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Final Essay

Essay Question; How have family photos developed over generations?

Introduction

“photography has undergone a transformation, not only technologically but conceptually. Initially described as a means of capturing or freezing ‘real life” (Bright, S and Van Erp H. 2019: page 18). This quote backs up the meaning of my project, where I am to investigate the changes that have been made to family images throughout the years. Postmodernism came around during the second half of the 20th century, where the building on themes such as family photos where developed to more of expressionism and surrealism instead of the raw meaning of an image. Hollad. P said in his book ‘Personal photography and popular photography’; ‘home photography has undergone a dramatic transformation’ Holland. P (1998) ‘Sweet it is to scan…’ Personal Photography and Popular Photography. London: Routledge.This has allowed me to hear somebody else mention the change, making me want to investigate it more, however he also stated ‘family photography is itself an indication of the domestication of everyday life and the expansion of a family’  Holland. P (1998) ‘Sweet it is to scan…’ Personal Photography and Popular Photography. London: Routledge.Another artist I looked at was Keuyon D, where he spoke about the different topics that where typically held and taken in family photos, those topics included babies, mother and baby, father and baby, important possessions, child and bike, adult with car, house, grandchildren, friends and actual footage, too this day these topics haven’t changed, it is the way they are taken that had. The images use to be more stages and set out, however in the 20th century they have become more action shots and candid as we have the ability to take a photo whenever we want using out phone cameras. The images shown by the artists, show some during the 19th century where taking images where more on a rare occasion and the other where photos have become more modern.

About My Project

‘Photography has undergone a transformation’ this states what my project is focused on, the change in how photographs have changed, in the means of quality, staging and the way they are stored. The first half of my project focusing on the first and second generation of my family, which involves my grandparents and parents, this will include images of my parents at younger ages and showing them grow up to becoming adults, this enables me to show quality and staging of the images during this time where photos were of a rare occasion this slowly merged into my parents during the adulthood where you see a change in quality of the images, along with who is in the photo and who stands where. In the early photos, where my parents where infants, you can see the eldest seems o have dominance within the image as they become the main aspect of the photo, whereby they are at the front or in the centre of the frame, this slowly developed as the photos of my parents in adulthood, all subject share the same dominance and the whole scene becomes the main aspect, also images where taken on a more regular occasion.

However, as my parents grew older and decided to have a child you can see a change in focus on what they began to takes images of, at any change they would take a photo of me as it allowed them to see the different phases and changes of my growing up. Every image they took, seemed to have a main focus, which was me, the images became more candid as I became less aware an image was being taken as they were trying to capture memories when they could, so they could be remembered. This is completely different to how photos where taken previously as they where stored digitally on a computer or phone, along with their being an increase in how many photos where taken as it became easier to do this. In Howarth S. work you can see the type of images that are being taken today;

Between the two images, you can see a change in the staging of the images, the older photo is more staged and has a older, worn feeling about it, this is because they had one change to take an image, this was due to the cost of having a photo taken and developed as they weren’t able to be stored digitally. Compared to the more modern photo, which is more candid and it within the moment of a mother and baby, they were probably able to see the image and retake it multiple or times and due the fact f improvements in technology images where constantly in high definition and where stored electronically.

Inspiration 1;

One of the main influences I had during this, was the concept of archives. Visiting the Jersey Archive gave me initiative on how photos where taken back in the day, along with types of family photos came from family members and where sentimental and not seen as show pieces. The way the photos were stored and framed, made me want to produce the older photos I had in their natural form as it added to the story of the photo itself. By using these photos it allowed me to create a beginning to my family album I was creating.

Photos such as the images above are the types of images taken during my grandparents life along with my parents. The low quality of the image is only  part of helping the image to tell its story, the distressed boarder around the image on the right aids in defining the age of the image, along with the photo on the left having the date written in the bottom right hand corner. Writing on photos doesn’t occur anymore, this is due to the face of images being stored digitally now. I wanted to be able to document this within my book, so I decided to photograph the front and back of the images to showcase the facts on the back as it will add context and understanding to the image.

