Category Archives: AO2 Explore Ideas

Filters

Author:
Category:

Arnold Newman

ARNOLD NEWMAN

He was born on March 3rd, 1918 and died June 6th, 2006. He was an american photographer who was noted for his environmental portraits of artists and politicians. He studied painting and drawing at the University of Miami, but he was unable to continue after 2 years as he couldn’t afford it, so he moved to Philadelphia to work for a studio making portraits. In 1945 he opened his own business in Miami Beach but in 1946 he relocated his business in New York and also worked as a freelance photographer.  Newman photographed places in essence of an individual’s life. He captured the subjects in their most familiar places to represent them and show their profession and personality. Newman said “the surroundings had to add to the composition and the understanding of the person. No matter who the subject was, it was going to be an interesting photograph.”

These 3 images are some of my favourites by Newman because they are simple but speak very loudly. As they are showing what the subject loves to do, you can get to know and understand what the people are like by having access to the hobbies/jobs to get an idea what sort of person they are. The images are very simple but it makes your eyes attract towards the main subject of the photo first to see their facial expressions and then you move onto the surroundings as your mind is trying to figure out why they look like that? why they are set in these surroundings? Such a simple image having many of questions and query makes it interesting for the viewer as they are constantly trying to figure out what the meaning of the image is.

EXPERIMENTING 

In this series of photos I have photographed the subject in his working environment. These photos are representing the type of work Newman produced, images showing different people’s personalities and passions. With the subject looking directly into the camera with a neutral face it allows the viewer to make a connection between them and the image, as the subject is looking directly at you in some sorts. As I was shooting outside I had to use a faster shutter speed so that less light would be let in and my photo wouldn’t become over exposed, I also used a manual setting so I could adjust what was in and out of focus. When editing these images I did very little as I didn’t want the editing to over power the reasoning behind these images, so I put them into black and white and this really helped show the facial expression on the subject and their passions, as the viewer had very little to engage with, which is good as they can focus in on the main subject and the meaning behind the images, but due to the simplicity of my images it doesn’t make them interesting to look at. Overall I feel this shoot was a learning experience, due to the simple images I have produced. Also the quality of my images aren’t great due to the poor focusing caused by me either moving the camera as I was taking the photo or the focus not being sharp enough.

Arnold Newman

Arnold Newman was an american photographer that was born in 1918 and that died in 2006. Newman is often credited with being one of the first to experiment with environmental portraiture, in which the subject is put into a controlled setting to carefully show their life and their work. Newman was also a photography teacher.

Arnold Newman | Portrait of Alfred Krupp | 1963

Newman took this image in 1963. It is an image of Alfred Krupp. The image makes Alfred look menacing and intimidating. This is done due a few different things. Firstly, it is done through the pose and how Alfred is sitting. By having Alfred leaning forward slightly with his fingers interlocked and below his chin makes him seem very evil and as though he has power over you. Furthermore, contrast is used between the background and the foreground with a lot brighter colours in the background than the foreground. The fact that the darker part is in the foreground with Alfred makes the person viewing the image notice that he isn’t a very normal person, along with being quite ominous.

This portrait seems to have heavily used natural lighting. It seems to have used this kind of lighting to light up the background of the image. This is used to help create the contrast between the foreground and the background. From the light in the background you can tell that Newman wouldn’t have really been able to use a very low shutter speed as the background, especially at the top of the image would appear a lot brighter than it does. Other than using natural light, Newman likely would have used some sort of lamps to shine onto the sides of Alfred’s body. The use of these lamp would distinguish the outline of his suit instead of his body appearing a lot darker in colour. In this image, the colours in the foreground appear as though they have been altered to add even more contrast between the foreground and background, while the colours behind Alfred, in the background seem to be a lot less vibrant and instead are more bland and lighter. This may have been done to highlight the evil personality that Newman sees in Alfred.

This image shows a few different visual techniques. Firstly, Newman shows use of different tones throughout the image. This can be seen especially well in the foreground as the tone of the colours are a lot darker at the bottom rather than at the top. By using tone Newman has been able to show highlight a lot of detail in the texture of the metals in the foreground. Secondly, Newman has placed Alfred in an angle where repeating patterns are shown behind him, this can be seen with the natural light coming from the windows in the roof in the background and the natural light coming from the windows in the back wall. Thirdly, Newman has placed Alfred in front of a window. This window turns what could just be a flat surface, creates form in the image with a large 3D open space in the background.

