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Photo-Montage-Aleksandr Rodchenko

Born in 1891, he was a Russian artist, sculptor, photographer and graphic designer. He was one of the most versatile artists to come out of the Russian Revolution, he discovered photography and photo-montage later in life, his photography at the time was socially engaged and went against artistic norms at the time. He was first inspired to create photo-montages by the DADA movement which had the purpose of ridiculing the meaninglessness of the modern world. Rodchenko first started experimenting in the medium, using found images from 1923/24 as well as his own images.
His first published photo-montage illustrated Mayakovsky’s poem, “About This”, in 1923. In 1924, Rodchenko produced his most famous poster, an advertisement for the Lengiz Publishing House sometimes titled “Books”, which features a young woman with a cupped hand shouting “книги по всем отраслям знания” (Books in all branches of knowledge), printed in modernist typography. In the early 1930s he embraced photography as a tool for social commentary, critically depicting the disparity between the idealized and lived Soviet experience. The images he made contrasted with Socialist Realism, which was declared the official style of art in the Soviet Union in 1934. 

“One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again.”

Image result for aleksandr rodchenko
Image result for aleksandr rodchenko

My Photo-montage

This one is a combination of an image of the Radio Tower from Societe Jersaise and an image of mine from Noirmont of one of the bunker.
This is a combination of an image of Charing Cross in St Helier from Societe Jersiase and an image I took at Noirmont.
This is a combination of an image of people looking onto the Pomme d’Or hotel and one of mine of the canon at Noirmont.


Bunker Archaeology-Jonathan Andrew

He is a English photographer from Manchester but now has been living in Amsterdam for 20 years. Andrew is specified in location photography and has previously worked for National Geographic, shooting travel features, as well as outdoor stories for magazines and just personal landscape photography. The project of his that am interested in is called ‘World War II Relics’ in which he has traveled to France, Belgium, Netherlands and Scotland to photograph what remains of the bunkers of war and other fortifications remained abandoned after the last world war. The famous bunkers of the ‘Atlantic Wall’ were featured in the project, which was the line of fortifications that Hitler had built along the shores of the Atlantic, from the Pyrenees to Norway. All photographs were all taken at dusk, or a few moments after sunset, because according to the author, the light of day would have flattened the photos. The project has created much interest in the international press and has featured in ‘The Daily Mail’, ‘Wired Magazine’, ‘Creative Review’ and numerous blogs and websites. I was honoured to be a guest lecturer at the ‘Willem De Koning Acadamy’ in Rotterdam, teaching landscape photography to 2nd and 3rd year students. He captured how the bunkers had been adapted to modern day life, for instance some of them bear marks of graffiti; others, have been converted into livestock barns by local farmers. The ones located near the sea are being used as diving platforms.

“At first I found attractive the geometry and shape of these structures (…) It was as if they were still on guard, and no one had told him that the war was over” – Jonathan Andrew

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Jonathan Andrew photography
BunkersWWII-3

Noirmont Point-Battery Lothringen

Our trip was to Noirmont Point in which we explored and photographed the network of bunkers, Tony Pike also gave us a guided tour. There is an underground command bunker at this specific site, which was used by the Germans and is the only naval coastal artillery battery in the island and part of Hitler’s infamous Atlantic Wall. 170 men set camp on the headlands manning the bunkers, there were living quarters where they inhabited, but when not on duty they stayed at the Portlet Bay Hotel just around the corner. Before the occupation Noirmont was just nature, everything was made by the Germans up there. The states bought the land as an Island War Memorial in 1950 to remember those who fought and lost their lives in World War II.

We were given several opportunities to go around all bunkers as there were 4 main fortifications on the site, I edited some of my best photos on photoshop and lightroom. I made all my images black and white as I wanted them to seem as if they were taken during the occupation. The overcast weather on the day I feel worked very well with the concept of the occupation being such a depressing time for the people of Jersey and how the dull clouds mirror the atmosphere at the time as being gloomy. I wanted to get as much of the bunkers and the landscape together as they contrast well against each other with the man made structures and the delicate nature of the headland, it’s two extremes.

Who’s Archive is it Anyway?