With this set in stone, this influenced me to go and find old photos of my parents, with this said I found plenty that were able to show age, and the different staging of the image aspects and by this I mean, it seems the eldest in the photo had dominance over everyone else, as they seemed to catch your eye first. Along with this, they had information on the back of them which added a more defined story to the image to help me understand the story, which I believe is a good aspect as it’ll make my book more personal and understandable as I will have images with meaning.

The images above are my own images I found and photographed myself. The lighting of the images is poor due to the old camera that was used, along with the poor printing and age that was carried with it. The colouring of the boarder and back of the image is a dirty cream/brown which does show the age, this is due to the fact the image has been held many of time, stored in different areas, etc but this adds character to the image as it can emphasise specific aspects. The top image is showing, my grandad, my mum, uncle and aunty as they are on a day out. My grandad draws most attention due to his height and build being much bigger than the other subjects. On the back of the images is written a place which they were visiting when they were on holiday, down the line this would have helped them to remember this memory more clearer and allow them to set the scene in their head, it also allows for the viewer to understand the type of place they where at. Finally, the unique handwriting style adds adjust and style to the image as it is rarely seen.

Conclusion

Through this essay and project, I have been investing how family photos have changed over time, my main point being – ‘photography has undergone a transformation, not only technologically but conceptually. Initially described as a means of capturing or freezing ‘real life’ (Bright, S and Van Erp H. 2019; page 18). From my research I have learnt how image have changed, firstly through the quality and the way they are taken. Images used to be taken rarely as it wasn’t as easy as it was today, once the image was taken it would be printed out as there was no other way to see them or have the image, however today images are taken on a regular basis as it is easy, due to cameras on phones and it is easier to keep the images digitally. Along with the way they are taken the concept has also changed, the images taken earlier where staged, they had more direction too them whereas today images have become more candid, due to how easy an image is to take an image. Overall, sentimental value hasn’t changed the way they are taken and the meaning/concepts have, this is due to the fact of changes made within society and the norms.

The Longest Way Round – Chris Dorley-Brown

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The book is a soft back with, 161 pages of images telling a story. This book is about a German solider and a women from Jersey falling in love during the occupation, which was a very risky thing to do, meaning they had to keep it one the down low, to make sure no one would find out, otherwise consequences would’ve been big.

Related image

The layout of the images change from page to page, which makes the book more interesting to look through. Some of the images within the book were taken back during the occupation period and some are more up-to-date, you can see this through the change in quality, focus and layout. This is similar to what it want to present and has given me new ideas on how to layout my images. He also used documents and other objects that can relate to the two individuals, which allows the reader to get a better understanding of the couple and their life they had to live.

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Sans Limites – theo Gosselin

The book is hard back and slightly heavy, with a subtle sawdust smell. The images in the book are printed on A4 white card, which makes the images look bright. Within the book there is no writing, the story telling is through the images in the book which tell the story of Theo Gosselin who goes on a road trip with his friends and documents it through images, it is showing what he say and the carefree personality that people of that age have, this is really represented in the following images;

Image result for SANS LIMITES - THEO GOSSELIN

There are 112 pages showing how Gosselin lived and the activities he got up to during his time of freedom. Also, the lighting of the images is pure and bright which suggests most of his images where taken at sunrise or sunset, making the images highly focused and giving them natural lighting which enhances their surrounding. There are a few full spread images within the book and the rest of the images are one to a page with a white boarder around them, which makes you focus on the image you are looking at.

Image result for SANS LIMITES - THEO GOSSELIN

The following is a link to a flick through the book; https://www.google.com/url?sa=i&source=images&cd=&ved=2ahUKEwie7MzM-ILnAhWExoUKHQTJDxQQjRx6BAgBEAQ&url=https%3A%2F%2Fvimeo.com%2F123189895&psig=AOvVaw23Y4BCu5HR2AzLkDR0lGKb&ust=1579086091739369

The main audience for this book would be the younger generation, as I believe that older people would frown upon some of the images within the book. The images represent a carefree life, and it is encouraging adventure to the audience. The title of the book SANS LIMITES, means without limits, so they are living there life as they please with no regrets, they also stand as role modes to the younger generation to go and enjoy the life. The images are so simple yet captivating, it is as if the images have been taken out of a movie as they tell such a profound story

Personal Study – Edits from first shoot

After cropping my images, I then led on to create montages with a few of the photos and in this I will use images or objects that represent and relate to an individual within the image. This will add a more p[personal feel to the image an create a different feel.

