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Environmental Portraits

Environmental Portraits

An environmental portrait is a portrait executed in the subject’s usual environment, such as in their home or workplace, and typically illuminates the subject’s life and surroundings. The term is most frequently used of a genre of photography.

The surroundings or background is a key element in environmental portraiture, and is used to convey further information about the person being photographed.   The details that convey the message from the surroundings can often be quite small and still be significant.  The key seems to be in the symbolism expressed by various elements in the background; for instance, a baseball cap may not tell you much about your subject (unless he or she is a baseball player), but a chef’s hat gives you a lot more detail about who he is and what he does.

Mood Board of Environmental Portraits

Jim Cornfield – ‘Telling a Story with Environmental Portraits’  https://www.digitalphotopro.com/technique/camera-technique/telling-a-story-with-environmental-portraiture/


Arnold Newman

“There are many things that are very false about photography when it is accepted without question. You must recognize and interpret it as you would any other art form, and then maybe it is a little more than real.” – Arnold Newman

Arnold Newman (1918-2006) was an American photographer known for his environmental portraits or artists and politicians.  He was also known for his carefully composed abstract still life photographs.

Newman is often credited with being the first photographer to use so-called environmental portraiture, in which the photographer places the subject in a carefully controlled setting to capture the essence of the individual’s life and work. Newman normally captured his subjects in their most familiar surroundings with representative visual elements showing their professions and personalities. A musician for instance might be photographed in their recording studio or on stage, a Senator or other politician in their office or a representative building. Using a large-format camera and tripod, he worked to record every detail of a scene.

The photograph below shows one of Arnold Newman’s works, we can see he has his subject clearly engaging with the camera and how they are surrounded by something that represents them and it has been clearly composed of how they are sitting and where they have been placed in the frame which is something I will aim to do in my own photoshoot with inspiration from Arnold Newman.

Arnold Newman

My Own Responses

For these photoshoots I went out and captured people in their working environments, this enabled me to have them surrounded by things that may represent their life and their work such as Arnold Newman did.

Contact Sheet of shoot
Contact Sheet of shoot

These are two contact sheet of my own experiments and photographs I have taken under the name of environmental portraits.  I went out and photographed people in their work place or their environments, I had some people posed more naturally by having them carry on with what they were doing but also having them try look towards the camera slightly to engage with it there and some more unnatural by having them fully engage with the camera by getting them to look directly at the lens.  Some photographs came out better than others as some are too over-exposed or under-exposed and others are not completely in focus however there were some photographs which I feel turned out successful and some which I feel would be good to experiment with with turning them black and white from being influenced by people such as Mary-Ellen Mark and Arnold Newman.

Edited Contact Sheet
Edited Contact Sheet

This shows how I began to sort through and pick out which photographs would work for experiments with things such as placing into black and white and as good photographs and which would not be so successful or useful.

Edits and Outcomes

For the editing of the photographs I kept it simple by only adjusting the photos into black and white or maybe adjusting the brightness to help with the transition into black and white such as Arnold Newman’s photographs were.  I have chosen what I feel to be my 5 best outcomes of this photoshoot as it shows my subjects engaging with the camera and the photographs are clear and work well.  Below is the edited and unedited versions of my photographs.

Own Response 1
Own Response 2
Own Response 3
Own Response 4
Own Response 5
Own Response 1 B&W
Own Response 2 B&W
Own Response 3 B&W
Own Response 4 B&W
Own Response 5 B&W

 

Environmental Photography

Environmental photography is a type of portraiture that requires people to be in an environment that they’re used to or work in. Its used to illuminate the life of the person.

This is a selection of some of my favorite images that I have taken for environmental photography. A lot of the images turned out very dark so if I were to edit them I would make them a brighter tone.

 

This is one of my favorite images I have taken. This image displays the person in one of their usual work environments in an ICT department in a school. It captures her in a neutral way and shows some parts of what she does such as the security camera footage seen at the right hand side of the image. I have increased the brightness in this image because it came out too dark due to the lighting in the room being very dim.

This image shows the person organizing books in a library in a school. It captures some of the things she does while working at the school which can be seen from the hand placement. I have also edited this image to increase the exposure and the brightness so that the person in the foreground stands out more and isn’t completely in the shade.

