Category Archives: AO3 Record Ideas
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Conceal / Reveal
THE PROCESS:
In order to create this final piece I followed the instructions provided to me in order to achieve this conceal/reveal image which is composed of a photo which has a panel layer added to it. Then using the brush tool, i was able to achieve varying sizes of revealing circles that show the original photo. The final outcome is very unique and brings up multiple questions for the viewer of the image.
ANALYSIS:
This is the final image which I produced from the conceal/reveal task. As the title suggests, much of the image is concealed with a black panel layer. It puts many ideas into the head of the viewer. What is hidden behind the black? Why did they choose to only show certain parts of the image? The revealed parts of the image all allude to different things. I chose to reveal the circular structure, central in the image because i felt that this would create a sense of pattern and unity within the image. It is the area of the image which draws the most attention. I kept the circles in a linear pattern as this creates flow and movement within the image. I did not want to decrease the opacity of the black panel as I wanted to retain that question in the viewers mind of, what is behind the concealed parts?
Coming through the glass is a very soft and diffused light which varies in intensity in different parts of the image, the bottom left hand corner being more strong and the top right more soft. The composition in this image is very simple and is purely made up of strong, symmetrical, repeating lines that come towards a singular point central in the image. There is a lot of geometrical patters that play together to create a very harmonious photo. The co lour range of this image is fairly simple, being mostly composed of soft grays, blacks and subtle blues. The photo has a warm hue to it as can be seen in the lighter areas of the image. The photo lacks any sort of foreground, mid ground or background therefore it is quite flat and 2D.
In order to take this image, I zoomed in, decreasing the field of view and increasing the focal length as it was quite far up and could not be seen clearly from a stationary position. I kept the ISO fairly low, at 400, as it was a bright day and i wanted to avoid overexposing the image. I used auto focus whilst taking this image as it is very flat and did not require much attention to get it in focus. I used a fairly low shutter speed due to the strong light coming through the glass, which prevented the image from becoming overexposed.
Keld Helmer-Petersen
Keld Helmer-Petersen was a danish photographer who achieved a wide spread recognition in the 1940-1950’s, he was known for his color abstract photography. But in this project I focused on his black and white contrasting images. In his black and white photos there is a lot of empty space in the photos and he focuses on lines, texture and pattern. Petersen ended up opening up his own studios.
In this image Peterson has sued the natural light as the image has been take outside, but he has edited this image by changing the threshold and making the images more distinct with more empty spaces, shown by the block of either black or white in the image. The range of tone is limited in this image this is because of the way Peterson has edited his image and made it bold and simple. He also has a range of focus and depth in this image, the things at the front of the image are more focused and bold, but as you look further back into the image things become less clearer and less bold. Visually this image looks like a cold image because of the bold black areas taking over the photo, and the lines in all directions give it a chilling feeling.
I then decided to responded to Keld Helmer-Petersen’s work, I did this by using images I had previously taken and then editing them in Photoshop. When editing the images i mainly focuses on changing the threshold of the images, to either increase the amount of white or black in the image, and making the represent the work Petersen did.
I firstly started with the original image in Photoshop and took these steps in order to change the threshold.
I did these step for each of my 4 images, I then copied them all over onto one page and created a gallery of these 4 final images. These are my 4 final images.
Each of these images were originally taken in natural light. All images have a range of depth and focus. The image in the top left hand corner is mainly focused on the black blocked line across the upper part of the photo and them the majority of the image is in white, where as the bottom right hand image has many more white blocks in the images and there is no real focus in the image, but there is depth, the text is at the front of the photo and then the vague lines behind the text really show off the depth of the image.
Photoshop Tecnique continuation with previouly eddited photos
Uta Barth
Barth is a contemporary Photographer who was born in Germany and lives and works in Los Angeles. She focuses a lot on the nature of vision. She enjoys exploring the way humans see things, compared to the way a camera sees things. A lot of her work is purposely captured out of focus, and some of her work also creates a bokeh effect. This is when light appears in images in a type of spot formation, as it is not sharp and in focus. This means that most of her work is abstract.
