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Tableau Vivant: Tom Hunter

About Tom Hunter:

Tom Hunter (born 1965) is a London-based British artist working in photography and film. His photographs often reference and reimagine classical paintings. He studied at the London College of Printing, and was the first photographer to have a one-man show at the National Gallery, London.

Hunter has shown work internationally in exhibitions, his work is held in a number of public collections and he has had four books published. He has won various awards including an Honorary Fellowship of the Royal Photographic Society.

What does Tom Hunter focus on in his photography:

In his works he focuses on depicting local issues and sensationalist news headlines with compositions borrowed from the Old Masters, Also he focuses on the political problems that happen for example when he re imagined a photo of the image by painter Johannes Vermeer. This is the original image that he got his ideas:

This is Tom Hunters representation of image:

These two images have different meanings, the original photo is about this woman getting a telegraph from her husband who was in the war. However the re imagined photo is about This woman getting a letter of eviction from her house, even though these images are presented in the same way except one is done modernly. The meanings if not told could be interpreted in your way.

Why I picked Tom Hunter:

I chose Tom Hunter because I was interested in how he presented the  different images and how he chooses to represent them in an very subtle choice. I like how he explores the different problems that occur in today’s society, like the image he is trying to tell people what is happening behind closed doors.

Images that I might do:

 

Group Tableau Pictures

As a group we Decided on two images and we would copy them.

Firstly we did Carravagio ‘Deposition – the image below.

Our version and how we made it look like the image:

  1. Starting Point:

2. Process:

This is the process of the director telling us what positions we were going to do and what poses we are going to do. Firstly we looked at the image and decided how was going to be the director and the lighting helper and how was going to reenact the image.


This is based on the second image we focused on a image by

I found these images too over exposed, to sort these problems out we ended up lowering the brightness of the light so that I didn’t over expose the image. I also I would crop the image so you couldn’t see the sides and the lights.

4. Positions:

5. Final Trys:

These out the outcome of the original photo and how we re in acted the image in modern day.

Best Outcomes:

Chiarascuro Techniques

Definition of Chiaroscuro:

The treatment of light and shade in drawing and painting.  is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures.

My Examples of this Technique:

 

Questions about Studio Portraits Techniques.

Why do we use studio lighting?

we use studio lighting for several reasons, for example we use it to control and manipulate how the light is being used also it helps to create a successful image. Also we use light so that if an image is too dark then we can use the light to brighten the image.

What is the difference between 1-2-3 point lighting and what does each technique provide/solve?

One point lighting is where you use only use one light source in the image, this would mean that only one part of the image is illuminated, it provides shadows.  This is the set up of the one point lighting.

Two point lighting uses two light sources – fill and key,  They are usually next to each other on opposite ends They both illuminate the object, this is good because if you don’t want any shadows they both eliminate them, here is the set up for two point lighting:

Three point light uses 3 light sources just like two point lighting however they use a back light this is usually positioned behind the object in the corner this is to illuminate the back of the object, this technique can also solve the issue of shadows as they all work together to eliminate them. Here is the setup for three point lighting:

 

 What is fill lighting?

Fill light is form of supplementary light mainly used to lighten shadows in an image. Fill light is often used in portrait photography to create a contrast between the image subject and image background.

What is spill lighting?

They use a reflector to spill the light from one of the light source on to the object this way they have more control over the lighting. The term “spill fill” refers to fill light which results from the footprint of light sources bouncing off surfaces in the shooting environment.

What is Chiarascuro ?

The treatment of light and shade in drawing and painting.  is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Here is an example of this:

Studio Photography: Case Study

John Rankin Waddell:

  •  also known under his working name Rankin, is a British portrait and fashion photographer and director.
  • Rankin focuses on close up head-shots of the subject, using a variety of facial expressions and props to create an interesting and intriguing image.
  • Rankin makes use of both grey-scale and colored photography, and through using a studio as the setting for most of his portraits, the background of the image is often left a bold white, which draws maximum attention to the subject in the foreground.

Here are some examples of this works:

here our some of the images we took as we were inspired by Rankin:

My favourite Pictures out of these are:


I like this image above as it is very simple and compared to Rankin’s work it seemed to very well with it, for example we decided to add the crown to see the effect it would have with the light I think this turned out very well, also I like the position of the face making half dark and the other half in the light. this was one idea that Rankin had , I thought it came out very well as we wanted to.



I like this Image above the light has caught her hair and has made it look like it was golden and a different colour, also the light on the face is again half and half, this was ambition to experiment with the light. I thought it was very simple again and and the sharpness of the photo is very significant due to this being one of our expectations.


These outcomes I think have come out really good, as they have come out very similar to Rankin’s work, I think that these are very simplistic.

