Movements and ISMS

Pictorialism: 1880s-1920s

The desire for a photo graphical image to reflect and resemble a painting spurred the onset of pictorialism. Early pictorialsim portrayed romantic and religious themes, Reflective of the art forms of interest at the time. Women were mostly photographed due to the idea at the time being that males were seen as higher earners than women due to the gender pay gap, so therefore, Men were rarely the subjects of images and woman were therefore the subjects as a result as the men would typically be out working, whereas the women would typically be at home taking care of the children and doing household chores.

Structural elements of typical pictorialism, such as the joining together and combination of different images to form a composite image as a result. The recreation of atmospheric effects in nature are also a predominant feature and there is a heavy focus on tonality and focus within images. Pictorialism inspired works are typically framed and displayed in an aesthetically pleasing manner

Image result for pictorialism
This image, By Sebastian Geithner, Depicts a man on horseback, flanked on both sides by very large trees. The size of the trees is being utilised here to present the idea of the sheer mass and power of nature, and the darker tones within the image almost convey an idea of pending doom when compared to the bright white of the horse and the minuscule size of it in comparison to the surrounding landscape

Street Photography 1930s- Present Day

Street photography is a photographical movement that arguably changed the course of portrait photography as we know it, by essentially capturing one off candid moments of people in urban environments. Street photography is said to have roots in Paris, With photographers such as Henri-Cartier Bresson being pioneers within the movement itself. Street photography aims to explore the human figure itself and Humanity’s interaction with everyday life and situations within an urban environment. Many street photographers also tend to interact with their subjects as a form of gaining context to a persons background and the situation being photographed. Street photography has been used throughout the years as a platform to adress issues to the public, such as homelessness, poverty and racism. Street photography aims to be spontaneous and capture a moment in time, with the prime purpose of telling a story and highlighting the subjects interaction with their environment. Street photography can also be classed as documentary photography dependent on the approach of the photographer. If a photographer is less spontaneous and more precise with capturing images with the sole intent of telling the story of the subject, then Street photography can fall into the bracket of documentary photography.

Martha cooper street photographer work
This image, taken by Martha Cooper, Depicts children in an extremely rundown area of New York City playing with old discarded car tires. The image presents to us an idea of freedom within a world of poverty and oppression, as well as the innocence of children in contrast to the harsh reality of poverty. This image in particular portrays poverty due to not only the rundown area in the background, but also the attire of the children themselves, wearing tattered shorts and generally looking dirty and grubby. The idea that they are entertaining themselves with items that are considered as not of use to the average person and discarded as rubbish further highlights the theme of poverty within the image

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