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Tish Murtha

Tish Murtha was born on the 14th of March 1956 and died on the 13th of March 2013. She was a social documentary photographer. She was brought up in Newcastle and went to the University of Wales. In 1978 she came back to Newcastle wanting to document “marginalized communities from the inside”. In this she was documenting what her life and her family and friends lives were like living in the working class. She created black and white images. She often worked with teenagers and younger children to show how their lives were.

Murtha, like Bulmer is best known for documenting social realism and the working class. Though she is also known for documenting marginalized communities. She did most of her work in the North East of England and in Newcastle upon Tyne, also like Bulmer.

 

Images by Tish Murtha
Youth Unemployment – Tish Murtha

Technical: This image seems to use natural lighting. This is used to make the image look natural and show their true daily lives without making their lives seem more glamorous than they are.

Visual: The image has been taken in black and white. Though this was likely because of the limitations Murtha had when she took the image, this use of black and white shows us now that life was a lot simpler in the past. Though the faces of the people show that they may be having some hard time.

Contextual: This image is called “Youth Unemployment” the title tells us that these people were likely poor and could not afford luxuries and lived off of bare essentials and would have had to be looking for jobs constantly to make a living to provide for their families.

Conceptual: Murtha may have taken this image to show the lives of people living without any means of income. This can especially be seen from the face of the person in the foreground of the image, as her face shows that she is upset about something.

 

Identity photo shoot planning

My chosen theme for this shoot is self expression; how people express themselves through what they wear and how they communicate (facial expressions and body language).

The purpose of this photo shoot is to explore diversity within the community, how people within the same community differentiate themselves from one another, as well as how they react differently to being placed in the same environment and treat identically.

The shoot will take place in the photography studio where I will take photos of my friends in the exact same way; the camera angle and where they are standing will be identical every time, but it will be up to them how they pose and express themselves in the photos. I will also let them decide what they want to wear for the shoot.

They won’t be doing the same leaning pose as here but the shoot will work in a very similar way. The angle and basic setup will be identical but it’s up to the people being photographed to express themselves. The only difference is that in my shoot I won’t make everyone pose in the same way, that will be up to them.

Identity and Place Case Study- Sarah Maple

Sarah Maple was born in 1985 to an Iranian Muslim mother, and a Christian father. Most of her work stems from her mixed cultural upbringing, and challenges the traditional social role of women, and also concepts of religion. Some of Maple’s work can be viewed as controversial as she’s pictured herself doing things such as smoking in a hijab.

Mood board

Images/paintings by Sarah Maple

 

Mind Map

Analysing

Image by Sarah Maple.

Context

This is an image from Sarah Maple’s Disney Princess series.

Visual

In this image we see 3 people in what seems to be a scientific lab setting. ” of the people are in the background and the third person is in the centre of the frame dressed as snow white while handling a beaker.

Concept

I think this image is very powerful in breaking gender stereotype perceptions. This image shows a Disney princess in what could be considered a very professional and respected job role. By having a stereotypical female, who’s wearing a dress, and makeup taking on the role of a princess Maple is trying to convey the fact that females are fully able to be in respected job roles.

 

 

Analysing

Context

This is a mixed media art piece, Created by Maple then photographed by her.

Visual

This image shows a white lampshade in the shape of a female body, with the message “women are no longer viewed as objects” written on it in a black pen.

Concept

This image is very powerful in conveying Maple’s opinion on the female body. Although the message written on the lampshade says that women are no longer viewed as objects, this image suggests that she doesn’t think that’s true. This is due to the fact that the message is literally written on a lampshade, which is an object, in the shape of a female body. I think this is a very interesting image as the artist has contradicted herself in order to gained the viewers attention, in order for them to understand the concept of the sculpture.

 

 

 

 

Claude Cahun and Clare Rae comparative essay

EXAMINING THE ARTISTS’ WORK 

For this comparative essay I have chosen to examine these two pieces of photography due to the contrasting nature of the composition and the surroundings.