Environmental Portrait – Arnold Newman

 Environmental Photography Definition – “An environmental portrait is a portrait executed in the subject’s usual environment, such as in their home or workplace, and typically illuminates the subject’s life and surroundings. The term is most frequently used of a genre of photography”

Arnold Newman Mood Board

Arnold Newman was born in New York in 1918. At university Newman studied art, due to the fact he was granted a scholoship at the university of Miami. Newman started his careers as a photographer in 1938, where he started to explore abstract and documentary photography. In 1941 his work was ‘discovered’ and he was given a exhibition in the Museum of Modern Art. It is said around this time Newman pioneered environmental photograph, which presents a new idea/concept to other photographers at this time. During his career as a photographer he has gained multiple awards including nine honorary doctorates.

In this photograph which Newman has captured we can see an old man located in the centre of the frame. He looks as if he is standing in-front of an easel, suggesting that he is a painter and a very creative man.  The main focus point of the image is the man (the subject) who is directly looking straight at the lens of the camera, which is implying that he may be proud of his job. In addition the facial expression on the mans face is plain and his body posture is slouched, which can inform us that he could be bored. My eyes are first lead to the subject of the image, they then move around to the different objects in the room. The frame of this photograph is not busy making it easier on the eye, and allows us to gain a better understanding of what life was like for this man. The image is taken at a straight on angle and only shows half of the mans body. The background shows a plain wall with a painting on it, in the top right, which may be showcasing work he has previously done, thus he could be in his place of work.  The formal elements found in this image is value and light, which is shown through the different tonal areas due to the picture being presented in black and white, and there is a sense of depth due to a large depth of field being used. It also stands to reason that the aperture is low, which also allows the whole frame to be in focus. The shutter speed seems to be very quick as no ‘intended’ blur can be seen. Moreover, the ISO is low as there is no noise, because of lighting, in this photograph. The lighting which is used in this image is likely to be artificial lighting as the man is located in doors, inside a room or a studio. The lighting is quite cold which makes us grasp a better understanding of the type of environment the man is in. The fact the image is black and white and the photographer was alive during the 1900’s suggests that it was at a time when the men had to work and provide for their partner, thus presenting  his gender role. However, the fact he is an artist implies that he was a higher class otherwise he would be working in a factory.  Multiple ideas can be drawn upon from this image, making Newman’s attempt at environmental photography successful.

Planning

In these photographs I will be using two models in their natural environment, their home. I will capture them doing normal tasks that they would do. However, in order to show gender roles, like Newman did, I will be making stereotypical judgements of having the woman model do the cooking and knitting and my male model working in an office, with his car and cleaning a fire place. The photographs will be taken during the morning and I will be using natural lighting with an occasional use of artificial lighting. In order to make the final outcomes successful I will be editing them black and white. I will be use a manual camera setting allowing me to have full control of the focus, shutter speed, ISO and white balance.

Contact Sheets

Edits

For these edits I decided to keep things simple, like Newman did. I wanted to be able to show a clear contrast of tonal regions in the photograph and make the images seem like they have been taken at the same time period as Newman’s images. I simply levelled all the images and adjusted the curves until I was pleased with the outcome. I then desaturated my images, turning them black and white giving them this effect.

I am very happy with my final outcomes from this photoshoot. It clearly shows environmental photography as it meets the criteria of: having the model looking directly into the camera lens, having a neutral expression on their face and having something in the background to show the context of the image. These photographs also clearly show gender role stereotypes through the activities my subjects are doing. To further expand this shoot I would look at capturing the youth to show how times have changes, breaking the gender role stereotypes. I would also look at presenting some of these images in colour.

Portrait Unit Introduction

What is Portrait Photography?

Portrait photography consists of photos taken of a person or group to convey a message associated with the person or to capture a certain mood. Portraits can serve multiple purposes, such as present a person, tell a story or to capture imagination.

Portrait photography stems from the late 19th century portrait painters whom painted many great monarchs and dukes. With the arrival of new technology such as cameras, The lengthy process of a painting session was cut short and the door then opened for more creativity.

Three Point Lighting

Three point lighting is a photographic technique that utilises 3 different lights to help capture and portray the subject. The diagram below explains this in more depth.

Image result for three point lighting diagram

Here are some examples of 3 Point Lighting

Image result for travis scott 3 photoshoot

Image result for michael jordan photoshoot

Image result for liam gallagher photoshoot

Natural Lighting

Natural lighting involves making the most of the light available in the shooting environment. This can be using direct sunlight, Street lights or light through a filter such as a curtain or blinds.

Here are some natural lighting examples.

