Double Exposure is a photographic technique that combines two different images into a single image. The technique has been practised for several years, and recently people are frequently using this technique because of the fact that graphic editing programs like Photoshop can help to create the identical effect. With the double exposure technique you can create certain effects like ghost image, mirror image or simply merging something bright with dark. The final outcome of my double exposure edit came out well as the two images are subtly merging into each other like a watercolour painting. The vibrant colours of the sunset capture’ the viewers attention and shines through the shadows casted by the prism.
On photoshop I opened up an image of an abstract photo and changed the canvas size so I could copy the image and rotate it to the left horizontally. I did this two more time for the top part of the canvas to create an abstract image composed of 4 of the same image. I think the two final outcomes came out well as they do not appear to look like the original image. The repetition of the same image helps to emphasise the formal elements, creating an interesting abstract photo.
Jon Setter is a photographer who was born in Detroit, Michigan and is currently living in Sydney, Australia. He received a Bachelor of Arts from the College for creative studies in Media Arts and is currently pursuing a master of fine arts from the national art school. His photography mostly focuses on urban space and architecture. He walks around the city and photographs a different perspective. Jon makes use of repeated formal patterns such as colour, materials and textures and organizes them to create an abstract expression of space. He finds inspiration from all over, such as fashion campaigns or other artists he follows on Instagram. His main influences have been other architectural photographers like Stephen Shore, Thomas Struth and Michael Wolf.
Jon setter’s minimal urban photography will inspire me when capturing my own minimalistic photos. Like Setter, I will pay attention to colour and texture to create man made spaces into geometrically satisfying compositions. Photographing a different perspective will help me get the results I want to create abstract images. I will take around 100 images, select 5-9 from the contact sheet and edit them to correspond to his vibrant style.
After selecting eight images from the contact sheet, I opened up photoshop and edited them to reflect Jon Setter’s photographic style. I increased the saturation and contrast on each photo to created vibrant, bold and sharp images to emphasise the formal elements such as colour, shape, line etc. When capturing images on my camera I made sure to increase the aperture so my depth of field would be greater and my images would have a sharper background. Overall, I think that I replicated Jon Setter’s abstract images as my photos are simplistic yet visually interesting because of the dominant formal elements that capture the viewers attention.
With one of my abstract images I will open up photoshop and add another layer on top (solid colour) so I can create holes with the brush tool. These holes will reveal the image beneath and the covered areas will have the solid colour which will be blocking the image. I will create holes in areas of the photo that I think need to be revealed if they are an important feature in the frame. Using this editing technique is another way of creating an abstract image and will help me improve on my photoshop skills.
The final image came out well since I have chosen certain parts of the photo to be displayed. This makes the image visually interesting as it’s only highlighting the important aspects.
Meatyard made his living as an optician but was a member of the Lexington Camera Club and pursued his passion for photography outside the mainstream. Meatyard’s work spanned many genres and he experimented with various strategies including multiple exposures, motion blur and other methods of photographic abstraction. Two of his series are concerned with focus and depth of field. They both show the expressive potential of photography, film and cameras when looking at the ordinary world.
Zen strongly influenced Ralph Meatyard's photography works since his photos reflect a connection between nature and humans. His Zen twig series include close up detailed images of thin tree branches set against out of focus backgrounds. To respond to his photographic style, I will take photos zoomed in on twigs and make sure that the background is blurred so the subject is sharply focused.
Uta Barth
Uta Barth describes herself as an artist who works mostly with photographs. She is interested in light, drawing attention to the viewer’s perception and separating the image from the thing depicted. Although her images are blurred, they appear abstract. The works that brought her international attention is the photographic series Ground and Field. These photographs are blurred caused by focusing the camera on an unoccupied foreground. Uta Barth has made visual perception the subject of her work. She carefully renders blurred backgrounds, cropped frames and the natural qualities of light to capture incidental moments.
