Identity and Place – Photo Shoot 1 & 2

My Response:

For my response I wanted to explore with fashion and culture. I wanted to show how people express their identities through  clothes. I also wanted to explore the fashion trends at the moment, especially over-sized and “unflattering” clothing pieces.

For my first photo shoot I am going to be looking more at casual everyday clothing (in a sense). I will be pairing everyday conventional pieces of clothing and making them more high fashion and runway worthy. I will also be doing the models makeup and hair.

For my second photo shoot I am going to be looking into more sophisticated, elegant and chic pieces of clothing.

1st Photo Shoot

Contact Sheet:

Final Photos:

Needed to edit exposure in Photoshop.

Needed to edit exposure in Photoshop as it is too under exposed.

Needed to sharpen this photo in Photoshop.

This was too over exposed so I knew I needed to edit the exposure in Photoshop.

Final Photos (Edited):

I am really happy with how these edited photos came out. I think I captured the essence of Kiki’s photos really well and I think it shows off my camera skills very well. Overall I’m satisfied as it shows the message I was trying to portray.

Second Photo Shoot:

Contact Sheet:

Final Images (Unedited):

Final Images (Edited):

For these edited photos, I decided to get ride of most of the background and just make it plain so the focus is more on the models than the background.

Overall, I am very happy with the outcome of this photo shoot as I feel I was able to capture the images that I wanted to, but, I think I will need to edit better next time as it is a little plain.

 

 

 

 

Kiki Xue

Kiki Xue:

“Chinese photographer Kiki Xue is really into fashion and photography which he pursues as a dream. Photography, seen not only as a record but also as a creation, means a lot to him. Kiki uses photography to carry his feelings in each detail, each expression, each emotion of his works. His photography is fulfilled with magical aspects. Kiki loves women and he combines his own feeling with theirs, showing these feelings out through pictures. He always believes that photography is a way to record the simplest moment without any artificial. Most of his inspiration comes from drawings. Kiki would like to use his camera to create a vision of life and the world, which is perhaps a little unreal, abstract, like a cloud floating in mid-air. His editorial work has appeared in publications such as Vogue Italia and Harper’s Bazaar China. ”

http://www.thephotophore.com/kiki-xue/

Examples of his work:

Kiki Xue

 

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Saul Steinberg

Small Family Group, Chelsea Hotel (from the Mask Series with Saul Steinberg), 1962. ;Photograph by Inge Morath, © The Inge Morath Foundation

Steinberg captured people with paper bags over there face, hiding and disguising their identity. On the paper bags there are shapes creating a cartoon style face. When someone looses their identity they tend to hide their emotions with fake ones, the paper bag acts metaphorically to show the fake emotions that a person is likely to present when they loose their identity, which presents the conceptual elements within this photographic series. Technically speaking the models are located in the centre of the frame, allowing them to be the main focus point. The background is used to present the background of the person, the type of people they are. In this case they seem rich due to the posh fireplace and large amount of space surrounding them. The photograph is presented in black and white which allows the image to be high in tonal contrast allowing details to be shown clearer.  Space, tone and texture are the main formal elements which are being presented within this image. They are all presented through the background and the model, which all add the effect of loosing an identity. The camera settings when taking these images where precise, the ISO seems to be slightly high as there seems to be an intended noise, this also contextually shows the time period (1962) that these images were captured in. The shutter speed seems to be quick as there is no intended blur, moreover there is a large depth of field due to the whole frame being in focus. This photograph presents cold artificial lighting, which adds to the depressing and sinister tone which Steinberg is creating around the idea of someone loosing their identity and trying to be someone whom they aren’t. Contextually, Steinberg wanted to show that everyone is society ‘wears a mask’ to hide the true identity, whether it is metaphorically or physically, through makeup. He said that this was because it acted as “a protection against revelation.”. Applying this to loss of identity, it shows how when people loose their identity they try and pretend to be someone they are not, so people do not find out what they are going through. To apply this contextual idea to this image the paper bags are suggesting that because these people are rich they have to act rude and snobby towards others due to the class system.

Based on this artist research I want to conduct a study where I look at capturing my model disguising their identity. In order to present a stronger relationship between the artist and loss of identity, I intended to use plain white masks and plain simplistic background, so no identity is built around the background of the model. Moreover, I intended to use a similar soft cold lighting in order to create a depressing tone to my work. In order for more inspiration with the use of masks and paper bags, to disguise and present the idea that my model has lost their identity and pretending that they are okay, I intended to conduct visual inspiration through a mood board, were further interests surrounding this topic can be presented.

