Post Modernism:

Post Modernism was developed in the mid to late 20th century by Architects as they criticised an international style of modern architecture to explore the way society constructs and imposes a traditional hierarchy of cultural values and meaning.  ​The style goes the against the cultural trends in photography, also known as ‘modernism’. It focuses on the rapid change within society and the prospect of people making their own decisions. ​

It is to be a language which allows a discourse between the unconscious and conscious to ensure the unconscious plays a role within the world. Postmodernism embraces complex and often contradictory layers of meaning​.

Barbara Kruger:

Barbara Kruger was born in Newark, New Jersey, in 1945. After attending Syracuse University, the School of Visual Arts, and studying art and design with Diane Arbus at Parson’s School of Design in New York, Kruger obtained a design job at Condé Nast Publications. Working for Mademoiselle Magazine, she was quickly promoted to head designer. Later, she worked as a graphic designer, art director, and picture editor in the art departments at House and Garden, Aperture, and other publications. This background in design is evident in the work for which she is now internationally renowned. She layers found photographs from existing sources with pithy and aggressive text that involves the viewer in the struggle for power and control that her captions speak to. In their trademark black letters against a slash of red background, some of her instantly recognisable slogans read “I shop therefore I am,” and “Your body is a battleground.”

Much of her text questions the viewer about feminism, classicism, consumerism, and individual autonomy and desire, although her black-and-white images are culled from the mainstream magazines that sell the very ideas she is disputing. As well as appearing in museums and galleries worldwide, Kruger’s work has appeared on billboards, bus cards, posters, a public park, a train station platform in Strasbourg, France, and in other public commissions. She has taught at the California Institute of Art, The School of the Art Institute of Chicago, and the University of California, Berkeley. She lives in New York and Los Angeles.

Pictorialists took the medium of photography and reinvented it as an art form, placing beauty, tonality, and composition above creating an accurate visual record. Through their creations, the movement strove to elevate photography to the same level as painting and have it recognized as such by galleries and other artistic institutions. Photography was invented in the late 1830s and was initially considered to be a way in which to produce purely scientific and representational images. This began to change from the 1850s when advocates such as the English painter William John Newton suggested that photography could also be artistic.

Although it can be traced back to these early ideas, the Pictorialist movement was at its most active between 1885 and 1915 and during its heyday it had an international reach with centers in England, France, and the USA. Proponents used a range of darkroom techniques to produce images that allowed them to express their creativity, utilizing it to tell stories, replicate mythological or biblical scenes, and to produce dream-like landscapes. There is no straightforward definition of what a Pictorialist photograph is, but it is usually taken to mean an image that has been manipulated in some way to increase its artistic impact. Common themes within the style are the use of soft focus, color tinting, and visible manipulation such as composite images or the addition of brushstrokes.

• Pictorialism was closely linked to prevailing artistic movements, as the photographers took inspiration from popular art, adopting its styles and ideas to demonstrate parity between it and photography. Movements that were particularly influential were tonalism, impressionism and, in some instances, Victorian genre painting.

• Pictorialists were the first to present the case for photography to be classed as art and in doing so they initiated a discussion about the artistic value of photography as well as a debate about the social role of photographic manipulation. Both of these matters are still contested today and they have been made ever more relevant in the last decades through the increasing use of Photoshop in advertising and on social media.

• The movement led to great innovation in the field of photography with a number of the photographers associated with it responsible for developing new techniques to further their artistic vision. This laid the foundations for later advances in colour photography and other technical processes.

https://www.theartstory.org/movement/pictorialism/

Realism:

Realism, sometimes called naturalism, in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, or implausible, exotic, and supernatural elements. Realism has been prevalent in the arts at many periods, and can be in large part a matter of technique and training, and the avoidance of stylisation. In the visual arts, illusionistic realism is the accurate depiction of lifeforms, perspective, and the details of light and colour.

The development of increasingly accurate representation of the visual appearances of things has a long history in art. It includes elements such as the accurate depiction of the anatomy of humans and animals.

Lorenzo Vitturi:

Lorenzo Vitturi (b. 1980, Italy) is a photographer and sculptor based in London. Formerly a cinema set painter, Vitturi has brought this experience into his photographic practice, which revolves around site-specific interventions at the intersection of photography, sculpture and performance. In Vitturi’s process, photography in conceived as a space of transformation, where different disciplines merge together to represent the complexities of changing urban environments.

Vitturi’s latest solo exhibitions have taken place at FOAM Museum in Amsterdam, The Photographers’ Gallery in London, at Contact Photography Festival in Toronto, and at the CNA in Luxembourg. Vitturi also participated to group exhibitions in Rome, at Centre Georges Pompidou in Paris, at La Triennale in Milan, at the Shanghai Art Museum and at K11 Art Space in Shanghai, and at BOZAR in Brussels. 

Following the presentation of Dalston Anatomy in 2013 as a book, multi-layered installations and performance, Vitturi’s latest photo-book ‘Money Must Be Made’ was published by SPBH Editions in September 2017.

Dalston Anatomy:

Dalston Anatomy is a book project, a multi-layered installation, and a visual celebration of the Ridley Road Market in East London. Lorenzo Vitturi recognised the market as a unique place where ‘different cultures merge together in a celebration of life, diversity and unstoppable energy’ and was inspired to capture this place before it transformed beyond recognition.Residing in the area for over seven years, Vitturi visited the market daily and witnessed the local community, economy and the very nature of the market changing around him with striking acceleration. From this complicated process of transformation stems Vitturi’s compulsion to collect and picture the objects found at the market.

The objects were left to rot, manipulated with pigment or deconstructed and then rearranged in compositions and photographed against discarded market materials before and after their collapse. The ephemeral nature of these sculptures mirrors the impermanent nature of the market itself, while the reconstruction and placement of these totem-objects in the exhibition space reflects on constant cycles of production, destruction and recreation.