WEEK 3- STREET PHOTOGRAPHY

Street Photography 

Street photography is photography conducted for art or enquiry that features unmediated chance encounters and random incidents within public places. Most street photography does not necessitate the presence of a street or even the urban environment. Though people usually feature directly, street photography might be absent of people and can be an object of environment where the image projects a decidedly human character.

MOOD BOARD..

Henri Cartier-Bresson

Bresson was a French photographer, who thought of photography as a way of capturing a decisive moment. Bresson’s passion of photography came at an early age when he used to capture moments of his family holidays. Due to this small hobby developing he has made it into a career and has also made a large contribution towards photography.

Emotional response 

The children in this image draw us in a cause us to develop an emotional attachment to them due to it looking like their homes have been destroyed because of the wreckage behind them. The facial expressions on the children also draw us in due to there expressions not being happy which leads us to wonder what else is wrong and realise that something isn’t right.

Technical response 

This edited black and white image shows the destruction in the image in more detail (eg. the detail of the hole in the wall), as well as the children’s moody faces. The hole in the wall sort of acts like a frame and is a large subject of the image. The children being outside this wall as well as in it ( the boy on the right hand side) suggests that they don’t have much to play with which is shown by the boy of the right hand side smiling while climbing the unsafe wall. The formal elements of this image is shown through the use of the children in the location. The whole pictures is in focus, however the background is slightly less out of focus which gives the image a large depth of field. There was a quick shutter speed used due to the non existent blurring, as well as the image being taken in natural lighting in the children’s natural environment.

Conceptual Response

Not looking at the context before hand- I think that this image was taken to show children who have to live in poverty due to countries being at war. And the hold in the wall acts as the subject matter of the image as the hole shows how war has effected the children.

Contextual Response

This image was taken in 1933 right before the Spanish civil war which is sad due to the children playing in the last wars wreckage and now they will have to experience another war.

Planning my photo shoot 

I will be capturing my ‘ Street Photography’ images in town during the late afternoon. I will be walking around looking for interesting characteristics. The lighting will be natural and i will keep my camera setting on a manual focus due to wanting to have a quick shutter speed so i can take many images. I plan to be very discrete so i can capture people unaware and just doing the tasks they would normally carry out. I will also do this same plan in the passenger seat of a car.

Contact sheets

Best outcomes

Technical analysis 

In this street photography experiment, i used a  Canon EOS 1300 D and the image was taken in Manual Focus. Using Manual focus allowed me to change the white balance to cloudy as this image was taken in natural light, as well as being able to change the shutter speed to 1/250 and experiment with the zoom lens.

Visual analysis

Visually we can see that the man seems to be waiting for something as he has his hands in his pockets. He also seems a little annoyed that he see’s a camera pointing at him which we can tell by his frowned face.

 

 

 

 

 

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