Mood Board Of Other Artists Work With Masks
  • While exploring further into mask photography, I got a glimpse of the idea of surrealism with masks. Within this I saw a thin white material like a bed sheet around the head of the model, which takes the viewer away from naturalistic photographs. This presents loss of identity as it shows that there is nothing left when you lose your identity, the white sheet presents metaphorically that the person who loses their identity is left with emptiness. This is an aspect which I think could inspire my photoshoot of masks
  • Another aspect which present clear ideas is the use of a blank white mask. These masks can be considered eerie and scary, which can present the emotions that a person feels when they loose their identity. Moreover, the mask physically covers the face of the model which shows the loss of their identity.

By conducting this further research of mask photography I have clear ideas and visions that I want to bring forward to my photoshoot which will be inspired by Steinberg’s use of paper bags/masks.

Identity: Tish Murtha Case Study

For my identity project into the influence that adults have on the development of children’s identity,  I have decided to take inspiration from the work of Tish Murtha, a social documentary photographer who worked in Britain. she is was best known for documenting more marginalized communities, such as the working class in the North East of England.

Her photography is documentary style, and often uses candid photography in order to truly show a true to life representation of the life, struggles and social workings of the groups she photographed. Examples of her work can be seen below:

Her work often shows the raw emotion on the faces of her subjects, allowing for the identity of the subjects to be presented through their emotions, feelings and reactions to their present situations.

Murtha uses her photography to inject personality into the individuals who are often simply stereotyped and grouped into certain groups of people. Her photography gives individual personalities to the people who are often shun by society due to their social class, position in society, age, gender or job.

Murtha produced exhibitions such as Youth Unemployed (1981), Elswick Kids (1978) and Juvenile Jazz Bands (1979), which showed the struggles of children living in the lower bands of society during the 70’s and 80’s, using photography to display real life issues such as poverty, unemployment, conflict and a lack of individual identity within the children of the working class.

Elswick Kids – Tish Murtha (1978)
Elswick Kids – Tish Murtha (1978)
Elswick Kids – Tish Murtha (1978)

Through her photography, Murtha raised important issues about society with the public, as her work depicted the struggles of the working class, and the social issues they face, which the viewer can then compare to the issues they themselves face.

Murtha, born in South Shields in the North East of England, was accustomed to the poverty and deprivation that was common in the area. Her work focused a lot of attention to proving that, although the subjects in the photographs often look care-free and happy, the environment in which they live is often poverty-stricken, run down, and appears to lack any outside help in order to make it safe and appropriate for living in.

The above image was taken by Murtha as part of her Youth Unemployment exhibition. This image uses the shock factor of the young boy holding a cigarette so nonchalantly in his mouth, in order to draw the attention of the viewer, before allowing them to understand the underlying meaning. This image portrays the children in a situation (playing cards and smoking cigarettes) that would normally be associated with adult behavior. Here, Murtha is commenting on the fact that a deprived environment often forces children to grow up faster than they should, and the situation they are placed in (poverty) influences them to take the identity of the adults around them.

The above image is an example of where Murtha took close up head-shots of individuals living in the run down areas of Newcastle. Murtha incorporated elements of both candid and posed photography. The above image focuses on the appearance of the subject in the foreground, who appears to come from a poorer, lower class background. While the subject appears to be from a less privileged background, his facial expression does not convey negative emotions, rather he seems distracted by something interesting. 

This image by Murtha really conveys the theme that all of her work follows. The young girl in the image is seen jumping on an abandoned car, a dangerous activity in a hazardous run down area that now days, would violate health and safety regulations immediately. However, the context of the image indicates that the subjects are actually enjoying this activity, with the subject in the background moving to stand back on the car roof (presumably after already jumping off). Here, Murtha is able to covey that, even among the deprivation and poverty, children still adapt to their environment and create fun out of seemingly dangerous or boring situations.