Barth Mood Board
Analysing Barth’s images
This image uses a variety of successful technical elements. For example, her image looks to be taken outside in natural daylight. This image is also very bright and almost unnaturally white. This could be due to many elements. For example, she could have used a high ISO making the camera allow more light into the image. She could have also used a slower shutter speed which would make the image look overexposed. Lastly, she could have also used a White Balance setting that made her image have a lighter tint.
The visual elements are also very interesting. Although the image is highly unfocused and not sharp its clear that the scenery the photographer was standing in front was very aesthetically pleasing. I like how this image has captured a bokeh effect, as it helps add a more interesting visual point to this image. I like the composition of the image because there are many successful elements to it. It is interesting how you can vaguely make out some distant buildings in the background, a long road with symmetric tyre tracks through the snow in the ground, and also some snowflakes falling in front of the lens.
Firstly, there are many technical elements that make this image a success. The lighting in the image is interesting, it seems to be taken in daylight outside. This image is also very blurred, and not sharp or in focus. The ISO of this image seems to be quite high as the image is very bright, as due to the high ISO the lens is allowing a lot of light into it. As the image is very white it is possible that the photographer used a type of White Balance setting like daylight, for example.
The visual elements are also helpful when making this image successful. The color of this image is attractive to the eye because it is very white and plain, and the tonal contrast in this image is also very high due to the present black and white tones. I really like the layout of this image as the trees fill the entire frame in the background, and I like how the photographer has captured this image with random people in the frame.
There also may be an underlying concept in this image. The photographer has chosen to capture street photography in this unclear manor. She may be trying to voice her opinion on everyday life. Because she chose to capture the photo unclearly, she may be trying to portray life as being unclear.
Mood BoardMy response to her work
2nd photo shoot
Editing my images
My final 3 outcomes
This image contains many technical elements. This image was taking at night, when it was dark. This helps make my image successful as it meant that the lights coming from the town were even brighter in contrast to the black sky. The image was taken using manual focus, which allowed me to purposely make it blurry in order to achieve the bokeh affect. The ISO was set at 12800. This helped make the lights in my image stand out even more because the higher ISO helps to make light more noticeable in the image.
The visual aspects of this picture are also interesting. This image contains a lot of light. All the colors seem to blend in together nicely, as they are similar shades and tones. This means that the photograph is very pleasing on the eye, as it all seems to go well together nicely. Because the photo is also blurry and out of focus, it has an interesting overall “soft” looking texture.
This image also includes many technical elements. Like the other images, it was taken at night in the darkness as this helps to emphasis the small specs of light as it highly contrasts with the darkness. I also used manual focus on this, to be able to blur everything within the frame.
This image is very visually simplistic compared to the others. This is due to small amount of light captured. In a way, although there is less light, this image almost stands out more than the others due to the darkness surrounding it. I also cropped this image on Photoshop so that the object pictured was on the first third of the image. I think the rule of thirds helps to make this image more successful as it will attract more of my audience’s attention.
The technical skills used to take this image really help to make is successful. To begin with, I took this image using manual focus, this allowed me to focus my lens on the rain drops, while creating the Bokeh affect in the background. My ISO was set at 6400, as it was dark outside, and I wanted as much light to be seen as possible. I also had an f/5.6 for this image. This helped let a medium amount of light it, and also helped slightly blur the background. The shutter speed was set at 1/60 meaning that it didn’t have much of a long exposure, which allowed the image to come out focused.
The visual composition of the photograph is also very interesting. The colors captured in the photo are very captivating, as they are bright and they stand out. This makes my image successful as it is eye catching, and will attract peoples attention. There is also a contrast in colors within my image due to the colorful lights and the plain, dark background. This further helps the colored lights stand out. The rain on the glass is also very helpful in making the light more prominent.
Keld Helmer-Petersen
Keld Helmer-Petersen
Keld Helmer-Petersen was a Danish photographer who achieved widespread international recognition in the 1940s and 1950s for his abstract colour photographs.
Helmer-Petersen was born and grew up in the Østerbro quarter of Copenhagen. He started taking photographs in 1938. At an early stage, he became aware of the trends in international photography; in the 1940s he subscribed to the US Camera Annual and in this period became familiar with German inter-war photography, which had developed at the Bauhaus and in the Neue Sachlichkeit (The New Objectivity) movement.
