Case study: Daniel meadows

Daniel Meadows, born in 1952, is a British photographer. He is from Gloucestershire. In this post I will be researching his photographic project, “June street”.

June street is essentially a series of family portraits Meadows has taken of British families in a documentary style. The aim of all these images was to capture the essence of every day, ordinary people. It’s clear from all these images that these are everyday working class families, as there’s nothing very extravagant or luxurious in the pictures. All these images were taken in the 1970s.

What attracted Meadows to photographing these people were the fact that all the houses on this street were awaiting demolition, and also the fact that it had been the street used to film the British soap, Coronation street.

“As a photographer, my principal subject was – and remains – the British people”Source

I decided to use Meadows as one of my chosen case studies as I like how his portraits portray the family unit in their environment, as I feel it can give the viewer a sense of knowledge surrounding the people in the images, as their environment can reveal a lot about them. I will use his work as inspiration when taking my own environmental portraits of my family to show both my mum’s and dad’s new families, which will represent their new relationships and lives since splitting up. I think this will be a successful way to depict this chapter of their lives as it will show viewers new relationships, and other things of significance in their life.

“I’m not interested in celebrities, just ordinary folk.” Source

In the video below, Meadows analyses his own work and also explains additional context regarding a selection of the image he took.


June Street by Daniel Meadows from DEVELOP Tube on Vimeo.

Analysis:

Technically, the composition of this image is very pleasing to the eye as the photographer has used the rule of thirds by placing the subjects on the right side of the frame. I think this balances the environment and the family perfectly in the image.

Visually, We can see what appears to be a mother, her 2 children and a cat in their home environment. Behind her we can see what appears to be a painting or image, likely of someone of importance, as it is hanging centrally on the wall. We can also see objects hanging on the wall which adds more personality to the image.

We know contextually, that Meadows photographed different families, all working class, and their individual structures on “June street” in Salford, where 20 houses were awaiting demolition.

I think that conceptually, this image may show the bond of a single parent family as we see the mother in very close proximity to her children, and her expression shows she is very happy. Although, contextually I know at this time being single and working class would come with very difficult struggles and hardships, the strong sense of community on this street would have probably made life a little bit easier.

case study sian davey

In this blog post I will be researching and exploring the work of Sian Davey, in particular, her project 'Martha'. What I believe I will take from researching Davey's work is how to capture moments in time and how to photograph people from a different perspective. She also happens to feature twins in her project which will give me ideas on how to capture them both as a collective whilst showing their individuality.

A useful website is:  https://www.lensculture.com/articles/sian-davey-martha 

It features Daveys talking about why she started this project and also features a lot of images from the project.
Twins
This is the image called twins. Although you can tell that the two girls do look similar, I think that Daveys has been able to capture their individuality and show that twins are separate people with separate identities. These two girls do resemble my twin sisters personalities, Scarlett is a lot more like the twin on the lest, tomboyish with her hair down a lot, her expression makes me believe that this girl is strong willed and outgoing as she is boldly staring into the lens which is what Scarlett is like as she is very extroverted. Phoebe represents the twin on the right, her hair is constantly in plaits, and her looking away from the lens makes me believe she is more introverted which is also like Phoebe as she can sometimes be a bit shy towards new people she meets. 
Prom
This image is called prom. I really like the depth of field used in this image as although it focuses on the girls doing their makeup in the background, the blurriness of the girl at the front creates a sort of pictorialism feel to the image. I also feel like this image resonates with my sisters because Phoebe loves makeup and doing it on both herself and others. Scarlett isn't very good at makeup and often goes to Phoebe to have her do it for her. The makeup in this image is very simplistic and natural which is often what Phoebe and Scarlett go for as they are only thirteen, still children but starting to grow up. This image also gives me inspiration for my own photoshoots because although this activity is just a day to day activity, it is very intimate and requires the trust of others to alter your appearence and enhance your beauty.
This image will be another image that I will take inspiration from. Me and my family are about to go on holiday to Bali, and we are right by the sea so we will be swimming a lot. Whenever we are on holiday my sisters are always in and out og the water so are constantly lounging about in towels. Although we won't be in a similar environment to this image, I can have my own twist on this image. I like the intimacy in this picture as the girls are very exposed but look so comfortable around eachother. As my twin sisters have such a strong bond, they are very comfortable around themselves so I feel an image similar to this will be able to demonstrate their unique connection and relationship to eachother. 

