares interesting parallel to the title of Cahun’s diaristic publication Aveux Non Avenus, translated as Disavowels, which enigmatically suggests that for all that is revealed and given, much is still hidden or has been lost.

In my opinion Claude Cahuns work was hung really badly was not pleasing to the eye. All of her work was hung to close together and had no chronological order from date time or even grouped into

categories. The work was not done justice by the lighting ether the light was to yellow therefor completely washed out many of her images causing them to be discoloured to the human eye, it would have been alot better to have white lights. Also the work was not framed my guess was that this was intentional so it did not ditract from the images them selfs, which i do agree does work and it makes the exibition look very modern and clean cut. Futhermore the images  had no numbers they only had a sheet on the other side of the room that told you everything but i feel it is better to have the names under the images because it straight away makes you think in depth about the title and how it realtes to the picture also the title can make you completely

Response to TOM HUNTER

The Image we were Imitating

Contextual Reasons: Tom and his neighbours were receiving letters addressed to “Persons Unknown” saying they are non longer welcome to live in semi-derelict squats from the local council. Tom therefore wanted to capture “the dignity of squatter life” in order to show the council that these were real people they were putting in danger and that they would be greatly impacting their lives.

In the end his famous image ” Woman Reading a Possession Order,”  got a dialogue going with the council – and they infact managed to save the houses.

References:

The book we found the image we were studying and re-enacting is called “Tom Hunter”. It is a collection of images from different projects of his which includes work from, Tom Hunter and the modern world, Persons Unknown, Traveller Series and Life and Death in Hackney.

Here is a link to an article written about Tom and his Persons Unknown project which gives deeper contextual reasons and some background behind the photos.

https://www.theguardian.com/artanddesign/2009/nov/04/photography-tom-hunter-best-shot

Action Plan

We first gathered props such as the headphones, water bottle, chairs, table and cloth and bottle cap. These props were all intended to give our image the likened look to the real picture captured by Hunter.

We then sat each other in the correct positions in order to have each of the three people sat in exactly the same position as the models in the photograph and they posed with similar facial expressions.

Technical Features – We then set the camera to an ISO of 800 and made the shutter speed faster to 1/10 second. There was a slightly higher shutter speed so the image was sharp incase any of the models moved slightly.

Contact Sheet

Final Image Response:


Visual Features – These include a fairly plain range of colours being mostly greys, whites and creams with a lighter tone due to the side lighting and a strong contrast between the shaded and non-shaded areas . There is quite a large depth of field and 3D effect created due to the fact that the 3 models in the photo are all sat at different distances from the camera, meaning that their shadows create a visual element of distance when the shadows are overlapped.

Natural Lighting Contact Sheets

We had a task to go and find natural lighting around the school. we decided to go and find some light by a window as we thought it would bring more natural lighting here are some examples of what our come is :

 

Best Outcomes:

I like these outcomes because I found that they showed the light bouncing off the face. As you can see from the bottom photo I found that one the best we took as we have managed to capture the light bouncing off the glasses into the eye, also I found that if we used somewhere dark the photos would come out under exposed however to stop this we changed the white balance.

 

Tableaux Vivants

What is tableaux vivants?

The phrase itself is a French phrase which translates to ‘living picture’. A tableaux vivant is a static scene where there is a singular or multiple models telling some sort of story. These paintings and images are usually well thought out, not only in terms of lighting and camera settings but also in terms of costume, positioning, background as all these factors contribute to the message being sent across to the receiver of the image. This type of imagery combines aspects of theatre and photography to create a staged reality.

The Entombment of Christ (Deposizione) (1601-3)

In this Tableaux we can see these two men lifting up another man, who seems to be dead. You then have two woman who are in the background, almost caring for the man. The woman in the top right corner seems like she is praying or calling for god in order to make sure the dead man is safe. The other woman seems as if she is taking in the fact the man is dead and is morning over his death. The clothes worn by the models tell us that the scene is set in the olden day. The background is completely black which allows the viewers attention to be solely focused on the scene being portrayed in the foreground. It also portrays the idea that the dead man is in an empty void, as that is the general consent with death now a days. The most lit up area of the tableaux is the dead man who is located in the center of the frame, the other people then get less lit the further away they are from the man. This lighting technique implies that the man is the main focus point, and that he was someone who may have been considered important at that time. The lighting also seems to be creating a chiaroscuro effect on some of the models allowing a contrast of tonal regions to be presented in the image. The prominent formal elements found in this image is tone, shape and texture which is shown throughout the bodies found in the foreground in the image. Due to this being a painting no photography techniques have been applied. However, analysis it as if it was a photograph the ISO is low as there is no intended  noise within the image. Moreover, the shutter speed is likely to be quick and the aperture is small as not much light is being let into the image. Finally, the depth of field is large as it is all in focus. Contextually, the image was painted for a church not long after the death of Saint Peter. Saint Peter was said to be cruicified Moreover, the people surrounding him are religious people who are lowering him into his tomb.

The traditional feast days of Saint Peter are:

  • January 18, Feast of the Chair of St. Peter at Rome
  • March 19, Feast of the Chair of St. Peter at Antioch
  • June 29, Feast of Saints Peter and Paul
  • August 1, St. Peter in Chains
  • November 18, Feast of the Dedication of the Basilicas of Saints Peter and Paul

Taken from: http://www.newworldencyclopedia.org/entry/Saint_Peter

I can now see an emotional attachment and story which is being presented within this oil painting. Viewers who are more religious may find this image more meaningful and empowering than I do. However, after researching this image I understand that a successful Tableaux needs to tell a story and create an emotional attachment with the receiver of the image

As a class we decided to do a group photo shoot based on ‘Entombment of Christ (Deposizione) (1601-3) ‘. This allowed me to understand the thought process that I need to use when going on to create my Tableaux image. I learnt that all aspects play a massive role within making the image. The photographs where taken in the studio with artificial lighting.

Contact Sheets

Final Outcome

This final outcome was successful as it looks very similar to the original painting. The lighting is similar as well as the poses and postures. However, the costumes used are not the same which sort of ruins the old day effect. To edit these images I decided the level the images and adjust to make the image darker allowing the background of this image like the painting

 

 

Eugene Delecroix ‘Leading the people’

We also decided to re create Eugene Delecroix ‘Leading the people’ as another example of Tableaux photography. This is another painting taken from what seems to be the french accomplishing something, almost like the war which is suggested by the guns and dead people. The reason for doing another tableaux with the class was to ensure that I knew exactly what I was doing for my own tableaux.

Contact Sheets

Final Outcome

This was the best outcome taken from this photo shoot. There is a clear spotlight on the model in the center to ensure she is the main focus point, like she is in the original painting. I ensured the background was black, as we did not have the background of the original image. The main difference between the original and my image is that the props and clothes are different which somewhat ruins the overall effect. To edit these images I just adjusted the levels and curves to ensure the sharpness was accurate.