Field #20 is a photograph of a street corner taken deliberately out of focus with a shallow depth of field. At a glance the image appears to look like an abstract design of muted browns and greys with red traffic lights that have been expanded by the out of focus effect. Close up they look like an abstract composition of coloured dots and from a distance the street scenes appear disorted as if seen through a partially opaque glass. To respond to her photography style, I will deliberately take images out of focus to create abstract photos with a merge of colour
Keld Helmer Peterson was a Danish photographer who spent most of his working life as an architectural photographer. He was inspired by Albert Renger Patzsch, the experiments at the Bauhaus in Germany, Harry Callahan and Aaron Siskind. Although he was best known for his coloured photographs, he also published several books of black and white images that explore dramatic contrast of tone. Some images are purely black and white since all the mid tones have been removed. He created and found these images using both cameras and flat bed scanners to have the effect he wanted. He encourages us to consider the space around the image and to use high contrast to create abstract photos.
My Response
To respond to Keld Helmer photography work I will use four abstract images that I have already taken and experiment with the threshold adjustment on photoshop to adjust the black and white contrast. I will then merge them together so different formal elements can be seen in one image. Using Keld Helmer Peterson’s style of photography will make me consider the negative space around the objects.
On each photo individually, i adjusted the threshold level to create images in black and white with different contrasts. When increasing the threshold level the negative space became darker and decreasing made the negative space brighter. Afterwards on powerpoint i grouped the images together so the black areas would merge together and connect to create one image. The formal elements line, shape and pattern can be seen in these images. The most dominant formal element that can be seen is line as they appear in different widths and different directions (horizontal, diagonal, vertical). The formal elements would regularly appear in Keld Helmer photographs. What i like about Keld Helmer photographs is that the negative space is the main feature. Although his images appear simple and reject colour and form, they are visually effective. I think my response was a success since I have incorporated his style into my photography and have experimented with the threshold adjustment for the best final outcomes.
One of the three pillars of photography that can dramatically affect the look of your images is the camera ISO. ISO stands for the International Standards Organization. In digital photography ISO measures the image sensor. It is a crucial setting to use properly if you want to take the best possible images. The lower the number the less sensitive your camera is to light and the finer the grain. Higher numbers mean your sensor becomes more sensitive to light which allows you to use your camera in darker situations. The problem with choosing higher ISO settings is that you begin to get higher grain in your images the higher you go. Every camera has a different range of ISO values that you can use. When you double your ISO speed, you are doubling the brightness of the photo.
White balance is the process of removing unrealistic color casts so that objects which appear white in person are rendered white in your photographs. Camera white balance has to take into account the colour temperature of a light source which refers to the relative warmth or coolness of white light. Our eyes are good at seeing what is white under different light sources but digital cameras have difficulty with white balance and can create unwanted color casts. By understanding white balance, you can avoid these colour casts and improve your images under a wider range of lighting conditions.
Albert Renger Patzsch (June 22, 1897- September 27, 1966) was a German photographer who was part of the New Objectivity movement. He wanted to engage with the world clearly and precisely. The New Objectivity appeared as a movement in German art, architecture and literature in the 1920s. Using this attitude to photography, Renger Patzsch used his camera to produce a true recording of the world. His works includes wildlife and botanical studies, traditional craftsmen, mechanical equipment, landscape and architectural studies.
In 1928 Renger Patzsch published The world is beautiful, which is his best known book. It is a collection of one hundred photographs which presents natural forms, industrial subjects and mass produced objects. He reveals patterns of beauty and order in natural and man made objects. This book made Renger Patzsch one of the most influential photographers of the twentieth century.
New Objectivity
Rejection of sentimentality and idealism
Showing things as they are, clearly and precisely
Concentration of certain subjects
Other photographers at the time who were interested in objectivity
Karl Blossfeldt
August Sander
Edward Weston
This is my favourite image by Albert Renger-Patzsch. Glasses of different sizes and forms have been laid out on a white table to create a visually interesting composition. The composition of this image has been thought through since the top edges of the glasses and the end of the shadows touch the corners of the image to fill the entire frame. The lighting, coming from the right hand side, is creating long shadows to dramatize the image and help define the form of the glasses. The formal element line can be seen through the shadows the glasses have casted. Since the image is in black and white, contrast is clearly visible through shadows and areas of highlight which help create depth to the image.
My response
To response to Albert Renger Patzsch photography work I will capture 100 or more images in black and white to replicate his style. I will take pictures using the Hipstamatic app on my iphone with the lens Florence and the film BlackKeysXF. The lens captures images clearly and the film makes them black and white instantly. I think that this effect creates lots of contrast and shows highlights and shadows effectively. After I have taken the 100 images, I will make a selection to have a smaller set of images.