Firstly, I thoroughly enjoy the work of both Cahun and Rae, Rae following a similar style to Cahun in which she is part of, or the main subject of the photo. Rae tends to incorporate herself into the landscape more as opposed to being the focal point of the image. The strange contortions that she sometimes does during photoshoot is an attempt to flow into and become one with her surrounding. The soft and subtle clothing that she chooses to wear during these photo shoots, illustrates a delicate and fragile side of her that allows her to blend in. I have also noticed that in the majority of her photos she is facing away from the camera , or she is at a disctance where it cannot be seen clearly. This once again suggests that she doesn’t want her identity to shine through as  our face is one of our most distinctive features, rather allowing her environment to be the biggest contributor of the image. In this photo, her attempt at fitting into the cart makes her seem small and insignificant in the maze of archives surrounding her. Rea, like Cahun, works in black and white imagery which again allows her to blend well into her surrounding with the monotone shades that her photography produces.

The work of Rae, although similar to Cahun’s, has some distinctive differences. Cahun also tends to set a lot of her photos outdoors, yet the main target that Cahun has is to explore and capture her out of the ordinary identity. Her strong facial features are clearly captured in the image. The smooth curves of her arms and face are the main center of the photo, contrasting the busy flowers that are in the foreground. Due to the technology of the time, Cahun worked only in black and white imagery but I feel this is was also an advantage as she allows all the character to come from the interesting compositions and themes as opposed to color and tone. Cahun is often discussed in relation to Butler’s idea of the performativity of
gender because of the role that gender performance plays in Cahun’s photographic self- transformations. While Cahun and Moore’s photographs of Cahun are certainly relevant to Butler’s theories of gender it was the ideas such as androgyny and the “third sex,” raised in the 1920s and ‘30s, which truly influenced their work. This image was prior to Cahun shaving her head and completing her androgynous look, portraying more as female. Preharps even the flowers in which she has chosen to stand in is a sort of irony of the traditional views of society and how women are viewed as “innocent flowers”.

 

Claire Rea, Les Blanche Banques 2017

 

Claude Cahoon JHT/1995/00032/p

Gender identity

Gender identity is described as being one’s perception of their own gender. This can be the same, or can also differ from one’s assigned sex at birth.  In today’s society it is relatively agreed on that children form their own personal gender identity by age 3, and they are able to do things such as choose toys that are considered “appropriate” for the gender they identify with. This shows how we live in a society where genders can still be stereotyped to the point where children who see themselves as being females choose to play with dolls, and children who see themselves as being males choose to play with toy cars.

In this day and age, I believe that it’s more acceptable than it used to be to do and wear things that a few years ago would be deemed as “not appropriate” for the sex you were. For example, until 1993, Women weren’t allowed to wear trousers on the U.S. Senate floor as trousers were considered “menswear” and In 2003, male employees received paid statutory paternity leave for the first time as taking care of  children was seen as “women’s work”.

Although, advances to break gender stereotypes have been made in the past few years there are definitely many stereotypes that are deeply rooted into society, which I think would be very interesting to explore for the theme “identity and place”.  For this project I will be focusing specifically on the female gender. Most of this project will focuses on challenging stereotypical views that society may have of females.

Mood Board

Not my images.

Mind Map

 

John Bulmer Case Study

John Bulmer was born on the 28th of February 1938 in Herefordshire. When Bulmer was young he was interested in photography but mostly as a technology. Despite that, when he was a teenager he became a great admirer of Henri Cartier-Bresson. Bulmer went on to study engineering at Cambridge where his interest in photography began properly. After beginning this he went on to get his work published in lots of different magazines and newspapers such as Varsity magazine and the Daily Express. His ambition was photography journalism.

These are a selection of my favourite images by John Bulmer. These images show Bulmer both using colour and black and white. He began using colour after it was required for one of the magazines he took pictures for asked for it.  His images often displayed people from the working class such as miners or factory workers.

Images by John Bulmer

The image below is one of John Bulmers best images. It displays people in the North of England in their village hanging up clothes to dry.