Archives are accumulations of of historical records. An archives purpose is to conserve artifacts like document. photography and artwork. They differ from a library because they hold both published and unpublished documents. A person who works in archives is called an archivist. The study and practice of organizing, preserving, and providing access to information and materials in archives is called archival science. Archives are accumulations of of historical records. An archives purpose is to conserve artifacts like document. photography and artwork. They differ from a library because they hold both published and unpublished documents. A person who works in archives is called an archivist. The study and practice of organizing, preserving, and providing access to information and materials in archives is called archival science. Archives are accumulations of of historical records. An archives purpose is to conserve artifacts like document. photography and artwork. They differ from a library because they hold both published and unpublished documents. A person who works in archives is called an archivist. The study and practice of organizing, preserving, and providing access to information and materials in archives is called archival science.

Photography plays a double role in archives, one being the visual imagery and two being the story, they act as a narrative. Although a photograph is an image it also tells a story and provides evidence to historical narrative.
Roger Fenton was mentioned in David Bate’s extract named ‘Archives, Networks and Narratives’, it talks about how archives create an historical narrative via the memories savored in the artifacts. He was one of the first war photographers, he was born in 1819 into a Lancashire merchant family. He first started out being interested in art and gaining a degree in the subject but later was became intrigued by the new technology of photography after having seen early examples at ‘The Great Exhibition’ in 1851. In 1854 he became the British museums first photographer by documenting its artifacts, similarly to how an archive collects artifacts. Fenton started as a photographer of cuneiform tablets which are one of the earliest systems of writing invented by the Sumerians, once he started working for the British Museum he began to take pictures of other antiques. His time at the museum ended when money became scarce. In David Bate’s extract he talks about how photos act as a collected artifacts that we display in museums but also how a single photo is a form of archive in its own way. A quote from Bate’s extract that really stands out to me is ‘Archive photographs not only record objects and events, they also produce a meta-archive, with meanings that can be mobilised in other times and new contexts.’ I feel this highlights the idea of the double role of archives, on the surface they are just a place to preserve documents but the more you explore them, the more you find meaning behind the photos being stored.


Sadly, I feel that in the future archives won’t be so common because social media is such a big part of our lives and we share picture with everyone constantly whether it be on snapchat or instagram etc. Nowadays we just save our pictures onto the cloud to look back to in the future to remember old times. I feel as if my generation has luckily just missed the whole digital age as I do have physical film camera photos of me as a young child but my youngest siblings don’t really have any printed pictures, they are all on phones. Physically having a photo to hold in my opinion is more nostalgic and sentimental, I don’t feel that having photos on my camera roll hold as much value as a paper photo does.

Archival material will help to enrich my personal study by giving me a more in depth idea into the types of photography in the occupation, what the photographers at the time thought we essential to capture as a photo. It also highlights the importance of preserving and storing these images as a reminder of the Islands past and how much we have developed photography technology and how much the landscape has changed. For instance I will be able to identify certain landscapes in Jersey when they were in the occupation and compare tit to how it currently looks. As well as that it could provide insight into my family history and how they lived during the occupation in Jersey, this interests me as I want to know more personally about experiences along with photography, I think it would be useful to research into peoples first hand accounts of what Jersey was like in the occupation, these types of documents can be found in the Jersey Heritage Archives.Seeing raw photos from the time of Jersey’s occupation gives you more an insight into what photography was like back then, the techniques, the focal points, the people.

Looking at the archives was resourceful because it made me aware of the archive system, how it works and how you can obtain the documents for personal usage. Ir’s also just useful to know that we can as students use the photos as references to our work as I was previously unaware we could do so.

To conclude I have learnt from the trip what its like to conserve documents and the importance they hold to keeping Jersey’s history alive. Also that you don’t just put the photos in a box and leave them be, it actually involves maintenance to preserve them, I was unaware that the Societe Jeraise even existed so I have discovered a useful resource for this project. Overall I have just gained more of an appreciation for archives, even though I’m not hugely into history it is intriguing to see what Jersey used to be like and how photographers of that time used what they had to their advantage to capture the harsh truth of the occupation, in my opinion they had real guts for what they did, it can’t have been easy to do that for a living in such sad and prejudice times. Without these photographers we wouldn’t have the simplistic idea of what Jersey used to look like, we would only be able to assume and interpret. It’s very helpful for photographers these days to take old sources and base their work on them for inspiration.

The Occupation

On Tuesday the 4th of June we went on a trip to the Societe Jeraise archive which is run off donations and memberships. The visit was an opportunity for us to see how archives function and to identify their purpose in todays society. The A2 project theme was presented to us as being the Jersey Occupation, we were introduced to it via a compliation of videos taken in the time of the occupation then we were given a talk on the brief history of the archive, how it came about, when it was created, what is photos are kept their. After we were given 40 images that are stored at the Societe and had the task of ordering them to create a narrative sequence, ours we focused on the idea of agriculture and rationing, rather then the violent side of the war photography, we wanted to highlight the importance of food within the occupation, how and where it came from. The final task was too go into town and take photos of landscapes, objects and people who had any significance with the occupation. I decided to go to antique shops to look for objects and I found postcards from that era, with writing on the back with stories of the war.