Contextually, this image taken in 1963, created by Arnold Newman shows Alfred Krupp in front of a factory that he owned. When Alfred found out that Newman was Jewish he did not want him to take his portrait as he was a Nazi during the war. Though he did no longer want Arnold to take his picture, he eventually changed his mind and let him do it. The factory Alfred owned shown in the image behind him used slave labour from concentration camps to manufacture… . Due to these things that Newman found out about Alfred, he decided to try and take a portrait image of him acting evil, which is why he had him leaning forward with is fingers interlocked below his chin with a dark area around him in the foreground. Alfred was not happy with how Newman displayed him, though Newman was very happy and thought of it as him getting a small amount of revenge for the Jews.

 

Environmental Portraits

ENVIRONMENTAL
/ɪnvʌɪrənˈmɛnt(ə)l,ɛnvʌɪrənˈmɛnt(ə)l/
adjective
  1. 1.
    relating to the natural world and the impact of human activity on its condition.
    PORTRAIT
    /ˈpɔːtrət,ˈpɔːtreɪt/
    noun
    1. 1.
      a painting, drawing, photograph, or engraving of a person, especially one depicting only the face or head and shoulders.

    What do environmental portraits do?

    – they give context to the subject you’re photographing
    – they give points of interest to shots (something you need to watch as you don’t want to distract from your subject too much)
    – they help your subject relax
    – they often give the viewer of your shots real insight into the personality and lifestyle of your subject

 

 

 

 

Environmental Portraits

Environmental Portraits

An environmental portrait is a portrait executed in the subject’s usual environment, such as in their home or workplace, and typically illuminates the subject’s life and surroundings. The term is most frequently used of a genre of photography.

The surroundings or background is a key element in environmental portraiture, and is used to convey further information about the person being photographed.   The details that convey the message from the surroundings can often be quite small and still be significant.  The key seems to be in the symbolism expressed by various elements in the background; for instance, a baseball cap may not tell you much about your subject (unless he or she is a baseball player), but a chef’s hat gives you a lot more detail about who he is and what he does.

Mood Board of Environmental Portraits

Jim Cornfield – ‘Telling a Story with Environmental Portraits’  https://www.digitalphotopro.com/technique/camera-technique/telling-a-story-with-environmental-portraiture/


Arnold Newman

“There are many things that are very false about photography when it is accepted without question. You must recognize and interpret it as you would any other art form, and then maybe it is a little more than real.” – Arnold Newman

Arnold Newman (1918-2006) was an American photographer known for his environmental portraits or artists and politicians.  He was also known for his carefully composed abstract still life photographs.

Newman is often credited with being the first photographer to use so-called environmental portraiture, in which the photographer places the subject in a carefully controlled setting to capture the essence of the individual’s life and work. Newman normally captured his subjects in their most familiar surroundings with representative visual elements showing their professions and personalities. A musician for instance might be photographed in their recording studio or on stage, a Senator or other politician in their office or a representative building. Using a large-format camera and tripod, he worked to record every detail of a scene.

The photograph below shows one of Arnold Newman’s works, we can see he has his subject clearly engaging with the camera and how they are surrounded by something that represents them and it has been clearly composed of how they are sitting and where they have been placed in the frame which is something I will aim to do in my own photoshoot with inspiration from Arnold Newman.

Arnold Newman

My Own Responses

For these photoshoots I went out and captured people in their working environments, this enabled me to have them surrounded by things that may represent their life and their work such as Arnold Newman did.

Contact Sheet of shoot
Contact Sheet of shoot

These are two contact sheet of my own experiments and photographs I have taken under the name of environmental portraits.  I went out and photographed people in their work place or their environments, I had some people posed more naturally by having them carry on with what they were doing but also having them try look towards the camera slightly to engage with it there and some more unnatural by having them fully engage with the camera by getting them to look directly at the lens.  Some photographs came out better than others as some are too over-exposed or under-exposed and others are not completely in focus however there were some photographs which I feel turned out successful and some which I feel would be good to experiment with with turning them black and white from being influenced by people such as Mary-Ellen Mark and Arnold Newman.

Edited Contact Sheet
Edited Contact Sheet

This shows how I began to sort through and pick out which photographs would work for experiments with things such as placing into black and white and as good photographs and which would not be so successful or useful.

Edits and Outcomes

For the editing of the photographs I kept it simple by only adjusting the photos into black and white or maybe adjusting the brightness to help with the transition into black and white such as Arnold Newman’s photographs were.  I have chosen what I feel to be my 5 best outcomes of this photoshoot as it shows my subjects engaging with the camera and the photographs are clear and work well.  Below is the edited and unedited versions of my photographs.

