After going into depth about Gjon Mili and getting a true understanding to how his work reflects dance movement and emotions, I began to investigate myself through planning and piecing together aspects of the investigation that I wanted to incorporate that would allow for the best possible outcome; whilst still considering work produced by Gjon and other relevant artists. For my own image I began by creating a plan and making a final decision in whether on whether I would photograph myself in the form of self-portraits or take images of other people to project the feeling and emotions of myself through the use of others through myself. In the end I decided to use other dancers for my investigation. I used three other dancers and planned four to five shoots that would help tell a story and the final result that I wanted to have by the end of project; a shoot where I photographed their baby photos, one where it was in the photography studio, dance school studio, detail shot shoot and then photographing my dance school environment. When adding all these photoshoots together to helped aid my story and emotion that I wanted to project through my images relating to dancing. After finishing up on my shoots it was essential to look back at Gjon Mili’s work and reflect on how I can relate it to my own, of course unfortunately I do not have access to stroboscopic instruments in order to create the movement of the image and capture the whole layout of the dance step. Furthermore I had to come up with a way that would enable me to give off a similar effect, for this, when in the studio I used the sports mode of the camera and got each dance to perform a pattern of movement for example, a high kick or a pirouette; this meant I got a photo of each different position that happens when carrying out these motions. Next I opened the images of each dancer’s movement which consisted of about 7 images per movement in Adobe Photoshop. Firstly, I edited each image to a certain standard in this case black and white with emphasis on the costumes so it would stand out when photographed were over laid. After the images were over laid, I adjusted the opacity which would enable all the images to slightly fade so they would become transparent; therefore, be able to see the process of the movement of doing a high kick, from start to end. This is somewhat a representation of Mili’s work as it creates the same forum when answer my question as the image represents the dance movement as long side emotional aspects presented through the colour and editing of the image; which helps tell a story when placed with other photographs that may aid this point.