Pictorialism VS Realism

PICTORIALISM

Pictorialism was first invented in the 1860s and has continued to be extensively popular till around 1910s, and initially began staging scenes which influenced Tableuax. Pictorialism is the development of photography into the reinvention of an art form placing beauty, tonality, and composition above creating an accurate visual record. This was where photography finally began to be fully accepted and began to be seen on the same line of painting and start to have it recognised as such by galleries and other artistic institutions. In the beginning of photography it was mainly for scientific and representational purposes. This soon shifted in the 1950s when advocates such as the English painter William John Newton who suggested that photography could also have huge artistic trait.

KEY CONVERSATIONS/CHARACTERISTICS

When photography first came about, and people first wanted it to be portrayed in the light of art and paintings photography was an entirely mechanical medium, its common that labour-intensive darkroom processes to produce unique prints. when printing the images it was common that other colours were used other than black and white ranging from warm brown to deep blue and may present visible brush strokes or other manipulation of the surface. Photograph was a way of projecting an emotional intent into the viewer’s realm of imagination.

METHODS/TECHNIQUES/PROCESSES

  • Involved experimenting with chemicals in the dark room, and placing Vaseline on the lens, for effectiveness in final production

ARTIST ASSOCIATION

  • F. Holland Day (1864-1933),
  • Alfred Stieglitz (1864-1946),
  • Clarence H. White (1871-1925),
  • Edward Steichen (1879-1973)
  • Paul L. Anderson (1880-1956),
  • Charles Sheeler (1883-1965),
  • Edward Weston (1886-1958),
  • Man Ray (1890-1976) and
  • Paul Strand (1890-1976);
  • Julia Margaret Cameron (1885-1915)

REALISM

Photo realism which now also know as super-realism, was first invented in America as an art movement in the 1960s, and used photography as its basis for inspiration. Photo realism developed over time out of pop and minimalism movements that preceded it. Photo realism looked at breaking down hierarchies of popular topics where people what to present a view on a particular subject, for example cars, shops etc. It is presented in the genre of art that encompasses painting, drawing and other graphic media, this is where artist studies a photograph and the attempts to reproduce and recreate the as realistically as possible in another medium.

KEY CONVERSATIONS/CHARACTERISTICS

Photo realism is all about creating and producing photographs which are representable of something else and shows a real life situation, focuses a lot of little detail and shapes within the picture. As well as this it try’s to project a motion of feeling or an impact on our lives- documentary photography.

ARTSIST ASSOCIATION

  • Thomas Eakins (1844-1916)
  • Willy Ronis (1910-2009)
  • Edouard Boubat (1923-1999)
  • Charles Sheeler (1883-1965)
  • Gustave Courbet (1856)

Statement of intent

For my Personal investigation I am going to look at both Occupation Vs liberation, I am going to do this by focusing on my past experience of being liberated, but also, having a look at how my granddad during the second world war was taken from a place he knew to an unknown place. I have decided to focus on this topic because I want to give a wider meaning into how it feels to be moved and to not know where you are, when you are still a child.

Then I am going to use a mixture of self portraits of myself, and archival images of when I was younger, I am also going to use images of my grandad when he was younger, by doing this I will be able to explain what happened. I am going to use text in my photo book to explain each story in detail and the memories .

These two stories are very similar in how the correspond to each other from the way that both me and my grandad shared similar experiences when we were younger.

Narrative and Sequencing For My Zine

Mood Board:

All Images from Google Images

Narrative:

For this zine, I wanted to portray the relations towards the people and objects. I wanted to show how the objects could’ve been used and who could’ve been using them. To show this I paired images of people from archival sources (Société Jersiaise and the Jersey Archives) and images I took of WW2 objects. I wanted to show the occupation and liberation of the people of Jersey through the relationship of the people and objects, and I wanted to pair the images together such as an old radio with a archival image of German soldiers using a radio. I will show this narrative and context with the layout of my zine, also I will show the narrative between the person and object with my layout design.