Own Response 1
Own Response 2
Own Response 3
Own Response 4
Own Response 5
Own Response 1 B&W
Own Response 2 B&W
Own Response 3 B&W
Own Response 4 B&W
Own Response 5 B&W

 

Environmental Portrait – Arnold Newman

 Environmental Photography Definition – “An environmental portrait is a portrait executed in the subject’s usual environment, such as in their home or workplace, and typically illuminates the subject’s life and surroundings. The term is most frequently used of a genre of photography”

Arnold Newman Mood Board

Arnold Newman was born in New York in 1918. At university Newman studied art, due to the fact he was granted a scholoship at the university of Miami. Newman started his careers as a photographer in 1938, where he started to explore abstract and documentary photography. In 1941 his work was ‘discovered’ and he was given a exhibition in the Museum of Modern Art. It is said around this time Newman pioneered environmental photograph, which presents a new idea/concept to other photographers at this time. During his career as a photographer he has gained multiple awards including nine honorary doctorates.

In this photograph which Newman has captured we can see an old man located in the centre of the frame. He looks as if he is standing in-front of an easel, suggesting that he is a painter and a very creative man.  The main focus point of the image is the man (the subject) who is directly looking straight at the lens of the camera, which is implying that he may be proud of his job. In addition the facial expression on the mans face is plain and his body posture is slouched, which can inform us that he could be bored. My eyes are first lead to the subject of the image, they then move around to the different objects in the room. The frame of this photograph is not busy making it easier on the eye, and allows us to gain a better understanding of what life was like for this man. The image is taken at a straight on angle and only shows half of the mans body. The background shows a plain wall with a painting on it, in the top right, which may be showcasing work he has previously done, thus he could be in his place of work.  The formal elements found in this image is value and light, which is shown through the different tonal areas due to the picture being presented in black and white, and there is a sense of depth due to a large depth of field being used. It also stands to reason that the aperture is low, which also allows the whole frame to be in focus. The shutter speed seems to be very quick as no ‘intended’ blur can be seen. Moreover, the ISO is low as there is no noise, because of lighting, in this photograph. The lighting which is used in this image is likely to be artificial lighting as the man is located in doors, inside a room or a studio. The lighting is quite cold which makes us grasp a better understanding of the type of environment the man is in. The fact the image is black and white and the photographer was alive during the 1900’s suggests that it was at a time when the men had to work and provide for their partner, thus presenting  his gender role. However, the fact he is an artist implies that he was a higher class otherwise he would be working in a factory.  Multiple ideas can be drawn upon from this image, making Newman’s attempt at environmental photography successful.

Planning

In these photographs I will be using two models in their natural environment, their home. I will capture them doing normal tasks that they would do. However, in order to show gender roles, like Newman did, I will be making stereotypical judgements of having the woman model do the cooking and knitting and my male model working in an office, with his car and cleaning a fire place. The photographs will be taken during the morning and I will be using natural lighting with an occasional use of artificial lighting. In order to make the final outcomes successful I will be editing them black and white. I will be use a manual camera setting allowing me to have full control of the focus, shutter speed, ISO and white balance.

Contact Sheets

Edits

For these edits I decided to keep things simple, like Newman did. I wanted to be able to show a clear contrast of tonal regions in the photograph and make the images seem like they have been taken at the same time period as Newman’s images. I simply levelled all the images and adjusted the curves until I was pleased with the outcome. I then desaturated my images, turning them black and white giving them this effect.

I am very happy with my final outcomes from this photoshoot. It clearly shows environmental photography as it meets the criteria of: having the model looking directly into the camera lens, having a neutral expression on their face and having something in the background to show the context of the image. These photographs also clearly show gender role stereotypes through the activities my subjects are doing. To further expand this shoot I would look at capturing the youth to show how times have changes, breaking the gender role stereotypes. I would also look at presenting some of these images in colour.

Portrait Unit Introduction

What is Portrait Photography?

Portrait photography consists of photos taken of a person or group to convey a message associated with the person or to capture a certain mood. Portraits can serve multiple purposes, such as present a person, tell a story or to capture imagination.

Portrait photography stems from the late 19th century portrait painters whom painted many great monarchs and dukes. With the arrival of new technology such as cameras, The lengthy process of a painting session was cut short and the door then opened for more creativity.

Three Point Lighting

Three point lighting is a photographic technique that utilises 3 different lights to help capture and portray the subject. The diagram below explains this in more depth.

Image result for three point lighting diagram

Here are some examples of 3 Point Lighting

Image result for travis scott 3 photoshoot

Image result for michael jordan photoshoot

Image result for liam gallagher photoshoot

Natural Lighting

Natural lighting involves making the most of the light available in the shooting environment. This can be using direct sunlight, Street lights or light through a filter such as a curtain or blinds.

Here are some natural lighting examples.

Image result for natural lighting portrait photography

Image result for natural lighting portrait photography

Chiaroscuro

Chiaroscuro is a photographic technique that involves using a wide contrast between dark and bright. this affect is usually achieved  by utilising a light on one side of the subject and leaving the other side in darkness. This effect is demonstrated in the images below#

Image result for ChiaroscuroImage result for rankinImage result for rankin