Quick selection tool.
Ctrl-T so I can move and resize the image I have placed on top.
Quick selection tool
Final Image
Quick selection tool
Lower the opacity of the layer
Final Image
Final Image

Personal Study – Shoot 1

For my first shoot, I will be looking through family photos and albums to look at the three generations of my family; my grandparents, my parents and me. Through the years of taking photos, it has been highly developed from photos being printed and placed into albums which was mainly what my grandparents and parents did, up until now where phones have been developed to where you can now save the images on your phone, so their has been a decline in physical album making and the use of disposable cameras. Not only has the way of storing photos changed, but the context of the images have changed as well. During my grandparents years, photos were a privileged thing to have and wasn’t a common thing along with photos being staged and directed, however photos are more now candid and capturing the moment as it is, which tends to be a common trend within baby pictures due to the lack of communication between baby and parents, but as the child begins to age and are able to communicate photos become more staged between parents and baby’s, which is a trend through my family photos.

During this shoot I mainly focused on photos that my grandparents and parents took, which allowed me to see how times had developed as photos my parents had taken where in colour and more in focus compared to the photos from my grandparents which where more out of focus and in black and white.

Photography Decoded

Bibliography; Bright, S. and Van Erp. H. (2019), Photography Decoded. London; Octopus Publishing House

“if manipulation is the first thing someone thinks of in connection to photography, what does that say about the value of the photography as a reflection of reality? And what does ‘real photography’ even look like.” (Bright, S and Van Erp H. 2019: page 17)

“The daguerreotype had aspirations to both the realistic and theatrical, as well as to the commercial. The ‘mirror’ can serve as a metaphor for reality, whereas the red velvet evokes theater curtains, within which the beautiful drama would unfold” (Bright, S and Van Erp H. 2019: page 17)

“it was taken by a drone… makes it easier to interpret the degree of reality in this image, for the lack of human subjectivity makes it an example of ‘true reality(Bright, S and Van Erp H. 2019: page 17-18)

“The process of manipulation starts as soon as we frame a person, landscape, an object or a scene with out cameras’ (Bright, S and Van Erp H. 2019: page 18)

“Documentary and news imagery may seem the more realistic genres in photography, but their realism means nothing independently…(Bright, S and Van Erp H. 2019: page 18)

“photography has undergone a transformation, not only technologically but conceptually. Initially described as a means of capturing or freezing ‘real life” (Bright, S and Van Erp H. 2019: page 18)

Artist References – Personal Study Part 1

For my personal study, I am going to be working mainly with people and objects as I want to tell a story of the evolution of my family and I. After taking these images, I will compare them to images I have found on the upbringing and history of living in other country who are in poverty or less fortunate than myself. This is so I can see the different of life now for me and for someone the similar age as me, with different upbringings. I will also compare this too how different countries that are facing war currently in the 21st century and compare that to my life and even the life people lived during the German Occupation in Jersey. I will then experiment with different aspects of my shoots and I hope to create montages from the images gathered by myself.

