Within the photoshoot I took my subjects into the environments which they can be found in the most, as well as placing them in locations to which they are comfortable and found the most. In this photoshoot I tried to keep the atmosphere relaxed, doing this allowed a more naturalistic representation of my subjects in their natural environment, giving an accurate representation of their personality. In addition, I also used artificial lighting found around the house, which would naturally be on when the subject is in that room, however I did set up some lighting to ensure the face of the subject was fully lit, and created a home and welcoming atmosphere.

Edits:

Colour Edits:

For my colour edits I chose photographs, in which the artificial lighting was manipulated for effect. To start off I began by adjusting the photographs by correcting the white balance, adjusting the white, blacks, contrast and structure. Then using the radial filter, which allowed my subjects face to be the main focal point of the image. It allowed me to adjust the background of the composition, allowing my subject to be illuminated and centre of attention

Black and White Edits:

For my black and white edits I chose photographs, in which the artificial lighting was naturally darker and was the natural lighting within that environment in the house. To start off I began by adjusting the photographs by correcting the white balance, adjusting the white, blacks, contrast and structure. Then using the radial filter, which allowed my subjects face to be the main focal point of the image. It allowed me to adjust the background of the composition, allowing my subject to be illuminated and centre of attention

Above, I believe is my top outcome from the photoshoot, due to the technical and visual elements the photograph holds. Conceptually, I was showcasing my brother in his room, where he spends a lot of time alone. To me it was important to not only capture him but also the background behind him (taking inspiration from Michelle Sank) as it helps to develop our understanding of his personality. Visually, the composition of the frame is kept simplistic. I wanted to create a sense a space, through the position of my subject within the frame, clear use of the technique rule of thirds. In addition to the formal element of space, I also wanted to showcase form, and shape, which is clearly presented to the layout of the frame and the background. In this photograph, the subject is located in the foreground, and the background is the layout of his room, which allows a slight narrow depth of field to present within the work, suggesting a slightly raised aperture. Technically, the shutter speed is kept quick due to no intended blur and the subject being still. For this photograph I slightly raised the ISO, for an artistic purpose, in order to create a slight bit of noise, helping to emphases a homely atmosphere. Having this ISO works in cohesion with the warm, soft artificial lighting which was used, as well as the sunlight ISO which helped to emphasise the warmth, which creates the homely and welcoming environment.

Evaluation:

To evaluate I believe I have been able to successfully explore environmental portraits within my home environment. I researched and gained a connection with my subjects allowing an accurate representation of my subject’s personality and how their natural environment describes them. I produced some successful photographs, which showcase my ability to use different camera settings (ie adjusting the ISO to gain noise for effect), as well as further experimenting and using the different tools within Lightroom, to develop my photograph for effect. To conclude, I am happy with the general aesthetic of my work and the final outcomes produced. It also shows further exploration into this form of documentary photography, from my previous work where I looked at gender stereotypes in the early 20th century.

The Jersey War Tunnels are a reminder of the occupation of the island during World War 2. The War Tunnels are one of many fortifications that the Germans built on Jersey. The tunnels were blasted out with gunpowder and handtools, and then covered with concrete. The hospital was dug into a slope, so that it would drain naturally. Its location within the hill also ensured that the temperature remained constant throughout the year. The tunnels were originally constructed as an ammunition store and artillery barracks but the Germans converted them to a casualty clearing station as D-Day drew nearer. Today The Jersey War Tunnels are an exhibition dedicated to how the occupation affected the islanders and the island. Areas have been restored to show how the hospital looked during the occupation.

Final Outcomes

Evaluation

This series of images show a narrative of the typical objects that could have been found in a household during World War 2. Most of the images are still life because of the inanimate subject matter depicted. The sequence of the images tell a story of what it must have been like to be a citizen in Jersey from the beginning of World War 2 until Liberation Day.

The first five images are in the filter B&W punch to represent the German Occupation in Jersey. The images have high contrast between black and white making the photo very sharp. The B&W filter represents life in Jersey during the German Occupation where the people were oppressed and suffering without sufficient resources. I decided to edit the majority of my images in black and white to emphasise the historical yet cold atmosphere during the Occupation. The filter also helps to showcase the negative impact war had on the citizens of Jersey.

For my colour edits I produced two final outcomes. The last two images are in colour to represent Liberation Day in Jersey which took place on the 9th of May. The UK flag is depicted in both images to represent the freedom of the Jersey citizens.

I decided on my final images, and the below images are the final images after editing in Photoshop:

In Photo-shop, I was able to use the following techniques to produce the final images:

In the above 2 images, I was experimenting with the width of the boarder around the gas mask, and to do so, I used the brush tool to draw outlines of different widths. I also experimented with the softness of the outline, originally working with a hard line, and then moving towards a softer outline version. In this image, I was attempting to make a distinction between the background and the gas mask. The concept of this image was to show how, during the war, conflict and violence became a common part of life, and to do this, I made a distinction between the gas mask, and the teacups and kitchenware placed directly next to it. By arranging the gas mask and familiar kitchen ware together, it can be established that fear of an enemy gas attack lay around every corner, and nowhere (not even the safety of home) was safe from the threat of violence. This image merges the two opposites together (fear and safety), and in editing an outline around the gas mask, it draws more attention directly to the mask itself, and also disconnects the mask from the rest of the image. In doing so I am able to make some distinction between the kitchen ware and gas mask, hopefully drawing more attention to the fact that these 2 things should not be seen as normal together, and yet also presenting the fact that in reality, they were.

The 2 images above are examples of the colour editing I worked on in the below image. I used two different layers when it came to editing this image, the first image including the background, and the second layer including the soldier in the foreground. I reduced the saturation of the background in order to give it a more somber tone, reflective of the reality of conflict and war, and in order to contrast this, used the layer on which the soldier sat to heighten the saturation, showing contrast between the background and the individual soldier in the foreground. As a concept, I did this because I was attempting to reflect the reality that all soldiers during the occupation were individual people too, with hopes and fears, many of which did not want to leave their families in Europe to come and occupy Jersey. I chose a single soldier and made him easily distinguishable from the rest, regardless of his own insignificance in terms of the whole image, because I wanted to convey the idea that all individuals, German and Jersey, were people that were individually affected by the impact of the war/occupation, and should not all be grouped together as “enemy” or “friend”.