Image result for natural lighting portrait photography

Image result for natural lighting portrait photography

Chiaroscuro

Chiaroscuro is a photographic technique that involves using a wide contrast between dark and bright. this affect is usually achieved  by utilising a light on one side of the subject and leaving the other side in darkness. This effect is demonstrated in the images below#

Image result for ChiaroscuroImage result for rankinImage result for rankin

Final images

In this project I have been able to explore into the concept of abstract photography. I have looked at a variety of artists, who use multiple editing and camera skills, allowing me to gain a greater depth into the theme of abstract photography. I have captured a range of subjects, from paper to twigs, allowing to experiment with the formal elements which play an active role in abstract photography. I have acquired many camera skills, from controlling the shutter speed, ISO, White Balance and Depth of Field. I feel that I have successfully demonstrated these skills through my photo shoots, which have been inspired by artists that I previously researched.

Here is a final plan for the layout of my final images:

Analysis

Overall, I chose the images as my final images due to them, in my opinion, reflecting my camera skills and perspective within ‘Abstract Photography’. I also chose them due to their abstract view points on colour: man made vibrant colours next to natural and neutral colours. Throughout my project I focused on photographing abandoned or decayed buildings or surfaces because I liked the idea of the fact that we’re living in a forever growing world with things being introduced to us everyday. Yet, there is so much decay and remains left for us to bare and manage. This overall project was to show how in our everyday lives, we ignore the decay us and proceed with our ‘new’ set in place futures.

1. Portrait Unit | Winter 2018-2019 | Starting points / half term task

>>Find resources here<<

M:\Departments\Photography\Students\Resources\Portraiture\TO DO

TASK 1

You must introduce the new topic : PORTRAITS

Ensure your blog posts are clearly CATEGORISED

Remember… your images must include a caption…this is especially important if they belong to someone else (copyright etc), and helps clarify which images are yours for assessment.

Try adding hyperlinks to use websites / blogs / video URLs or embed relevant YOUTUBE clips to help illustrate your key points

CREATING A VISUAL MOOD-BOARD 

  1. Choose a range of portraits / self portraits to develop a grid of images to show your understanding of what a portrait can be…
  2. You must include a range of approaches to portraits in your mood-board…
  3. Define what Contemporary Portrait Photography is…
  • formal (posed) and informal / candid / natural
  • head-shot / half body / three quarter length / full length body shot
  • high angle / low angle / canted angle
  • colour vs black and white
  • high key (light and airy) vs low key (high contrast / chiarascuro)
  • archival imagery (past / historic)
  • current / contemporary approaches
  • futuristic approaches

3. Develop a blog post that includes your imagery and label the images accordingly

TASK 2 CREATING A MIND-MAP

We will be studying the history, theories and concepts of portrait making…their purpose and role in our day to day lives too.

  1. Design a mind-map / brainstorm / spider-gram / flowchart of portrait based ideas
  2. Think about the ways in which we use portraits, and what they can say about us / reveal / conceal
  3. define what a portrait actually is
  4. Add your mind-map to a blog post

HALF TERM HOMEWORK TASK (1)

We will begin the unit by looking at ENVIRONMENTAL PORTRAITS, which depict people in their…

  • working environments
  • environments that they are associated with

“An environmental portrait is a portrait executed in the subject’s usual environment, such as in their home or workplace, and typically illuminates the subject’s life and surroundings. The term is most frequently used of a genre of photography”

Here are some examples…

Image result for famous environmental portraits
Arnold Newman

 

Image result for Mary Ellen Mark environmental portraits
Mary Ellen-Mark-Circus Perfomers

Look at these influential photographers for more ideas…

  • August Sander (1876 – 1964)
  • Paul Strand (1890 – 1976)
  • Arnold Newman (1918 – 2006)
  • Daniel Mordzinski (1960 – )
  • Annie Leibovitz (1949 – )
  • Mary Ellen Mark (1940 – 2015)
  • Jimmy Nelson (1967 – )
  • Sara Facio (1932 – )

Key things to consider with formal / environmental portraits…

Technical= Composition / exposure / lens / light

Visual= eye contact / engagement with the camera / neutral pose and facial expression / angle / viewpoint

Conceptual= what are you intending to present? eg :  social documentary? / class ? / authority ? / gender role ? / lifetsyle ?

Contextual=add info and detail regarding the back ground / story / detail / information about the character(s) / connection to the photographer eg family / insider / outsider

 

  1. Take 100-200 photographs showing your understanding of ENVIRONMENTAL PORTRAITS
  2. Remember…your subject (person) must be engaging with the camera!…you must communicate with them clearly and direct the kind of image that you want to produce!!!
  3. Then select your best 5-10 images and create a blog post that clearly shows your process of taking and making your final outcomes

Remember to show your Photo-Shoot Planning and clearly explain :

  • who you are photographing
  • what you are photographing
  • when you are conducting the shoot
  • where you are working/ location
  • why you are designing the shoot in this way
  • how you are going to produce the images (lighting / equipment etc)

THIS HOMEWORK IS DUE IN WED 7TH NOVEMBER

New Deadline : Monday 12th November 2018

Final Images

These are the 4 final images which I have chosen to print out as my final images.