My Final Outcome:Separated By Four-Mock:Identity and Place

My final photos were heavily influenced my Barbara Peacocks-American Bedroom. I wanted to create a series of photos of people in their bedrooms in order to link to the mock exams theme of identity (the person) and place (their bedroom). I wanted to empathizes how people use their bedroom as a place to express their self, but I also wanted to tie in the theme of lack of identity by blurring out facial features. I wanted the bedrooms not the peoples faces to be able to describe the person, as I believe that we dress to impress, but our bedrooms are where we show our real self. I want the viewer of my photos to be able to construct an idea of the person through the materialistic items that are in their room or on them. Nowadays we hold such value to materialistic goods, I feel that our personalities are created round the things we own, e.g our clothes and houses. For instance people with a room with very little furniture in it, shows signs of poverty or show signs of a minimalist life. Or someone with very little to no portraits in their room shows signs of loneliness or lack of family, rooms tell a lot about a person.

NC:

I took pictures of 3 different peoples rooms over the build up to the exam and these are the images that turned out the best and I chose to use them in my final pieces. I created a porfolio for each persons room, including a picture of them in their room and several items in their room. I wanted to home in on personal touches that people put in their rooms such as the art work, family photos, toys, laptops, lego, all these create an idea of the person thats room it is. I kept my pictures in colour as I wanted to show the raw and natural beauty of peoples bedrooms and how they reflect our inner and true self, in our room we are free from judgement, we don’t have  be afraid of being laughed at or social rejection. When in public most people experience social desirablilty bias and they live to only be accepted by others and not by themselves, their rooms are a place to escape this feeling to fit in and to be black and white, they can be as colourful and as different as they want. In my concept plan I talked about Goffman’s concept of ‘The Representation of The Self in Everyday Life’ and how he believes we have a ‘front’ and a ‘back’ self. From these final pieces I represent both of these self’s as I have a picture of the person, which is the ‘front’ self the one that the public sees and their room acts as their ‘back’ self, the one they conceal from the public eye.

TB:

Once my picture have been printed I am going to mount and frame them on black card. In between each image there will be a border of black card this represents the strcuture of a house and how we hide behind these four walls, it’s where we feel safe. I wanted to express how walls (the black lines between each photo) are the only thing in a house that separate us from each other and empathizes how close we all are from each others true self, just a wall away. Similarly to Peacock’s work, mine has focus on colour and identity, we both focus on the vibrant colours of peoples room and the things they put in them to make them personal to their own identity, whether it’s in America or Jersey we still are all human and all have a private place that is special to us. As well as that I focused on creating a narrative for the person but without speech, simply through images of their rooms. For instance the Peacock photo I analysed created a story of a lonely alcoholic who is addicted to nicotine and works in construction. Similarly my pictures tell a story, for example in my first set of photos their are items such as make up, electronics, a mirror, a dressing room table. From this information, without seeing the picture of the person, you can gather that they are a young women as they are interested in making themselves look pretty and they have the latest techonology.

LB:

Case Study:Barbara Peacock:American Bedroom-Mock:Identity and Place

Barbara is an American photographer/photojournalist. She is one of five recipients of the Getty Images annual Grants for Editorial Photography programme, which gives photojournalists an award of $10,000 as well as the agency’s support in pursuing projects of their choosing. American Bedroom is an ongoing series of portraits in which she explores the complexities of contemporary American life. American Bedroom is a cultural and anthropological study of Americans in their private dwelling; their bedroom. The nature of the project will be portraits of individuals, couples and families that reveal the depth of their character and spirit.

Cody, Portland, Maine: ‘It’s been really frustrating. I can’t do anything. I can’t hang out with my friends, can’t play sports. I’m stuck here … just me and my illness’ [rheumatic fever]

Pepere, Jay, Maine: ‘I am so quiet in the morning when I wake up so I don’t disturb her. Then I remember she is gone’

Betty, Sweden, Maine: ‘My husband died. I can smoke in the house now’

https://www.theguardian.com/artanddesign/gallery/2017/sep/12/american-bedroom-by-barbara-peacock-photographic-portraits

My Concept:

Barbara’s project on American Bedrooms has influenced me to do a similar idea for the ‘Place and Identity’ mock, in which I am going to take photos of people in Jersey in their bedrooms. I want to be able to explore the inside private space of the people on this island and how their bedrooms reflect their self.