Adam Ethan Berner

Burner has many different projects, one main of the projects I am going to focus on is; Making A Family; The History and Theory Behind Family Photos. I feel that this project links in well with occupation and liberation, as Burner is documenting his family history by creating a personal archive. Below are some of his images from this project;

Using the following link, I was able to access information from Burner that he had wrote up himself, along with his original images. Burner’s work from this project is mainly analysing and documenting old family photos and showing how people have grown up. Burner states that ‘family photos adorn the walls of homes. They are the last things before and after we sleep, and living rooms for guests to see. They remind us of our kin and loved ones. The photos reinforce what the idea of the family is as the images create an idea of what normal family life is like.’ Burner also states that ‘Underneath the image of a smiling face, the text of a missing persons sign reads, “Have you seen me?” The most important part of a government-issued identification document is the photograph of the person to whom it belongs. When one sees an unflattering photo of oneself, one doesn’t say, “The pixels that create a facsimile of my likeness are unflattering.” You say, “Delete that photo, I look terrible.’ https://museemagazine.com/features/2018/11/20/making-a-family-the-history-and-theory-behind-family-photos?rq=adam%20ethan%20berner

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A Photo From Burner’s Project

Technical; the lighting from this image would’ve come from the lighting around the room along with the flash on the camera, I can tell this because the faces of the subjects are slightly over exposed. The shadow present behind them could’ve been caused my the flash or the way the home lighting was angled. The tonal range within the image is little, this is due to the face of the black and white worn by the subjects being very normal and bold colors, yet neutral . The color temperature of the image is slightly on the orange side, this may be due to the fact the image was taken as cameras were just developed.

Visual; The texture of the image looks rough, due to the discoloration of it and the wrinkles within the image, from this texture you can tell that the image is old. The image its self is 2D, but due to the shadows behind the objects and the angle they are standing you can see a 3D affect. The composition of the image has a layout of four individuals stood side by side next to each other, two males and two females who are dressed in smart attire. Immediately, I am drawn to the women in the white dress, this is because white stands out over the black and orange background.

Conceptual/Contextual; Burner used this image due to the fact to show his family history, the meaning behind it is documenting family photos, however, as suggested by Burner ‘photos aren’t always taken’ so when they are it is a memorable moment, so in the future that moment can be remembered.

Laurie Simmons

Simmons is an american photographer who tends to delve deep into the portray of gender rolls, one of her main projects interesting me being Big Camera, Little Camera, where she associated things she has grown up with, mainly dolls with things from the present day such her house or her work, but her work is also a symbol of gender roles.

Through a review done my Adam Burner he said; ‘Throughout the collection of photos, one can see the ways in which Simmons’ career developed as she plays with scale, staging, and the borders between reality and fiction.’ here he is saying that his lady he has researched about is showing her evolution and how she grew up will dolls, and Burner’s photography is now portraying them as reminders from her past along with associating them with things of the present, such as her home/job. I researched more in detail about this project using the following link; https://museemagazine.com/culture/2019/1/8/book-review-laurie-simmons-big-camera-little-camera?rq=adam%20ethan%20berner

“Magnum Opus I (the Bye-Bye)”, 1991. Gelatin Silver Print .  Laurie Simmons. © Courtesy of Laurie Simmons

contextual study; conversations on photography

JEFF WALL

Jeff Wall

Jeff Wall is a Canadian artist who is best known for his large-scale photographs and theories on art history. In an interview which was conducted with Wall he said;

‘Not every image is (or wants to be, or needs to be) a tableau…and when an image isn’t as acutely composed, it has less presence as a tableau. – this is suggesting that even if an image is directed/staged it doesn’t has to be categorized as a tableau, as you the photographer are adding your emotions and effects to it, making it an unique image,.

‘Photographers often want to treat a subject extensively, devote themselves to it and make groups or sequence of pictures about it. I do it to one image, and clear the debt in one throw of the dice

‘Subjects might have their own specific pictorial energy, but I don’t think they require any predictable way of being shown. So, I look forward to showing, ways of creating an appearance of something, whether it is a scene of tension or of something else.’ – this is suggesting that images can present different emotions, depending on how the photographer photographed their image and the meaning behind the image can help set the scene and emotion for a project or an individual image. Along with this, experimenting with how to present your work can be fun as you can show it in different ways, which can simple of unique.

‘Any slightly unusual subject would likely have to come to the artist through some sort of unexpected encounter. In the absence of such an encounter, you can still keep working by using once of the generic subjects as your starting point.’