Sequencing:

For this zine, I want to match the colours of the background of my WW2 object images with the back and front page of my zine. I also want to keep the theme of my zine quite simple as I want the images to stand out and have an impact on the person viewing my zine. One section of my zine will be the black and white images from the Jersey Archives mixed with the black and white images of the WW2 objects and the other section with be the photos of the WW2 objects with the coloured background. I want the title of the zine to be translated into German to link with the German occupation. I want to coordinate the colours with the images to create an aesthetic for my zine.

Personal Study: Initial Research and Ideas

Mood Board:

Mind Map:

For personal study I want to show the pejorative and ameliorative sides of a romantic relationship. I am going to investigate what a ‘healthy relationship’ and a ‘unhealthy relationship’ is as I want to show the contrast of the two. The key photographers I initially researched were, Larry Sultan, David Kirscher, Nan Goldin, Lin Zhipeng and Yael Malka.

Academic Sources

Lin Zhipeng

https://www.m97gallery.com/lin-zhipeng-223

www.linzhipeng223.com › info › biography

Dorothée Smith

http://www.femininemoments.dk/blog/loyly-a-new-photography-book-by-dorothee-smith/

David Kirscher

https://www.c-heads.com › 2018/09/01 › love-is-what-we-are-here-for

https://www.arismoskov.com/index.php/event-experience/310-david-kirscher

https://beloved-stories.com/david-kirscher-exploring-intimacy-through-photography/?fbclid=IwAR2LoYfRQmJJskTWK5AG_JS9A_-aqKixJt6TT_489jcDEoPHv1FTK45zUhA

Bibliography;

Howgate, S. (2017) Gillian Wearing and Claude Cahun; Behind the mask, another mask. London; Natural Portrait Gallery.

Critic Sarah Howgate said; ‘Self Portrait (against granite wall) (1916, cat.14) is one of the first examples of Cahun’s transformation into gender-neutral figure.’ (Howgate 2017:23)

Pictorialism vs Realism

PICTORIALISM

Time period : From 1880s-1920s

Key characteristics/ conventions : In 1839, photography was first created in order to objectively present subjects scientifically.Photography was not considered as art until pictorialism was presented. Photography was considered too easy to be considered a form of art.

Photographers from the pictorialism era wanted to make photographs look like paintings and drawings to be like the art world, which juxtaposes original purpose for photographs. Male photographers emphasised erotic aspects of the female subjects. Women were made to look weak and sensual.

Artists associated: Julia Margaret Cameron (1815-1879), Peter Henry Emerson (1856-1936), The Vienna Camera Club (Austria), The Brotherhood of the Linked Ring (London), Photo-Secession (New York)


Key works:

Methods/ techniques/ processes: makes photographs look like paintings, experimented with chemicals in the dark room, placed Vaseline on lens.

REALISM / STRAIGHT PHOTOGRAPHY

Time period: Mid-19th century, first appearance was in 1826

Key characteristics/ conventions : Creating photographs which retaliate with pictorialism, and shows real life. Moving away from trying to make photographs look like paintings and focusing on detail, shapes and images. Realism captures real life society and brings up issues of society.

Realism was made with intent to impact and change the lives of the subject. This then influenced the movement of photo journalism and documentary photography among the genre.

Artists associated: Paul Strand, Alfred Stieglitz, Walker Evans, Social Reform Photography


Key works:

Image result for paul strand

Methods/ techniques/ processes:

Using photography as its original purpose, to capture things in focused sand clearly.

Capturing society and the world.

Photography Decoded

Bibliography

Bright S and Van Erp H (2019)- Photography Decoded. London: Octopus Publishing House, Quotes.

Bright and Van Erp 2019:18- The process of manipulation starts as soon as we frame a person, a landscape, an object or a scene with our cameras.”

Bright and Van Erp 2019:17- From Daguerre’s age to ours, photography has undergone a transformation, not only technologically but conceptually.”

Bright and Van Erp 2019:17- ” If manipulation is the first thing someone thinks of in connection to photography, what does that say about the value of photography as a reflection of reality?”

Bright and Van Erp 2019:20- “Does a photograph need a camera in order to be defined as one?”

Bright and Van Erp 2019:18- “Documentary and news imagery may seem the most realistic genres in photography, but their realism means nothing independently of how news media apply their ethical codes.”

Bright and Van Erp 2019:19- “What are the differences between reality, witness and point of view?”