The international prospect and an interest in contemporary art and architecture contributed to the fact that at the age of 23, Helmer-Petersen, as one of the first Danish photographers, began to work with an abstract formal language. Inspired by the Bauhaus and Albert Renger-Patzsch, he published in 1948, the bilingual book 122 Farvefotografier/122 Colour Photographs. This was an audacious debut by an auto didactic photographer who wanted to assert the position of photography as an independent art form. Today, the book is considered to be a pioneering work in the area of colour photography.
Examples of his work
My Images (Unedited)
Process Of Editing
Firstly, I went on image, adjustments then threshold.
I then decided to play around with the sliders to achieve the photo below.
Then I decided to play around with brightness and contrast to improve the look of the photo.
My Images (Edited)
Here are my final four photos edited with the threshold effect. I really like how these images turned out because I think they are quite similar to Keld Helmer-Petersen’s style of photography. I really like this style of editing because it gives it a very unique and abstract feel to the photo.
Week 4 Work/homework
Keld Helmer-Petersen biography and response
Keld Helmer-Petersen was a Danish photographer who achieved widespread international recognition in the 1940s and 1950s for his abstract colour photographs.The pioneering effort with 122 Colour Photographs brought Helmer-Petersen a grant from the Denmark–America Foundation to study at the Institute of Design in Chicago. During his stay at the school, he both taught and studied under (with others) the American photographer Harry Callahan. Helmer-Petersen began to experiment with the contrast in graphic black and white expression influenced by constructivist artists and their fascination with industry’s machines and architecture’s constructions.A selection of the photographs that Helmer-Petersen created in Chicago was published in the little book Fragments of a City (1960). This offers a portrait of the city in thirty five tightly composed graphic images and is a radical example of Helmer-Petersen’s graphic and formal experimentation.
My Response
Editing process
In order to recreate Peterson’s work, I went through previous photo shoots and selected four images which I thought would go well with this mid tone idea. I then opened them all up on Photoshop and went up to image>adjustment>threshold. I then adjusted the slider until I was happy with the final outcome (These steps are shown below through the screen shots taken). I then changed the image sizes, in order to make them all the same size. Then on one of the images I doubled the width of the canvas sized and dragged another one of my images next to it. I then doubled the height allowing me to place the other two edits onto the screen, creating a grid of four. I then saved this edit to the size of an A4 paper, allowing me to print it out.
High Contrast
Keld Helmer-Petersen was a danish photographer, who grew up in Copenhagen. He was gifted a Leica camera in 1938 which started up his career in the world of photography. Keld was good at spotting trends within photography at the time and how it was all war influenced which then progressed into The New Objectivity. Albert Renger-Patzsch was a big inspiration for him and opened him up to abstract photography and in 1948 he published the bilingual book 122 Farvefotografier/122 Colour Photographs. Colour photography was his first style but he began to experiment with contrast in black and white photographer, which is what he is now known for. He was influenced by constructionist artists and their interest with industry’s machines and architecture’s constructions. His photos displayed large amounts of structure and patterns within industrial areas.
Original Images
Editing
Final Outcome
Ralph Eugene meatyard biography and response
Ralph Eugene Meatyard was born on the 15th May 1925, in Illinois. At the age of eighteen he was forced to join the Navy, at the time of the Second World War. Lucky the war had ended before he was sent on an overseas assignment. Soon after the war he dedicated his studies into becoming an optician, but still continued with his passion for photography.
His photographic series ‘No Focus’ has combined his occupation with his hobby, showcasing what he was really passionate about. In this series the photographs are completely out of focus, reveling what it is like for blind people seeing the world. This powerful photographic series changed the way people captured photographs, as it went against the stereotypical techniques we would use to capture an image. His work within this series is very inspiring to photographers as it shows that experimentation with the camera is vital part of photography, and that breaking the stereotypes can actually result in effective images.
My main inspiration from his work was this composition from his ‘Zen Twigs’ series. I took a liking to this due to the fact that within the frame, only one thing is in focus with the background out of focus or ‘blurred’. Within my interpretations, I utilized this skill but used it focusing on objects in the foreground and the background.