Technical: This image makes use of natural lighting. This type of lighting is used because of the setting and to display the bright but dull looking weather of the area the image is taken. This image may have also taken the image at a time like this to make the area seem constantly cold and damp.

Visual: Bulmer has taken this photo at a time where the sky was bright and cloudy. This has created a contrast between the white background and the darker foreground. This makes the figures and the details in the image easily visible. This image also has form in it creating a 3D effect showing a long cobblestone road in the image. This creates an idea of community as all the buildings shown are close together and similar to each other.

Contextual: This image taken by Bulmer uses colour film. This was thought of as a difficult move for photographers at the time this image was taken. This is because colour may be harder to use than black and white for a lot of people. Bulmer is thought of as a pioneer of coloured photography because of his images, like this one.

Also, this image like a lot of Bulmer’s other work is used to show the true life of the people in the North of England. The image has been taken in a dull village and shows a mundane task to display the uninteresting lives of people in the working class in the North of England.

Conceptual: The idea of this image is that Bulmer wanted to capture the life and identity of people in the North of England. He has done this by capturing some people from the area with the old grey buildings and horrible weather to display the geographical identity of the area. This image also shows the identity of the community. This is also done through the long road with all the buildings close by each other, this along with the fact that there are two people of different age groups shows that people are close together with each other in the village.

Lorna Simpson – Case Study

Five Day Forecast 1991

Lorna Sampson has created this image of a person of everyday of the week. Conceptually, she created it to show what her life was like when she had to work multiple jobs in order to fund her hobby of art/photography. There are words which hold negative connotations towards them at the bottom of the image, this implies that Sampson did not enjoy the multiple jobs due to the chaotic and horrible life style it bought. Technically, the images are presented in black and white which allows the images to be high in tonal regions. The main formal elements within this image is repetition, due to the same image being used, and texture due to the creases found in the tank top. The creases inform us that this person does not have much time, due to the multiple jobs, therefore the creases are found upon the shirt. The main focus point is the models waist, these are used to help guide the viewers eyes around the frame. It seems that the ISO used was low due to no noise being presented within the images. The shutter speed is likely to be kept low as there is no intended blur within the repetitive images. The aperture is likely to be on a ‘normal’ setting as the images are not significantly light or dark. The depth of field is large as within the images everything is in focus. The background found is plain white, which also adds to how plain and boring life was like working these multiple jobs. With the models arms being crossed conveys a negative connotation to how this model is feeling. Psychologically speaking having the arms crossed means that people are not likely to take on information that people are saying and are very close about their life. This implies that maybe the model is very closed about their life and entraps the feelings. Towards the bottom of the images there are a bunch of  adjectives which all hold negative connotations, this positions the viewer to understand this time in Simpson’s life. This piece of works links into loss of identity as it shows that by having multiple jobs made Sampson unhappy, less sociable and she lost her identity. Colors are not used as that presents an identity, which was not the aim of the piece. Moreover, one of the words used is ‘Misidentify’ which implies that she is mistaking her identity and slowly loosing it due to her lifestyle.

Taking from Sampson’s piece I like the idea of only presenting the body of my model. This means that an emotional attachment can not be created as there is no face. Moreover, I like how black and white has been used to take away color, as colors can help build a persons identity. The use of negative words about losing identity could easily be implemented within my work allowing words and photography to combine to create a powerful piece. As an action plan I will carry out a photo shoot where I will capture my model without capturing the face. I will do this by placing the model in random locations and positions in order to create different meanings.

 

Identity

What is identity?

  • Qualities
    this is somebodies personality traits e.g the way they look, body posture
  • Beliefs
    Somebodies beliefs in the way they live e.g religion
  • Geographical
    An individual or group’s sense of attachment to the country, region, city, or village in which
    they live
  • Cultural
    feeling of belonging to a group
  • Lack of/loss of
    being able to see yourself as the same person in the past, present, and future
  • Gender
    personal sense of ones gender
  • family
    express in your family rules, goals and vision
  • social
    is the portion of an individual’s self-concept
  • Political
    the interests and perspectives of social groups with which people identify.