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Keld Helmer-Petersen biography and response

Keld Helmer-Petersen was a Danish photographer who achieved widespread international recognition in the 1940s and 1950s for his abstract colour photographs.The pioneering effort with 122 Colour Photographs brought Helmer-Petersen a grant from the Denmark–America Foundation to study at the Institute of Design in Chicago. During his stay at the school, he both taught and studied under (with others) the American photographer Harry Callahan. Helmer-Petersen began to experiment with the contrast in graphic black and white expression influenced by constructivist artists and their fascination with industry’s machines and architecture’s constructions.A selection of the photographs that Helmer-Petersen created in Chicago was published in the little book Fragments of a City (1960). This offers a portrait of the city in thirty five tightly composed graphic images and is a radical example of Helmer-Petersen’s graphic and formal experimentation.

Image result for KELD HELMER-PETERSEN plants

My Response

Editing process

In order to recreate Peterson’s work, I went through previous photo shoots and selected four images which I thought would go well with this mid tone idea. I then opened them all up on Photoshop and went up to image>adjustment>threshold. I then adjusted the slider until I was happy with the final outcome (These steps are shown below through the screen shots taken). I then changed the image sizes, in order to make them all the same size. Then on one of the images I doubled the width of the canvas sized and dragged another one of my images next to it. I then doubled the height allowing me to place the other two edits onto the screen, creating a grid  of four. I then saved this edit to the size of an A4 paper, allowing me to print it out.

Ralph Eugene meatyard biography and response

Ralph Eugene Meatyard was born on the 15th May 1925, in Illinois. At the age of eighteen he was forced to join the Navy, at the time of the Second World War. Lucky the war had ended before he was sent on an overseas assignment. Soon after the war he dedicated his studies into becoming an optician, but still continued with his passion for photography.

His photographic series ‘No Focus’ has combined his occupation with his hobby, showcasing what he was really passionate about. In this series the photographs are completely out of focus, reveling what it is like for blind people seeing the world. This powerful photographic series changed the way people captured photographs, as it went against the stereotypical techniques we would use to capture an image. His work within this series is very inspiring to photographers as it shows that experimentation with the camera is vital part of photography, and that breaking the stereotypes can actually result in effective images.Image result for ralph eugene meatyard zen twigs

My main inspiration from his work was this composition from his ‘Zen Twigs’ series. I took a liking to this due to the fact that within the frame, only one thing is in focus with the background out of focus or ‘blurred’. Within my interpretations, I utilized this skill but used it focusing on objects in the foreground and the background. 

Camera skills

Definitions of camera skills:

  • Focus Control– Focus is the one area that lenses out perform the human eye. Lenses come in a wide variety of focal lengths, allowing them to “see” objects that are very large and very far away, like galaxies and stars, or objects that are very small and very nearby, like bacteria and DNA.

  • Depth of Field- the distance between the nearest and the furthest objects giving a focused image.

  • Focal length– the distance between the centre of a lens or curved mirror and its focus.

  • White Balance– the colour balance of the image

  • ISO– measures the sensitivity of the image sensor

  • Aperture– a space through which light passes in an optical or photographic instrument, especially the variable opening by which light enters a camera.

Line, Shape and Form

Uses In Photography

Shape: A shape is two-dimensional. Yes, a photograph itself is two-dimensional, but a shape in a photograph doesn’t have any appearance of depth. Often, to make a 3D object appear to have no depth, front or back lighting is used. An object that appears to have depth either through lighting or perspective, is not a shape, but a form.

Form: Objects that appear to have depth, despite being part of a two-dimensional image, are part of the design elements of form. Forms usually appear to have depth through lighting that creates shadows, or by looking at the object from an angle, rather than straight onto one of the edges.

Line: Lines form the edges of shapes, but they also form shapes of their own. Lines can lead the eye in a photograph and serve as a powerful compositional tool.

Types Of Shape

Geometric: Geometric shapes have straight, defined edges. In photography, these types of shapes are most common in man-made structures, such as architectural photography.

Organic: Organic structures are full of curves and may not be geometrically perfect. These types of shapes are often most found in nature, the curve of a flower petal, for example.