Photo-montage: Response to Peter Kennard

In order to experiment with photo-montage, I have decided to create a response to the artist Peter Kennard. His work focuses on portraying his views on political and social issues, such as war, politicians and environmental concerns. His work often criticizes the use of nuclear weapons, and highlights the importance of protecting the earth and innocent lives from the consequences of war

Below is a montage of the work of Kennard that challenges the current politics and social issues:

Taking inspiration from Kennard, and his criticisms of politics, the first photo-montage I created involved using Photoshop to cut and paste different facial features of different well known politicians onto the face of the current prime minister of England. For this image, I have taken inspiration from an image created by Peter Kennard, who used an image of the prime minister and photos-shopped another politician into her head. This is a statement made by Kennard voicing his opinion on UKIP, and the decisions made by the politicians involved.

The image I have created also criticizes the current political situation of the UK, and incorporates the same style as Kennard (using a black and white color scheme, and using a black background in order to draw maximum attention to the image in the foreground).

My photo-montage
“Where’s UKIP now?” – Peter Kennard

As well as criticizing politics, Kennard also uses his photo-montage work to criticize the physical state of the world and environment.  He uses photo-montage to show his opinions on how human activity destroys and disrupts the environment.

Kennards photo-montage depicting a nuclear power plant as the top half of earth, created to criticize human use of resources that produce waste harmful to the environment

In order to further experiment with photo-montage, I decided to take inspiration from Kennards work revolving around criticisms of environmental issues, and created the following photo-montage:

This image uses the same color scheme (grey-scale) as Kennard, which helps to emphasis the image in the foreground. As well as taking inspiration from Kennards work for the color scheme, I have also used a plain black background, as I feel like this allows for the image in the foreground to warrant maximum attention of the viewer, and helps to show the issue presented in the montage as an issue separate from anything else, allowing the viewer to focus all attention on the issue at hand.

After looking further into Kennards work, I have produced a variety of images that take inspiration from his photo-montage style, but do not replicate his work exactly (they include some original ideas and concepts). Below are the results of this:

 

 

Editing Potential Final Outcomes

I have had a go at editing some of the images I have taken in the past that I may use as final pieces or to help inspire me and show me some of the styles I could use for my final pieces.

On this image I started by using the cropping tool so that I could easily focus on the main point of the image which was the person.

After this I used the black and white option that can be found under – Image > Adjustments > Black and White in Photoshop. I have tried using this with a few of my images because the photographers I have looked at in my case studies all started in black and white.

I have then used the Brightness and Contrast option. I have tried not to use this excessively. I used it to make the darker areas in the image darker to make the person stand out more especially since his hair has come out dark.

This is the final outcome from the small amount of editing I have done on the image. I like how the image has come out using the black and white filter over the top. I like how this image has come out, it doesn’t really create a detailed view of the persons life though.

This is another one of the images I have taken that I thought I could edit a bit, to experiment using different tools. I have started by using the cropping tool to avoid having too much white space around the person. This also allowed me to use the rule of thirds.

After this I changed the exposure settings to make the background a lot brighter and consistent in colour. This also allowed me to have the light on the person sort of blend in with the background, on the left side.

I have also experimented using the vibrance settings on this image. This allowed me to make the colours seem like they are darker, but look as if they glow a little bit to help them stand out more. 

This is the final outcome of this image that I have come with while experimenting with these features. I like how the image has come out using the rule of thirds, but it could use something in the background other than white, as it makes the image look barren and doesn’t really create an identity for the person.

 

 

 

Typologies Research

I have decided that I’m going to present my images in the format of a typography. since a lot of my images in the first photo-shoot are very similar in composition and feature the same subject, I believe that a typology would be a good way of presenting my images and thus I will adapt my future photo-shoots for the project to the format of a typology.

One of the most notable photographers in typologies are Brend and Hilla Becher while there work doesn’t thematically link to mine as they photographed buildings as opposed to possessions however I believe that their work is some of the best examples of typologies available.

Image result for typologies becherImage result for typologies becher

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Some other examples of photographers that have used typologies as a form of presentation for their work include Zhao Xiaomeng, his work with typologies is also more closely related to mine as it deals with possessions in the format of a typology.

Image result for typologies photography zhao xiaomengImage result for typologies photography zhao xiaomeng

I believe that typologies give the photographer the freedom to use a variety of images which is especially helpful if you believe that there isn’t a single image that could properly represent the best of the photo-shoot and convey the message of the photo-shoot properly.

Idris Kahn experimented with the photos of Bernd and Hilla Becher and presented his own take on the ideas of typologies. The images are essentially multiple exposures overlayed over each other. Since the images all come from the same typology they are very similarly composed and thus give an interesting effect with a Gaussian distribution.Image result for idris khanImage result for idris khanImage result for idris khan