‘there are simply NO RULES’ – from this quote, Walls is saying that there are no rules within photography. You can photograph what interests you and experiment it in different ways and it won’t be wrong as it is your view and perception on a certain genre and topic.

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Overpass, 2001

Technical; The lighting in the image is bright and sharp which contrasts against the dark, grey sky, the lighting is a natural source and the photo may have been slightly edited to make it brighter in certain areas. The image has a wide depth of field, this is due to the face the subjects are up close to the camera, yet you can see far down the street, making the image seem longer than it is. The color of the image is blue and grey, which gives off a cold effect and this is enhanced by the way the subjects are dressed as they are in coats.

Visual; Within the image there are three main subjects you can visually see, who are carrying luggage with them, they are also walking past traffic on an overpass. The lines created by the barriers of the left hand side of the image create a parallel effect for the image and these correspond with the shadows create on the floor and the line on the pavement. The shadows in the image give it a 3D effect.

Contextual/Conceptual; Within one of Walls interviews that I have looked at he said ‘Not every image is (or wants to be, or needs to be) a tableau…and when an image isn’t as acutely composed, it has less presence as a tableau.‘ part of this image may have been staged so Walls could get the affect of commuters he wanted but this image would’ve taken divers planning to photograph the people at the right time and to give off the correct emotion. As Wall said ‘Subjects might have their own specific pictorial energy‘, such as this image is presenting what it is like for travelers going to the airport, work, etc this images gives off the sense living and he is documenting what it is like for people living in different areas. The image is simple, but possess it’s own ‘pictorial energy‘ as photography has ‘NO RULES’ according to Wall, it is a free flow and everyone gets their inspiration from different subjects and whats to present their work in different way as mentioned when Wall expressed ‘I look forward to showing, ways of creating an appearance of something, whether it is a scene of tension or of something else.’, this scene carries some slight tension, the stress of having to be at a detestation will all your baggage both physically ad emotionally. Wall, throws everything he has at an image to give it a feeling of emotion and in this instance tension, which is present through the subjects and the dark sky as a background.

Review & Reflect

From working on this project, investigating the German Occupation and Liberation I have learnt new camera skills and have worked with new pieces of equipment. Within this project there were many different styles of photography, the first one starting myself off was portraits. In this section I photographed an individual who was alive during the Occupation and this allowed me to work more on my communication skills with the subject, it allowed me to take control of how I wanted my image to look and what story to tell. Along with taking individual portraits, I took images of the couple that came to talk to us, however photographing the couple was proven more difficult than I thought, I had to communicate with both subjects and try to get them to compliment each other in the image. I also had to think more about my lighting, as the male subject was stood slightly to the side and back of the other subject which cast a shadow over the women, which darkened and hide her features which I didn’t want, this lead to me adjusting the lighting so that the shadows would be cast behind them and their features would be bold enough for viewers to see at the glimpse of the image. After the portiere I then moved on to photographic objects from the Occupation and I learnt about two different set ups I could use to photograph different images.

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Using the different set ups, allowed me to focus and work on camera skills and director skills. As I had to take charge of what objects I wanted in an image and how they would complement each other, along with working with the lighting, making sure shadows were cast in the right direction and space to give off the feeling I wanted it to. With the set up with the camera facing downwards I had to constantly experiment where my image was placed as I could see through the lens, this set up took a lot more patience as I had to change the objects positioning multiple times. The different skills I learnt will be able to help me with my personal study as I have the skill to direct my own images and put across my different ideas.

Throughout this project I have photographed landscapes, people and objects which meant I had to use different techniques in order for my to portray the meaning of occupation and liberation through an image. When photographing the different landscapes, I had to work with the natural lighting I had around me and I couldn’t change the surroundings to how I wanted them I had to photograph them as they were. However, when photographing people and objects, I was able to direct my images, I could place them in certain positions or tell the people to have different facial expressions or body stance. I much preferred photographing people and objects, as I had more control over how I wanted my image to look, as I was able to home in on features and complexions that were visible on my subject. I will continue to work with people and objects for my personal study.