I was also influenced by the media theorist, Goffman who came up with the concept of ‘The Representation of The Self in Everyday Life’ which is the idea that we all have a ‘back and a ‘front’ self, the front  is the one we let everyone see and we want everyone to see and the back is the one that is private to us that we conceal from others. I see a bedroom as a persons ‘back’ self a place or privacy and self expression, the actual person is the ‘front’ self, they leave their bedroom everyday to face the public world they dress themselves up to make an impression on others. I also want to explore how bedrooms change as people age, my impression is that the older you get the less expressive your bedroom becomes and it becomes more neutral and simple. Also it will be interesting to see how the dynamics of marriage and sharing rooms changes a persons private space.

Analysis Of Peacock’s Work:

Image result for barbara peacock photography

Barbara’s concept is simple yet complex because the idea of taking a picture of someones bedroom seems easy but it’s the people she chose to take pictures of it intriguing. For instance in the image above there is a middle aged looking man with a cigarette, no clothes on and a reasonably bare room. At first glance it’s just a picture of a man in this room but it tells a story, such as the fact that he smokes inside might mean he lives alone and this bare chest also suggests this. Also the lack of feminine touch indicates that he doesn’t have a women in his life, as well as that the bed being up against the wall makes me think that he doesn’t have a partner because most couples have their beds in the middle of the room so that it is accessible for both of them. The number of beer cans suggest he is a heavy drinker and the ash tray full of cigarette buts indicates he is most likely addicted to nicotine. The lack of portraits on the wall suggest he is a lonely man, possibly no kids and his parents maybe have pasted away. The boots and tool box suggest he could be some sort of builder or construction worker, this links to the number of beer cans and how working on construction sites means you are around males mostly and going out for a drink it a key aspect of workmen culture.

Barbara uses natural lighting to capture the true lighting of the room as this can indicate to a persons identity for instance some people much prefer having the blinds up or being in rooms with less light, which could suggest they are shy or constantly tired or are more of an evening person. The colours are neutral which creates a warm tone which is contrasted with the dingy feel of the room and how some light coming through is blocked by a yellow object which creates a dirty looking light, this mirrors the old cans lying on the floor and ash scattered on the bedside table. Although the room feels dirty it isn’t messy, the lack or furniture creates a repetitive structure which ties in with the idea that the mans life is very structured, work, smoke, drink, sleep and how it lacks the excitement of family and love. On the other hand the thing that sticks out the most visually in this photo is the notebook and how it seems out of place and you would think that he is not the type of man to write, this empathises how we judge people to quickly on their looks (front self) and it’s when they go home that they become their real self.

 

 

Introduction-Mock:Identity and Place

Identity is the fact of being who or what a person or thing is. Place is linked to identity as it shapes a persons characteristics, for instance living in a slum with no money can make a person more appreciative towards the little things in life and have more empathy towards others. Whereas people who live in places like Beverley Hills in huge mansions don’t value money as much they spend it likes there is an unlimited supply and generally look down on others with less money. Also places like Russia have extremely high levels of domestic violence and alcoholics, which has been a consistently high rate for centuries now, which says something about the culture in Russia.

Gender Identity is the personal sense of one’s own gender. Gender identity can correlate with assigned sex at birth, or can differ from it. All societies have a set of gender categories that can serve as the basis of the formation of a person’s social identity in relation to other members of society.

Cultural Identity is the identity or feeling of belonging to a group. It is part of a person’s self-conception and self-perception and is related to nationality, ethnicity, religion, social class, generation, locality or any kind of social group that has its own distinct culture.

Social Identity is the portion of an individual’s self-concept derived from perceived membership in a relevant social group.

Geographical Identity is an individual or group’s sense of attachment to the country, region, city, or village in which they live.

Political Identity– refers to political positions based on the interests and perspectives of social groups with which people identify. Identity politics includes the ways in which people’s politics are shaped by aspects of their identity through loosely correlated social organizations.

Lack of / Loss of Identity-An illness, injury, and even aging can take a serious toll on the physical self, leading people a physical loss of identity that can sometimes be accompanied by a loss of self-worth.

Bibliography

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Bright, S. and Van Erp, H. (2019): 18 Photography Decoded. London: octopus Publishing House 

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