This will be my largest print out (sized at A3). I will seperate the print into the two images it consists of; then stick them onto one layer of white styrofoam board, then display them on a black A2 piece of card. This will make them literally pop out of the page more as they will be lifted approximately 1cm above the card. The whole display will also keep the black & white theme as the display elements are also black & white.This image will be printed out in A4 size. I will frame it in black A3 card to keep the dark theme of the photo. Howevr, I will bevel the edges around the photo so that the white underside of the card shows through, this will help distinguish the image from the frame without adding too much bright elements.

This photo will be printed out in A5 size. I will cut it into three elements (left, middle, right) to help show how the image consists of three clear parts. I will then layer them on different thicknesses of styrofoam board; left part will be 2 layers thick, middle right part will be 3 layers thick, and middle part will be 5 layers thick. These will then be stuck onto an A4 piece of black card with small gaps between each third of the photo.

This photo will also be printed at A5 size. For this photo I have decided to keep things simple by only sticking it onto one layer of styrofoam board.

Uta Barth

Uta Barth is a contemporary photographer, who lived and worked in California. Her photographs weren’t about seeing  the sharpness and clear images within her photos. She made all the images and shapes within her photo merge together. As photography was mainly about pure visual and seeing what was in the photo, but Uta Barth changed this and her photographs were a sense of art and the viewers ultimately depend on the visual to understand the photo. Her work makes people view her art more than once to understand and appreciate the image.

At first glance this image seems to been taken in a bad way and very simple. But this image conspires with the human eye, to figure out what we are looking at. This photo was taken in a simplistic way, but almost amazes me that an image can look so interesting out of focus. The natural lighting in the images gives the walls a yellowy town to it, the colors in the images are very earth orientated, shades of browns and yellows. When looking at this image, it calls the attention of you to really figure out what the subject of this images would’ve been, its surrounding and the meaning of it. 

In all of Barth’s work there is little human interaction in them, this is because she says it removed the focus away from the entire photo, as people would play more attention to the clothes they are wearing and using people automatically gives them an identity due to the way they are looked and used in an image, which can overall change the whole subject of the image. The blur theory throughout her images it to make all the objects equal and universal, which meant viewers could pre-judge what they were seeing in front of them. Using a blur makes the viewer question what they are seeing. The story behind her images, it telling people that the world that surrounds us isn’t just a background and scenery, it is equal to us and is as important as us.

When planning for this shoot I had to take into consideration, lighting, camera settings, location and the concept and context of the photos I was going to take. I took into thought about showing the pureness of our surrounds, so I began to focus on focusing on natural shades and tones, such as white and green. The white would represent the pureness and righteous of the world and the green would show the nature of the world.  The two colors would work well together, as the white would make the green standout, as it would give a pop of color in the pictures.  Then also having my images out of focus it would merge together the two colors, making them equal to each other. These are a few photos I came out with from this shoot;

The difficulties I had in this shoot were trying to get the camera settings on the right format. I used a manual setting, with a wide lens, I has a low ISO of 100 or 200 and a slower shutter speed of 1/4 or 1/8, this is so I could let more light into the photo, which made the white become brighter in the images. I adjusted my lens to get the images to be out of focus so the color and shapes could merge together and become equal to each other, this is so that there wasn’t just one center subject of the photo, the whole photo was the main attraction as you had to figure out yourself the meaning, the point and what was actually in the photo.

The second part of my shoot, I focused on using the outside and natural light along side with the natural settings. For this part for the shoot I kept the same ISO but changed the shutter speed to 1/32, this is so you could see what was in photo more clearly, so you could get more of an outline, because if the shutter speed was too slow the photos would of come out white. I photographed the things closer to the camera in focus with the rest of the background and surroundings out of focus. This gave the photo a primary focus, but yet it was showing the shapes and colors of our surroundings. I decided to put in focus something simple, which people don’t see as equal to us. These are my photos from the second part of the shoot;

The struggles I had in this part was focusing on one main subject, and not getting everything in or out of focus. Also having to find a simple main subject for the images was a challenge, but looking at some of Barth’s worth gave me inspiration in what to use and focus on.

Overall, this shoot was a chance for me to learn about a new photographer but also learn different ways to photograph images and that all images don’t have to be in focus and that they can have any meaning you make them have.