BARBARA KRUGER & ANALYSIS (MOCK)

Barbara Kruger was born in New Jersey, 1945. She attended a School of Visual Arts and went on to study Art and Design at Parsons School of Design in New York. She went on to get a job with Conde Nast Publications as a graphic designer, she was quickly promoted to head designer and carried on getting jobs such as; graphic designer, art director and picture editor.

Barbara Kruger is now a very conceptual artist, most of her work is made up from black and white photographs with strong text overlaid.

I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.”

– barbara kruger
barbara kruger

 

Analysis

 

barbara kruger – ‘dont tread on me, dont tempt me’

 

This image is titled ‘Don’t tread on me. Don’t tempt me’ and is a good example of Barbara Kruger’s quickly recognisable aesthetic.  Krugers aesthetic generally includes phrases layered against a black and white photograph.

In this print Barbara Kruger presents an image of a snake, surrounded by a thick, bold red border, with text boxes splitting the phrase at both the top and bottom of the image. The font used is typically used in advertising, specifically, the well known, popular brand, supreme. Using a familiar and bold design catches peoples attention immediately, therefore reaching a greater amount of people.

Kruger uses red text boxes against black and white photographs producing a contrast between the text and the background, personally I think this is also highly effective as it keeps the two elements separate, rather than merging the whole image into one ‘layer’.

Photo shoot 1 – Edits

In my first photo shop idea I wanted to show the body of my model disappearing. I decided I wanted to get rid of the body but keep the arms and the head. My model has her head slightly turned showing her nose, this makes it look like she is looking out to the horizon, potentially looking for her identity. Her arms are joined which shows she is trying to keep herself together, due to the disappeared body implies that she is finding it hard to do this. The image is in black and white like Simpson’s work and clearly demonstrates my model loosing her identity. In order to achieve this I cut out my model using the quick selection tool, and placed this layer onto a new A4 white page. I then used the rubber tool in order to rub away the body. I then leveled and desaturated the model layer in order to allow a high contrast in tonal regions. I believe that this edit is successful as it shows the process of the model loosing her identity.

In my second edit I wanted to make it more symbolic, through the use of shapes. In the centre of the image is a black circle, this circle is used to represent the model being swallowed up (her identity being taken away). The color black and white represent a empty void where nothing is, conceptually showing what it is like when you lose your identity. The models legs are sticking out as if she is sitting in this void. This shows that she is so far in (highly depressed) she does not want to come out and talk about, which is usually the best option. Like the other idea no colors have been used in order to prevent a small identity being shown. In order to achieve this idea I created a new A4 page and place a black circle in the center of the page using the ellipsis marquee tool. I the opened up the image I wanted to use and used the quick selection tool to cut out my models legs. I then placed the leg layer on to the A4 document and used the burn and blur tool to blend the legs into the black circle. Using the transformation tool I made the legs smaller, to shows how small loosing your identity can make you feel. I am extremely happy with the outcome of this edit and believe it matches the theme of loss of identity.

Due to the success of my second edit I wanted to use use the black circle again due to meaning and representations it bought to image. I started off by using the quick selection tool to cut out my model, in the bent over position. I then placed the leg layer on to the A4 document and used the burn and blur tool to blend the legs into the black circle. Using the transformation tool I made the legs smaller, to shows how small loosing your identity can make you feel.

In my next idea, I selected the image were someone else was covering the face of the model who has lost their identity. In order to show this person having an Identity, I decided to use the quick selection tool to cut them out. I then turned the background layer black and white by pressing ctrl + U. This created a colour splash, I felt that I could expand this idea. I decided to change the colour of my model to a ‘wild’ colour in order to create a dramatic contrast. I did this by pressing ctrl + u and altered the hue slider. This contrast I feel clearly portrays someone with identity to someone who has lost their identity. The model who has lost their identity can be seen in the background as a blur, which shows that she is a minor and does not want to be seen by others, thus it helps to create a powerful image.

Due to the success of the idea above I decided to follow the same steps but with the image above. Having the hand of someone else covering the models face shows how she is not important and should not be looked at, also presenting what it is like to have lost an identity.

In my final idea I wanted to showcase this natural double exposure. The image was taken through a window, so you are able to see the model and the background being reflected by the mirror. In order to show this I adjusted the levels and curves in order to allow both the model and the scenery to clearly be visible. I turned down the saturation of the image as well to create a dark and depressing mood to the image. I created this to show a before and present image. The scenery is what life was like before the model lost their identity and the model herself is seen looking the other way showing that her life is nothing like this anymore.

I am very happy with all my outcomes from this photoshoot as I believe they all showcase what life is like when you loose your own identity. I believe that these outcomes could lead to successful final pieces.

Identity – Photo shoot 1

This photo shoot is inspired by the artist Lorna Simpson, who captured the model without including their face. I believe that this is a good idea when trying to capture someone loss of their identity.

Planning

I will conduct this photo shoot in a variety of settings, from outdoors to indoors in enclosed areas. In these multiple locations I tend to have a plain background which means setting will not ruin the idea of having no identity. My camera settings will be kept normal, however I may experiment with changing the ISO to make the images darker, which also helps to show the dark and depressing side loosing identity has. Moreover, I am going to look at experimenting with the shutter speed in order to create and intended blur, to convey that maybe loosing an Identity leaves your life in a blur, making those images metaphorical. I will be using different props such as people, pillows, windows etc in order to block the face of my model allowing the sense of loss of identity to be shown.

Contact Sheet

I am very happy with the images I managed to take out of this photoshoot as it has provided me with inspiration in the editing stage. However, I found it hard to capture images without repeating the image before, resulting in less images. Knowing this fact it will help inspire my next photoshoot.

ENTRE NOUS by CLARE RAE x CLAUDE CAHUN

The majority of both Claire Rae and Claude Cahun’s work consist primarily of self portraiture, the main difference between their work is the way in which they incorporate their bodies into the environment. Whereas the composition of Claude Cahun’s work is rather standard for the most part, what makes here unique is the experimentation with gender roles and societal standards by adopting an androgynous appearance and by shaving all her hair including eyebrows and wearing clothes typically worn by men. Claire Rae on the other hand works to explore how her body interacts with her surrounding environments, her work will often have her contorted to fit her surroundings. she is very careful with her choice of clothes in order to insure that She stands out with the environment while maintaining a rather muted appearance. Both artists images are rather similar in terms of general aesthetics, with both artists adopting a rather similar style of photography. It is clear that Claire took inspiration from Claude as seen by the use of rather muted tones throughout the images, often even similarly composing her images.

My personal favorite image of Claire Rae’s work is the image inserted below. I like the composition primarily due to the triadic structure of the image as a whole, including the 3 holes in the wall and the triangular shape formed by Claire Rae. I also like the strong use of contrast in the image. This and the wide range of focus (as well as the lack of grain) suggests the image was taken using a low ISO, paired with a long shutter speed and small aperture.Bunker.jpg

My favorite image from Claude Cahun’s collection on the other hand cleverly utilizes a double exposure almost creating a feel of a split personality. This image more strongly uses contrast. The grain and time period of the image suggests that it was taken using film. I believe it was taken using high ISO film and a low shutter speed to create strong tonal contrast.Image result for Claude CahunI like How the gallery is organised and presented as the spacing between the images allows the pictures to breathe, not overcrowding any walls with images. I believe this was done also to only allow the very best of their work to be displayed to portray the photographers best work better. I do however believe that it would be better to not separate the photographers’ between 2 different rooms as this doesn’t allow viewers to compare and contrast their work under more scrutiny.