What is Street Photography

Street Photography: 

Street photography, also sometimes called candid photography, is photography conducted for art or enquiry that features unmediated chance encounters and random incidents within public places. Although there is a difference between street and candid photography, it is usually subtle with most street photography being candid in nature and some candid photography being classifiable as street photography. Street photography does not necessitate the presence of a street or even the urban environment. Though people usually feature directly, street photography might be absent of people and can be of an object or environment where the image projects a decidedly human character in facsimile or aesthetic.

The photographer is an armed version of the solitary walker reconnoitering, stalking, cruising the urban inferno, the voyeuristic stroller who discovers the city as a landscape of voluptuous extremes. Adept of the joys of watching, connoisseur of empathy, the flâneur finds the world “picturesque”.
Susan Sontag, 1977
The street photographer can be seen as an extension of the flâneur, an observer of the streets (who was often a writer or artist).Street photography can focus on people and their behavior in public, thereby also recording people’s history

 

Qoutes about Street Photography:

  • “Emotion or feeling is really the only thing about pictures I find interesting. Beyond that is is just a trick.”
    -Christopher Anderson
  • There are no bad pictures; that’s just how your face looks sometimes. – Abraham Lincoln
  • Photography is the only language that can be understood anywhere in the world. – Bruno Barbey
  • “Photographers mistake the emotion they feel while taking the photo as a judgment that the photograph is good” –Garry Winogrand.

Threshold concept #7:

The meanings of photographs are never fixed, are not contained solely within the photographs themselves and rely on a combination of the viewer’s sensitivity, knowledge and understanding, and the specific context in which the image is seen.

Environmental portrait photography 2

Arnold Newman Biography:

  • Newman was noted for the portrait photography of politicians and Artists. He was also known for his carefully composed abstract still life images.
  • Born in New York City on 3 March 1918, he grew up in Atlantic City, New Jersey.
  • In 1936, he studied painting and drawing at the University of Miami. Unable to afford continuing after two years, he moved to Philadelphia to work for a studio, making 49-cent portraits in 1938.
  • In 1945, Newman opened his own portrait studio in Miami after three years earlier looking after this other studio.
  • in 1946 Newman relocated to New York and opened up his own studio called ” Arnold Newman Studios” and from then on he worked as a freelanced photographer for magazines such as  Fortune, Life, and Newsweek.
  • he focused on photographing personalities of different people. He managed to maintain this even though some were lost or unknown, the photographs had to still be exciting and interest the viewer.
  • he was often credited for being the first environmental portrait photographer. Newman captured his photos in familiar using visuals and representations to show their profession and personalty.
  • Arnold Newman told a magazine in an interview  “The surroundings had to add to the composition and the understanding of the person. No matter who the subject was, it had to be an interesting photograph. Just to simply do a portrait of a famous person doesn’t mean a thing.”
  • Newman’s most famous photographs were in black and white even though he photographed in colour. His 1946 black and white portrait of Igor Stravinsky seated at a grand piano became his signature image.
  • After this Newman taught  photography at Cooper Union for many years.
  • Newman died on the 6th June 2006 in New York City, New York after recovering from a stroke.

Images:

 

Arnold Newman

This is my favourite image by Arnold Newman as it is very simple and i like how the light has been reflected in the back so that it hits the seats , also he has got the person to do a emotionless face so that it makes us feel nothing, also as it is in black and white this then makes the image more sinister than before as usually the dark makes us feel that bad is going to happen whereas a the picture was in colour then you would think that it was happy mood. I think that he didn’t use flash and that instead he used a alternative light source.

Here is some of my examples of environmental portraits:

I found when I took these photos that they didn’t come out the way I wanted, for example It looks like i have done a double exposure, I didn’t want this, the problem with this is because the shutter speed was too slow meaning that it din’t capture the picture in detail.

For these picture I found that They came out more clearly than my other attempts. However I found after that one image was slightly over exposure while the other one was under exposed, to solve this problem I increased the exposure on the under exposed image to get a little more light and I have increased the colour intensity. This is my outcome:

Environmental Portrait

What is a environmental portrait photography:

An environmental portrait is a portrait executed in the subject’s usual environment, such as in their home or workplace, and typically illuminates the subject’s life and surroundings. The term is most frequently used of a genre of photography.

By photographing a person in their natural surroundings, it is thought that you will be able to better illuminate their character, and therefore portray the essence of their personality, rather than merely a likeness of their physical features. It is also thought that by photographing a person in their natural surroundings, the subject will be more at ease, and so be more conducive to expressing themselves, as opposed to in a studio, which can be a rather intimidating and artificial experience.

Examples of environmental portrait:

 

Heres a video to create environmental portrait photography: